• Kirti Kumari spent time living among the Jaunsari community, which provided an alternative way of seeing the environment. All photos: Kirti Kumari
    Kirti Kumari spent time living among the Jaunsari community, which provided an alternative way of seeing the environment. All photos: Kirti Kumari
  • Kirti Kumari's photo series 'Ek din raat ko' (One day at night), won the runner-up prize at Vantage Point Sharjah.
    Kirti Kumari's photo series 'Ek din raat ko' (One day at night), won the runner-up prize at Vantage Point Sharjah.
  • The series documents the daily practices of the women of the Jaunsari community in northern India.
    The series documents the daily practices of the women of the Jaunsari community in northern India.
  • Insulated in the north-west area of Uttarkhand in India for centuries, the community had formed unique tribal beliefs in their ‘land of magical spells'.
    Insulated in the north-west area of Uttarkhand in India for centuries, the community had formed unique tribal beliefs in their ‘land of magical spells'.
  • Kumari had been looking into pre-modern ways of life as a way of grappling with contemporary questions of sustainability and progress when she came across the Jaunsari people.
    Kumari had been looking into pre-modern ways of life as a way of grappling with contemporary questions of sustainability and progress when she came across the Jaunsari people.
  • Kumari lived with the community for a considerable time to document their daily practices.
    Kumari lived with the community for a considerable time to document their daily practices.

How Kirti Kumari captured the fantastical world of India's Jaunsari people on camera


Razmig Bedirian
  • English
  • Arabic

A long-maned white horse stands on a forested hill, almost spectral in the fog. There is no horn jutting out of its forehead, but there’s a mythical glow to the creature nonetheless.

Look at Kirti Kumari’s photograph long enough, however, and the horse’s lustre begins to pale. The eye wanders in between the leafy, slender-barked trees, becoming fixated instead on the sunlight frosted in the mist.

The setting as a whole is imbued with a fantastical hue as Kumari skilfully manipulates light and colour to communicate the otherworldliness of this place and, in other photographs in the series, the mystical relationship its inhabitants have with the land.

Kirti Kumari with her photographs that are on display at the 10th edition of Sharjah Art Foundation’s annual photography exhibition Vantage Point Sharjah. Pawan Singh / The National
Kirti Kumari with her photographs that are on display at the 10th edition of Sharjah Art Foundation’s annual photography exhibition Vantage Point Sharjah. Pawan Singh / The National

The series, titled Ek Din Raat Ko (One Day at Night), won the runner-up prize at Vantage Point Sharjah and documents some of the Jaunsari people’s daily rituals.

Insulated in the north-west area of Uttarkhand for centuries, the community had formed unique tribal beliefs in their "land of magical spells".

The Jaunsari, Kumari said, provided an alternative way of seeing and living within the environment.

“Most of their beliefs are wrapped around nature,” she said, during the opening of Vantage Point Sharjah. “They have stories of spirits in the forest, and these gods and goddesses who possess people.”

The photography project had started as part of Kumari’s graduation studies. The artist had been looking into pre-modern ways of life as a way of grappling with contemporary questions of sustainability and progress when she came across the Jaunsari people. Soon, she felt so drawn towards them that she began living with them.

“I spent a lot of time with the community,” she said. “I just wanted to be there, document and archive these stories. It seems like a fictional narrative, but actually all of this was happening there.”

One Day At Night chronicles the rituals, folklore and belief systems of the Jaunsari. The photographs are almost exclusively centred on women.

“The women in the community also practice polygamy, which is not common in India,” she said.

One photograph shows a woman meditatively submerged in a natural pool of water. The image would not be striking if she were not fully dressed. Another shows a woman's profile. The slender barks of the forest trees are out of focus behind her and give the feeling that there is no end to these woods. Again, the muted colours of the photograph evoke a dreamlike quality.

Kumari's image was selected as a runner-up from works by 66 artists. The photographer who won the first-place prize was Md Fazla Rabbi Fatiq, while the three other runners-up were Hady Barry, Morteza Niknahad and Neec Nonso.

Vantage Point Sharjah is now celebrating its 10th year. The annual event is running until December 11 at the Sharjah Art Foundation’s Al Hamriyah Studios.

The open call invited works that showcase visual storytelling and the art form's ability to capture social realities from many perspectives. The foundation said it received more than 450 applications.

Vantage Point Sharjah returns and showcases pieces from 66 artists — in pictures

  • Ziaul Huque's 'Sins of Human II' is one of the works on display at Vantage Point Sharjah 10. All Photos: Sharjah Art Foundation
    Ziaul Huque's 'Sins of Human II' is one of the works on display at Vantage Point Sharjah 10. All Photos: Sharjah Art Foundation
  • 'Najmeh Kazazi' by Maryam Firuzi.
    'Najmeh Kazazi' by Maryam Firuzi.
  • 'Untold Stories' by Ali Bahmani.
    'Untold Stories' by Ali Bahmani.
  • 'Big Fish II' by Morteza Niknahad.
    'Big Fish II' by Morteza Niknahad.
  • 'Untitled' by Rima Maroun.
    'Untitled' by Rima Maroun.
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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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Updated: October 13, 2022, 4:58 AM