AC27 FEB Art Peter Dean Rickards

The National
'COWMAN' (2007) by Peter Dean Rickards. Courtesy The Afflicted Yard
'COWMAN' (2007) by Peter Dean Rickards. Courtesy The Afflicted Yard
'Gun Like Dirt', a series where Rickards tried to show the gun violence prevalent in Jamaica. Courtesy The Afflicted Yard
'Gun Like Dirt', a series where Rickards tried to show the gun violence prevalent in Jamaica. Courtesy The Afflicted Yard
'Plug' (2003) by Peter Dean Rickards. Courtesy The Afflicted Yard
'Plug' (2003) by Peter Dean Rickards. Courtesy The Afflicted Yard
'The Wages of Sin' (2006) by Peter Dean Rickards. Courtesy The Afflicted Yard
'The Wages of Sin' (2006) by Peter Dean Rickards. Courtesy The Afflicted Yard
'Escaping Pineapple' (2006) by Peter Dean Rickards. Courtesy The Afflicted Yard
'Escaping Pineapple' (2006) by Peter Dean Rickards. Courtesy The Afflicted Yard
'Friday Morning Market 5' (2007) by Peter Dean Rickards. Courtesy The Afflicted Yard
'Friday Morning Market 5' (2007) by Peter Dean Rickards. Courtesy The Afflicted Yard
'Half-Way-Tree At Noon' (2007), shot when Peter Dean Rickards was exploring the streets for subjects. Courtesy The Afflicted Yard
'Half-Way-Tree At Noon' (2007), shot when Peter Dean Rickards was exploring the streets for subjects. Courtesy The Afflicted Yard
On the right, an image from a poetry reading session in Kingston. In the middle is a portrait of Perry Lee. Courtesy The Third Line
On the right, an image from a poetry reading session in Kingston. In the middle is a portrait of Perry Lee. Courtesy The Third Line
The image on the far left shows the dancehall artist Round Head, shot by Peter Dean Rickards. Courtesy The Third Line
The image on the far left shows the dancehall artist Round Head, shot by Peter Dean Rickards. Courtesy The Third Line