The sculpture was made up of over 7000 stacked barrels. AFP
The sculpture was made up of over 7000 stacked barrels. AFP
The sculpture was made up of over 7000 stacked barrels. AFP
The sculpture was made up of over 7000 stacked barrels. AFP

Christo's 'Mastaba' artwork to grace London's Serpentine again – virtually


Jamie Prentis
  • English
  • Arabic

Visitors to Hyde Park can now experience The London Mastaba, created by the artist Christo, in augmented reality on their mobile phones.

The London Mastaba was a temporary, colourful sculpture that floated on the Serpentine Lake for three months in 2018. Nearby was an exhibition of Christo's work that he undertook with his long-time artistic partner, Jeanne-Claude, who died in 2009.

Organisers said it was an opportunity to share the last piece of public work realised in Christo’s lifetime, before he passed away in May this year.

“Christo and Jeanne-Claude were truly extraordinary artists. Art for them was not a profession but their existence,” said Bettina Korek, the Serpentine Galleries’ chief executive, and Hans Ulrich Obrist, its artistic director.

“Christo and Jeanne-Claude’s genius exists in the transfer between the irrepressible ephemerality of their work and the indelible memories each project produced in everyone who experienced them. It is an honour to present this project as an everlasting, virtual translation of their otherworldly vision,” they added.

The virtual London Mastaba will be an exact replica of the physical structure installed in 2018. Organisers said it is best experienced from the north bank of the lake, opposite the Serpentine Lido. In conjunction with the Acute Art phone app, viewers will also be able to "place and interact with the piece" without the need to travel to London.

“The democratising power of new immersive media will bring Christo and Jeanne-Claude’s unique artistic vision to wide and diverse audiences across the globe. And it is always a joy to collaborate with the extraordinary team at the Serpentine Galleries,” Daniel Birnbaum, the artistic director of Acute Art, said.

  • Christo with his new Mastaba installation at the Serpentine Gallery in London's Hyde Park. Gustavo Valiente / The National
    Christo with his new Mastaba installation at the Serpentine Gallery in London's Hyde Park. Gustavo Valiente / The National
  • The London mastaba is made out of 7,506 barrels - the proposed one for Abu Dhabi would be crafted from 410,000 barrels. Gustavo Valiente / The National
    The London mastaba is made out of 7,506 barrels - the proposed one for Abu Dhabi would be crafted from 410,000 barrels. Gustavo Valiente / The National
  • A collage, 1979, showing how The Mastaba would appear in the Liwa Desert. Wolfgang Volz
    A collage, 1979, showing how The Mastaba would appear in the Liwa Desert. Wolfgang Volz
  • The artist Christo, centre, meets with Liwa residents Khalfan Al Qubasi, left, Saeed Al Falahi, right, and Obaid Al Mazrouei, front right, in October 2012, to discuss his plans to construct The Mastaba, a pyramid of 410,000 barrels. Antonie Robertson / The National
    The artist Christo, centre, meets with Liwa residents Khalfan Al Qubasi, left, Saeed Al Falahi, right, and Obaid Al Mazrouei, front right, in October 2012, to discuss his plans to construct The Mastaba, a pyramid of 410,000 barrels. Antonie Robertson / The National
  • A close-up look at the red, blue and pink floating structure in London. Gustavo Valiente / The National
    A close-up look at the red, blue and pink floating structure in London. Gustavo Valiente / The National
  • A drawing of The Mastaba from 2010 by Christo. Andre Grossman
    A drawing of The Mastaba from 2010 by Christo. Andre Grossman
  • Christo, in the white suit, explaining the preliminary engineering concept for The Mastaba to officials of the Ministry of Construction. Wolfgang Volz
    Christo, in the white suit, explaining the preliminary engineering concept for The Mastaba to officials of the Ministry of Construction. Wolfgang Volz
  • Christo in his studio with a preparatory drawing for The Mastaba. Christo and the Maeght Foundation
    Christo in his studio with a preparatory drawing for The Mastaba. Christo and the Maeght Foundation
  • Artist Christo, 83, with his new installation at the Serpentine Gallery in London on Sunday June 24. He is thought to be one of the world's richest living artists. Gustavo Valiente / The National
    Artist Christo, 83, with his new installation at the Serpentine Gallery in London on Sunday June 24. He is thought to be one of the world's richest living artists. Gustavo Valiente / The National
  • Christo and Jeanne-Claude looking for a possible site for The Mastaba in 1982. Wolfgang Volz
    Christo and Jeanne-Claude looking for a possible site for The Mastaba in 1982. Wolfgang Volz
  • Artist Christo with his new installation at the Serpentine Gallery in London. The word mastaba means 'mud bench' in Arabic, a place for sitting and conversation originating from the historical region of Mesopotamia. Gustavo Valiente / The National
    Artist Christo with his new installation at the Serpentine Gallery in London. The word mastaba means 'mud bench' in Arabic, a place for sitting and conversation originating from the historical region of Mesopotamia. Gustavo Valiente / The National

The original London Mastaba was inspired by the ancient civilisations of Mesopotamia and was made up of 7,506 horizontally stacked barrels on a floating platform. It weighed more than 600 tonnes and covered roughly one per cent of the Serpentine Lake.

The biog

Born: Kuwait in 1986
Family: She is the youngest of seven siblings
Time in the UAE: 10 years
Hobbies: audiobooks and fitness: she works out every day, enjoying kickboxing and basketball

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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

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Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

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“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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