AlUla International Airport unveils sweeping art collection of 64 pieces

The Safar art collection by 24 Saudi and international artists embraces the region's natural and cultural heritage

A collection of 64 artworks has been unveiled at AlUla International Airport. All photos: Arts AlUla

The collection comprises sculptures, photographs, textiles, paintings and design pieces by 24 Saudi and international artists.

Safar was conceived by Royal Commission for AlUla and facilitated by Capsule Arts.

'Let the waters settle and you will see the moon and the stars mirrored in your own being' by Farah Behbehani, embroidered textile.

Artwork by Dana Awartani, mixed media on paper.

Artwork by Richard Wilding, print on paper.

Artwork by Ali Al-Hamoud, wood.

Artwork by Ishaq Madan, print on paper.

Artwork by Stephanie Neville, textile.

Part of a series of royal paintings by Ayah Al Bitar, dyed Italian veneers, mother of pearl, gold leaf, walnut solid wood.

'Conversation through time' by Ranim Halaky, mild steel metal installation.

'Clio Dorado' by Manolo Valdes. The artwork is not specifically part of the Safar art collection, but outside AlUla International Airport.

'Growth' by Zahrah Al Ghamdi, leather.

'When mountains are domesticated' by Sheikha Al Mazrou, resin.

A collection of 64 artworks by Saudi, regional and international artists has been unveiled at AlUla International Airport.

Named Safar, which is Arabic for travel, the collection comprises sculptures, photographs, textiles, paintings, and design pieces. It presents work by significant regional and international artists such as Dana Awartani, Shaikha Al Mazrou and Zahrah Al Ghamdi.

'When mountains are domesticated' by Emirati artist Sheikha Al Mazrou (2022), resin. Photo: Arts AlUla

The collection also includes works by artisans of AlUla’s Madrasat AdDeera Art and Design Centre, opened by the Royal Commission for AlUla to train and upskill the next generation of creatives.

Conceived by RCU and facilitated by Capsule Arts, the Safar collection aims to exhibit artworks that create a dialogue with AlUla’s physical and cultural landscape.

In a piece titled Our Living Tradition, artisans from Madrasat AdDeera investigate how language is intrinsic to traditional arts and cultures. The paintings mirror an underlying square grid pattern, the basis of textile techniques such as Al Sadu weaving — a new addition to Unesco's List of Intangible Cultural Heritage — but feature different patterns that originate from the varied traditional crafts that span the region.

Two sculptures in a deep brick orange resin by Al Mazrou reference local rock engravings, while two framed diptychs by Awartani continue the heritage narrative through intricate traditional patterns, inspired by aerial views of AlUla’s famous sites.

Farah Behbehani’s embroidered textiles, meanwhile, serve as an ode to the community of AlUla through a local craft, and Ranim Halaky’s Conversations through time is a striking typographic raw steel installation that has been created in collaboration with the community, presenting its many voices in sculptural form.

Alongside this, the work of emerging artists such as Stephanie Neville, Sandra Boutros and Nidanin Studio of woodworking is presented as a contemporary cabinet of curiosities in the library at AlUla airport's Executive Terminal. This includes works inspired by AlUla’s rich heritage of textile and crafts, alongside photography from the Royal Commission's archive, depicting the surrounding landscapes.

'Growth' by Zahrah Al Ghamdi.

“We are delighted to unveil the Safar art collection: a continuation of our ongoing cultural programming, setting the standard for engaging contemporary artists within the kingdom,” said Nora Aldabal, executive director at Royal Commission for AlUla.

“Safar represents the depth and breadth of Arts AlUla’s relationship with the arts: a major new collection that follows recent world-class events such as Desert X AlUla 2022, the Cortona on the Move artists residency, What Lies Within and the launch of Wadi AlFann.”

The Safar art collection aims to reflect AlUla’s history as a hub of cultural transfer, by linking narratives of the past through contemporary perspectives.

“Not least because of its airport setting, the Safar art collection reconnects AlUla with local, regional and international visitors in its next chapter as a centre of artistic exploration, expression, and production.

"The arts are a vital contributor to the region’s character and identity, the quality of life for its local community and the region’s economic future. We look forward to sharing it with all who come to AlUla.”

Scroll through images of Desert X AlUla 2022 below

'Geography of Hope' by Abdullah AlOthman references theories of light refraction rooting back to the early days of desert civilization. All photos: Desert X AlUla / Lance Gerber

Shadia Alem's sculptural installation 'I Have Seen Thousands of Stars and One Fell in AlUla' adapts the art of origami.

Zeinab AlHashemi's 'Camouflage 2.0' uses discarded camel skins on an abstract, geometric base, resembling a rock formation in the desert.

Shaikha AlMazrou's 'Measuring the Physicality of Void' is a steel-made inflated structure.

Dana Awartani's 'Where the Dwellers Lay' draws inspiration from the vernacular architecture of AlUla.

'Desert Kite' by Sultan bin Fahad is a mud structure.

Serge Attukwei Clottey's 'Gold Falls' addresses the experience of globalisation, migration and water equity.

Claudia Comte's 'Dark Suns, Bright Waves' features a progression of walls.

Jim Denevan creates ephemeral drawings in 'Angle of Repose'.

Stephanie Deumer has created an underground greenhouse for 'Under the Same Sun'.

Alicja Kwade's 'In Blur' reflect and frame the natural artefacts she encountered on the desert floor.

Khalil Rabah 'Grounding' is a mirage of an orchard of olive trees.

Monika Sosnowska's 'Silent Witnesses of the Past' uses heritage rails from the Hejaz railway, that ran from Damascus to Madinah.

Ayman Zedani's 'The Valley of the Desert Keepers' is a soundscape installation in a rocky cavern.

Shezad Dawood's 'Coral Alchemy I (Dipsastrea Speciosa)' explores ideas of the geobiological relationship between the desert floor and nearby Red Sea.