Visitors on the opening night of RRH's floor piece, 'My Mother Eats Flowers and Kisses Men and I'm Counting the Birds Migrating South' (2012–14), at Parthenogenesis at NYU Abu Dhabi. Photo: John Varghese
Hesam Rahmanian, Ramin and Rokni Haerizadeh in their home and studio in Dubai. Photo: Maaziar Sadr
An installation of the 'Where's Waldo?' series (2018-21) by Ramin and Rokni Haerizadeh and their collaborator Hesam Rahmanian, collectively known as RRH. For this series, they painted on images from the news media. Photo: John Varghese
To make the 'Alluvium' (2021–22) series, the trio danced for the Bangladeshi welder Mohammed Rahis Mollah, who translated their poses into sculpture. They then balanced their hand-painted ceramic plates on the work. Photo: John Varghese
The trio danced for the Bangladeshi welder Mohammed Rahis Mollah, who translated their poses into sculpture. They then balanced their hand-painted ceramic plates on the work, called 'Alluvium'. Photo: John Varghese
A section in Parthenogenesis looks at RRH's home/studio space, with images taken of the site by Farah Al Qasimi and a video by Sultan Sooud Al Qassemi. The latter documents the 'Garden of Grandmother' collages (centre, left) when they were first made in 2012. Photo: John Varghese
RRH have created a model inspired by the Mehregan mental hospital in Tehran, on the same street as their childhood home in which they collaborated before moving to Dubai. Photo: John Varghese
Visitors on the opening night of RRH's floor piece, 'My Mother Eats Flowers and Kisses Men and I'm Counting the Birds Migrating South' (2012–14), at Parthenogenesis at NYU Abu Dhabi. Photo: John Varghese
Hesam Rahmanian, Ramin and Rokni Haerizadeh in their home and studio in Dubai. Photo: Maaziar Sadr
An installation of the 'Where's Waldo?' series (2018-21) by Ramin and Rokni Haerizadeh and their collaborator Hesam Rahmanian, collectively known as RRH. For this series, they painted on images from the news media. Photo: John Varghese
To make the 'Alluvium' (2021–22) series, the trio danced for the Bangladeshi welder Mohammed Rahis Mollah, who translated their poses into sculpture. They then balanced their hand-painted ceramic plates on the work. Photo: John Varghese
The trio danced for the Bangladeshi welder Mohammed Rahis Mollah, who translated their poses into sculpture. They then balanced their hand-painted ceramic plates on the work, called 'Alluvium'. Photo: John Varghese
A section in Parthenogenesis looks at RRH's home/studio space, with images taken of the site by Farah Al Qasimi and a video by Sultan Sooud Al Qassemi. The latter documents the 'Garden of Grandmother' collages (centre, left) when they were first made in 2012. Photo: John Varghese
RRH have created a model inspired by the Mehregan mental hospital in Tehran, on the same street as their childhood home in which they collaborated before moving to Dubai. Photo: John Varghese
Visitors on the opening night of RRH's floor piece, 'My Mother Eats Flowers and Kisses Men and I'm Counting the Birds Migrating South' (2012–14), at Parthenogenesis at NYU Abu Dhabi. Photo: John Varghese
Ramin and Rokni Haerizadeh and Hesam Rahmanian NYUAD retrospective - in pictures
