Nick Hackworth, the owner of the London gallery Paradise Row, with a Quranic verse in neon calligraphy by Shezad Dawood, on display at the  Abu Dhabi Art fair at the Emirates Palace hotel.
Nick Hackworth, the owner of the London gallery Paradise Row, with a Quranic verse in neon calligraphy by Shezad Dawood, on display at the Abu Dhabi Art fair at the Emirates Palace hotel.

Abu Dhabi Art fair 'arrives' as a major player



The xylophones tinkled, the flag fluttered in the night air, and the waves lapped at the shores of the Emirates Palace hotel. Amid the lilt and purr of conversation under starlit skies, some of the world's smartest gallery owners were toasting Abu Dhabi's arrival as a major player in the international art world.

Among the rumoured sales was a 15 metre long, US$5 million (Dh18.4m) abstract work by the American artist Frank Stella, entitled Damascus Gate, believed to have been scooped up by one of the city's leading institutions.

Among the roll call of big names adorning the walls, I counted four Picassos, a Matisse priced at $4.2m, a rather exquisite Cézanne, a Fernand Léger, and several Robert Rauschenbergs, in what was probably the highest density of major modern masterpieces of any recent world art fair.

The most striking pieces in the booths of the Palace's ballroom included a green action man standing, gung-ho, outside the Traffic gallery, a series of neon-lit Quranic inscriptions adorning the walls of London's hip Paradise Row, at the Gagosian gallery a large piece of flag-draped Americana, also by Rauschenburg, a roomful of Jean-Michel Basquiat's anarchic graffiti art, and a giant convex mirror of burnished stainless steel by Anish Kapoor that seemed to eclipse viewers in its blind spot, swallowing them up before amplifying them outward, spangled and distorted.

Outside, amid the fountains and aqueducts of the courtyard, silhouettes flitted in the night air, and among the ultra-chic crowd major players from New York, London, Paris and the bigger cities of the region mingled in a meeting of the art worlds of East and West.

In only its second year in its current form, the Abu Dhabi Art Fair has come of age, with the emirate placing itself squarely on the world art map and making its presence felt. Like any art fair, this was an exuberant hotchpotch of stuff, a hit-and-miss mix-and-match; here was a meeting of old and new, masters and moderns, European, American and Middle Eastern; a meeting of the sublime and the humorous, gimmick and shock-appeal, the controversial, the sensational, the absurd and quaint, some good, some not-so-good, and here and there works of indisputable and breathtaking genius.

"The collections being built here are serious, and we brought our best material out of respect for that," said Peter Boris, the vice president of New York's Pace gallery.

"Last year there was a lot of surprise and curiosity. This time people seem to know more what they're looking at. There's more interest and appreciation. People are engaged, and that makes anything possible."

His gallery's pieces included a rather exquisite, understated Picasso, Marie Thérèse, au Beret Mauve et Blanc and an early example of Matisse's groundbreaking windows series, this one a wash of subtle, tentative pale sheets of colour from 1907, entitled La Fenêtre Ouverte. A Rauschenberg photomontage, Anagram (a Pun), featured Cyrillic script emblazoned across an edgy urban depiction of Morocco.

"The pieces we brought along would be appropriate in any museum in the West, and they show a certain standard. We wanted some variety, and to show the gallery in some depth. Part of our intention was to include some regional flavour.

"People may have seen a Matisse or Picasso in a book, and we wanted to give people a chance to encounter their work. These are great examples of each artist - not their fiercest, but rather lovely and charming to look at."

A Giacometti, an Arshile Gorky, and a piece by the Iranian artist YZ Kami were among exhibits at the Gagosian gallery. Its co-director Ken Maxwell said the gallery had tried to rise to the challenge thrown down by the Saadiyat Island projects, particularly following the continuing show of works at Manarat al Saadiyat by Rauschenberg, Ruscha, Serra, Twombly, Warhol and Wool, from the private collection of Larry Gagosian.

"The Saadiyat show has put increased attention on the gallery, and in view of that, we wanted to bring works by major and significant figures, who can speak to everyone. We're seeing a great energy this year, and a lot of people asking questions about the work. We wanted to bring important examples of work that people can learn from."

The attentive presence of committee representatives of the Guggenheim Museum in Abu Dhabi were noted by many of the galleries, ahead of the planned accumulation of a great body of work.

Meanwhile, the scale of local interest, from both casual visitors and regional collectors, had shown a marked rise, with the programme of educational and cultural events that ran alongside the exhibition credited with promoting local interest.

"In terms of visitors, people are much more appreciative," said Rami Farook, the Emirati art collector and owner of Dubai's Traffic gallery. Farook's gallery is showing a dialogue between the American artists James Clar and Abdul Nasser Gharem, a lieutenant colonel in the Saudi army, with the work presented as a dialogue between civilisations. Noting how much time people were spending viewing the pieces, Farook said this was "unusual as in the past, we've mostly been exposed to decorative art in the region."

Clar's green plastic action man figure, And They Played For Days, was set against Gharem's stone slab, Untitled IV, its façade made up entirely of embossed reliefs of official Saudi bureaucratic stamps, with the speeches of John F Kennedy picked out in ink.

Standards had risen across the board after last year's mixed performance, said Farook. "There's far less rubbish. There's strong work from the Middle East, and real quality among the emerging galleries. But I've never been to a fair with such a top-heavy presence of major international players.

"The big boys are here. We've got most of the top 10 galleries in the world here, and they are taking this very seriously. As local galleries, it's fantastic to get a chance to exhibit alongside them."

Next door to Traffic, Meem gallery, which specialises in regional masters, presented the first meeting between the two of the region's founding figures in modern art, the Iranian sculptor Parviz Tanavoli and the Iraqi cubist painter Dia Azzawi.

"We feel this is a significant moment in Middle Eastern art," said the gallery's Samar Faruqi. "The two artists have never been exhibited together before. Working in the 1960s, one in Tehran, the other in Baghdad, they weren't aware of each other. Today they are seen as modern masters of Middle Eastern art."

At the time of going to press, two Azzawis and one Tanavoli had been sold, all in the region of $35,000-$50,000. "We're seeing a lot of visitors taking an interest, and a lot of collectors expressing interest," said her colleague Noura Haggag. "There have been grand cultural plans for this city for some time, but you get the feeling that it's all starting to make sense."

Tarane Khan, of Dubai's Third Line gallery, agreed. "People are genuinely curious," she said. "People want to know more about the artist and the whole scene."

Works at the gallery included a pink and lilac-sequinned portrait of minarets by the Iranian artist Farhad Moshiri, entitled A Deluxe Apartment in the Sky.

"Someone will come in, and they'll know who the artist is. They'll say, oh, so that's a Moshiri, yes, I saw their work at an auction, or at this gallery, or that opening.

"And after the recession over the last couple of years, the art market is for once being spurred on by what's happening in this region."

Some of the smaller, edgier galleries of London and New York were a key attraction. At Paradise Row, owned by the London-based art dealer Nick Hackworth, two pieces by Shezad Dawood, who was among recent winners of next year's $1m Abraaj Capital prize, made up one of the most innovative and daring exhibits at the fair.

"We're a young gallery with a focus on showing international contemporary art and we wanted to show contemporary art that deals with issues in the region, and engages with Middle East culture," said Hackworth, whose gallery also took part last year. "The displays are more interesting this year, and the work is hung in a more considered way."

London's trendy White Cube gallery was represented by a display exclusively of early works by the British artist Damien Hirst, including the fish species walled up in transparent formaldehyde, their ethereal colours shimmering, and another with a chair suspended upside down, entitled The Acquired Inability to Escape, Inverted, which was recently shown at the Tate gallery in London.

"The emphasis is on putting down roots just as much as selling," said the White Cube's Tim Marlow. "We want to develop interest in the market, while showing in depth what we can do. This country is becoming a cultural hub, and we want to be a part of that. I've talked to children and adults, Emiratis and expats, and there's a real curiosity and engagement."

Down by the waterfront, beyond the fountains and colonnades of the hotel's courtyard, a tented labyrinthe set the scene for Fabrice Bousteau's "experimental promenade", assembling performers, musicians and photographers for a separate show in itself.

Visitors were led through a maze of corridors as ambient sounds taped from the desert were carried on the night air from the centrepiece, an open-air theatre, recreating the experiences of the English explorer Wilfred Thesiger in the Empty Quarter.

Clouds of bubble-bath foam drifted on the breeze, dispensed by one of the more bizarre installations. Visitors cooed and sighed amid the curiously recreated atmosphere of an oasis. For what is still a nascent art scene, the audience appeared genuinely rapt by the whole experience.

THE%20FLASH
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Juliet, Naked
Dir: Jesse Peretz
Starring: Chris O'Dowd, Rose Byrne, Ethan Hawke​​​​​​​
​​​​​​​Two stars

Tips for job-seekers
  • Do not submit your application through the Easy Apply button on LinkedIn. Employers receive between 600 and 800 replies for each job advert on the platform. If you are the right fit for a job, connect to a relevant person in the company on LinkedIn and send them a direct message.
  • Make sure you are an exact fit for the job advertised. If you are an HR manager with five years’ experience in retail and the job requires a similar candidate with five years’ experience in consumer, you should apply. But if you have no experience in HR, do not apply for the job.

David Mackenzie, founder of recruitment agency Mackenzie Jones Middle East

Results

International 4, United States 1

Justin Thomas and Tiger Woods (US) beat Marc Leishman and Joaquin Niemann (International) 4 and 3.

Adam Hadwin and Sungjae Im (International) beat Xander Schauffele and Patrick Cantlay (US) 2 up.

Adam Scott and Byeong Hun An (International) beat Bryson DeChambeau and Tony Finau (US) 2 and 1.

Hideki Matsuyama and C.T. Pan (International) beat Webb Simpson and Patrick Reed (US) 1 up.

Abraham Ancer and Louis Oosthuizen (International) beat Dustin Johnson and Gary Woodland (US) 4 and 3.

From Zero

Artist: Linkin Park

Label: Warner Records

Number of tracks: 11

Rating: 4/5

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Race 3

Produced: Salman Khan Films and Tips Films
Director: Remo D’Souza
Cast: Salman Khan, Anil Kapoor, Jacqueline Fernandez, Bobby Deol, Daisy Shah, Saqib Salem
Rating: 2.5 stars

First Person
Richard Flanagan
Chatto & Windus 

COMPANY PROFILE
Name: Almnssa
Started: August 2020
Founder: Areej Selmi
Based: Gaza
Sectors: Internet, e-commerce
Investments: Grants/private funding
Nayanthara: Beyond The Fairy Tale

Starring: Nayanthara, Vignesh Shivan, Radhika Sarathkumar, Nagarjuna Akkineni

Director: Amith Krishnan

Rating: 3.5/5

Afro%20salons
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Results

Stage 7:

1. Caleb Ewan (AUS) Lotto Soudal - 3:18:29

2. Sam Bennett (IRL) Deceuninck-QuickStep - same time

3. Phil Bauhaus (GER) Bahrain Victorious

4. Michael Morkov (DEN) Deceuninck-QuickStep

5. Cees Bol (NED) Team DSM

General Classification:

1. Tadej Pogacar (SLO) UAE Team Emirates - 24:00:28

2. Adam Yates (GBR) Ineos Grenadiers - 0:00:35

3. Joao Almeida (POR) Deceuninck-QuickStep - 0:01:02

4. Chris Harper (AUS) Jumbo-Visma - 0:01:42

5. Neilson Powless (USA) EF Education-Nippo - 0:01:45

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Company%20profile
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If you go
Where to stay: Courtyard by Marriott Titusville Kennedy Space Centre has unparalleled views of the Indian River. Alligators can be spotted from hotel room balconies, as can several rocket launch sites. The hotel also boasts cool space-themed decor.

When to go: Florida is best experienced during the winter months, from November to May, before the humidity kicks in.

How to get there: Emirates currently flies from Dubai to Orlando five times a week.
Company%20Profile
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The Orwell Prize for Political Writing

Twelve books were longlisted for The Orwell Prize for Political Writing. The non-fiction works cover various themes from education, gender bias, and the environment to surveillance and political power. Some of the books that made it to the non-fiction longlist include: 

  • Appeasing Hitler: Chamberlain, Churchill and the Road to War by Tim Bouverie
  • Some Kids I Taught and What They Taught Me by Kate Clanchy
  • Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez
  • Follow Me, Akhi: The Online World of British Muslims by Hussein Kesvani
  • Guest House for Young Widows: Among the Women of ISIS by Azadeh Moaveni
THE BIO

Born: Mukalla, Yemen, 1979

Education: UAE University, Al Ain

Family: Married with two daughters: Asayel, 7, and Sara, 6

Favourite piece of music: Horse Dance by Naseer Shamma

Favourite book: Science and geology

Favourite place to travel to: Washington DC

Best advice you’ve ever been given: If you have a dream, you have to believe it, then you will see it.

The specs

Engine: Direct injection 4-cylinder 1.4-litre
Power: 150hp
Torque: 250Nm
Price: From Dh139,000
On sale: Now

How The Debt Panel's advice helped readers in 2019

December 11: 'My husband died, so what happens to the Dh240,000 he owes in the UAE?'

JL, a housewife from India, wrote to us about her husband, who died earlier this month. He left behind an outstanding loan of Dh240,000 and she was hoping to pay it off with an insurance policy he had taken out. She also wanted to recover some of her husband’s end-of-service liabilities to help support her and her son.

“I have no words to thank you for helping me out,” she wrote to The Debt Panel after receiving the panellists' comments. “The advice has given me an idea of the present status of the loan and how to take it up further. I will draft a letter and send it to the email ID on the bank’s website along with the death certificate. I hope and pray to find a way out of this.”

November 26:  ‘I owe Dh100,000 because my employer has not paid me for a year’

SL, a financial services employee from India, left the UAE in June after quitting his job because his employer had not paid him since November 2018. He owes Dh103,800 on four debts and was told by the panellists he may be able to use the insolvency law to solve his issue. 

SL thanked the panellists for their efforts. "Indeed, I have some clarity on the consequence of the case and the next steps to take regarding my situation," he says. "Hopefully, I will be able to provide a positive testimony soon."

October 15: 'I lost my job and left the UAE owing Dh71,000. Can I return?'

MS, an energy sector employee from South Africa, left the UAE in August after losing his Dh12,000 job. He was struggling to meet the repayments while securing a new position in the UAE and feared he would be detained if he returned. He has now secured a new job and will return to the Emirates this month.

“The insolvency law is indeed a relief to hear,” he says. "I will not apply for insolvency at this stage. I have been able to pay something towards my loan and credit card. As it stands, I only have a one-month deficit, which I will be able to recover by the end of December." 

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Disclaimer

Director: Alfonso Cuaron 

Stars: Cate Blanchett, Kevin Kline, Lesley Manville 

Rating: 4/5

UAE currency: the story behind the money in your pockets
DEADPOOL & WOLVERINE

Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin

Director: Shawn Levy

Rating: 3/5

Company Profile:

Name: The Protein Bakeshop

Date of start: 2013

Founders: Rashi Chowdhary and Saad Umerani

Based: Dubai

Size, number of employees: 12

Funding/investors:  $400,000 (2018) 

Business Insights
  • As per the document, there are six filing options, including choosing to report on a realisation basis and transitional rules for pre-tax period gains or losses. 
  • SMEs with revenue below Dh3 million per annum can opt for transitional relief until 2026, treating them as having no taxable income. 
  • Larger entities have specific provisions for asset and liability movements, business restructuring, and handling foreign permanent establishments.
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The specs: 2018 Harley-Davidson Fat Boy

Price, base / as tested Dh97,600
Engine 1,745cc Milwaukee-Eight v-twin engine
Transmission Six-speed gearbox
Power 78hp @ 5,250rpm
Torque 145Nm @ 3,000rpm
Fuel economy, combined 5.0L / 100km (estimate)

What is cyberbullying?

Cyberbullying or online bullying could take many forms such as sending unkind or rude messages to someone, socially isolating people from groups, sharing embarrassing pictures of them, or spreading rumors about them.

Cyberbullying can take place on various platforms such as messages, on social media, on group chats, or games.

Parents should watch out for behavioural changes in their children.

When children are being bullied they they may be feel embarrassed and isolated, so parents should watch out for signs of signs of depression and anxiety

COMPANY%20PROFILE
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Kanguva
Director: Siva
Stars: Suriya, Bobby Deol, Disha Patani, Yogi Babu, Redin Kingsley
Rating: 2/5
 
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MATCH INFO

Uefa Champions League quarter-final, second leg (first-leg score):

Manchester City (0) v Tottenham Hotspur (1), Wednesday, 11pm UAE

Match is on BeIN Sports

HOW TO WATCH

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Top 10 most polluted cities
  1. Bhiwadi, India
  2. Ghaziabad, India
  3. Hotan, China
  4. Delhi, India
  5. Jaunpur, India
  6. Faisalabad, Pakistan
  7. Noida, India
  8. Bahawalpur, Pakistan
  9. Peshawar, Pakistan
  10. Bagpat, India
Day 3 stumps

New Zealand 153 & 249
Pakistan 227 & 37-0 (target 176)

Pakistan require another 139 runs with 10 wickets remaining

THE SPECS

Engine: 6.75-litre twin-turbocharged V12 petrol engine 

Power: 420kW

Torque: 780Nm

Transmission: 8-speed automatic

Price: From Dh1,350,000

On sale: Available for preorder now

Wicked
Director: Jon M Chu
Stars: Cynthia Erivo, Ariana Grande, Jonathan Bailey
Rating: 4/5