When walking into Tabari Artspace’s latest exhibition, there is intrigue followed by an immediate sense of sublime.
It takes a moment to really be analytic about the large-scale paintings on the wall. The viewer is struck by the immersive presence of colour, featuring striking yellows, rich greens and strategic reds. The works, as a collective and on their own, emit an energy that is instantaneous, but not overwhelming.
This is the work of renowned Egyptian painter Adel El Siwi in his latest exhibition, Yellow Tropics, the first in the UAE in more than a decade.
Over the course of 50 years, El Siwi’s work has been characterised by a colour palette of greys and browns, blacks and whites and his mastery over their contrasts. However, this all changed when he went to Africa.
“It was very strange there – the impact of colours and how the Africans use colours and consider colours,” El Siwi tells The National. “For the first time in my life, I saw this kind of integration between very strange colours. I started to realise the power of the energy coming from the colour and the colour in the colour, the yellow of the yellow.”
El Siwi is from Cairo, a bustling, intense city where he says it’s rare to experience “pure colour” as it is.
“Everything is greyish – there’s a lot of dust,” he says. “When I went to Africa, I discovered another way of seeing. The appearances, the images you see are different.”
This discovery compelled El Siwi to shift towards creating works with much more intense and pure colours. The exhibition includes more than 10 new pieces alongside selections from his archive of earlier works. While the newer pieces feature cleaner, more balanced compositions and a fresh approach to colour, there is a strong synergy that connects his entire body of work.
There is the figure, always central to his work – stylised sometimes partly abstracted, taking up space, looking out at the viewer or within the frame of the work. Dressed in attire that is a confluence of fashions – African, Arab, contemporary, ambiguous, they are unforgettable figures with appearances that while different to each other, are characteristically created by Al Siwi based on his close and constant observations of the human face.
“Faces are amazing,” he says. “The human face – what's interesting about it, the whole artistry, even when abstracted in a contemporary practice is still and is always the eternal question.”
Al Siwi adds that as an Egyptian he has always been surrounded by faces. From the faces of pharaohs to the famous naturalistic Fayum mummy portraits, which date as far back as the late 1st century BC, Al Siwi has been fascinated by the human face, where he believes the “ethos and pathos unite".
“The face is very strange. It's a small area, very crowded with many things – ears, eyes, nose and mouth and any millimetric change on one of the features, changes the whole face,” he says.
“You can feel the identity and the feeling of the moment on the face.”
And within the midst of these figures, and their faces, emerging out of or into the haze of intense colours, the viewer begins to notice other shapes, elements and images in and around the figure.
An animal, a contemporary art reference, tribal patterns and shapes, antique busts, plant life, faces within faces – whether noticeable or concealed, these elements add, not only layers of references but the implication of several narratives intersecting or co-existing.
“A narrative is a complex identity that has layers you can discover,” he says.
“It’s like 1001 Nights. There's a story and there are a lot of stories behind that stories. So, I started to work to create this kind of appearance of the things that comes out of, emerge from the surface, and then a lot of things that are hidden behind it.”
The connections Al Siwi makes between identity and narratives are interesting. As an artist, the facets of his own Egyptian and African identity have always been examined with his brush. Through this new work, and across his oeuvre, Al Siwi comments on how the concept of identity for him has also changed.
“We are always talking about the ego and the self but this ego, or the self, is an energy in a space and in time,” he says.
“The feelings, emotions, the features of things, conditions of life, your work – someone’s identity is a mixture of these things and of your time and your space.”
Yellow Tropics by Adel El Siwi will be on show at Tabari Art Space until January 15
The National's picks
4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young
Labour dispute
The insured employee may still file an ILOE claim even if a labour dispute is ongoing post termination, but the insurer may suspend or reject payment, until the courts resolve the dispute, especially if the reason for termination is contested. The outcome of the labour court proceedings can directly affect eligibility.
- Abdullah Ishnaneh, Partner, BSA Law
INFO
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Man of the Match: Djibril Sidibe (Everton)
Men's football draw
Group A: UAE, Spain, South Africa, Jamaica
Group B: Bangladesh, Serbia, Korea
Group C: Bharat, Denmark, Kenya, USA
Group D: Oman, Austria, Rwanda
Who's who in Yemen conflict
Houthis: Iran-backed rebels who occupy Sanaa and run unrecognised government
Yemeni government: Exiled government in Aden led by eight-member Presidential Leadership Council
Southern Transitional Council: Faction in Yemeni government that seeks autonomy for the south
Habrish 'rebels': Tribal-backed forces feuding with STC over control of oil in government territory
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
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The biog
Prefers vegetables and fish to meat and would choose salad over pizza
Walks daily as part of regular exercise routine
France is her favourite country to visit
Has written books and manuals on women’s education, first aid and health for the family
Family: Husband, three sons and a daughter
Fathiya Nadhari's instructions to her children was to give back to the country
The children worked as young volunteers in social, education and health campaigns
Her motto is to never stop working for the country
Desert Warrior
Starring: Anthony Mackie, Aiysha Hart, Ben Kingsley
Director: Rupert Wyatt
Rating: 3/5
UAE currency: the story behind the money in your pockets