After Earth
Director: M Night Shyamalan
Starring: Will Smith, Jaden Smith
*
Humanity's home planet hardly merits the name-check in After Earth, M Night Shyamalan's sci-fi survival tale whose shipwreck action could take place on any old life-supporting globe in the cosmos.
The disappointingly generic film, which strands a father and son (Will and Jaden Smith) on Earth a thousand years after a planet-wide evacuation, will leave genre audiences pining for the more Terra-centric conceits of Oblivion, not to mention countless other future-set films that find novelty in making familiar surroundings threatening.
Plans for a franchise seem to be afoot, with filmmakers reportedly having written "1,000 years of backstory" for the father-son characters and their society. They must be saving an awful lot for comic book and video game spin-offs, though, since the film squeezes its millennium-long set-up into a few short moments of voice-over introduction.
We learn that, having ruined our environment, humans decamped en masse to Nova Prime, which would have been a nice place if not for the monsters that had been bred to kill humans. (By whom? Buy the comic book.) What we don't learn in the too-quick intro is how all humankind came to speak in the same accent, most reminiscent perhaps of New Zealand's - one that suits none of the cast very well, and makes Jaden Smith's voice-over hard to follow.
In any event, Cypher Raige (the elder Smith) comes home between long campaigns to find his son Kitai struggling to live up to his legacy. He decides to take the boy along on an interstellar voyage, but the ship is thrown off course by a gravitational storm and must land on the nearest planet. A crash-landing on Earth leaves Cypher's legs badly broken, and he must coach Kitai via camera phone as he makes a 100-kilometre trek, dodging predators to find the chunk of wreckage that can save their lives.
Shyamalan is of little help to Jaden Smith when his character faces internal challenges: his performance, all furrowed brow and worried eyes, gives us no reason to believe Kitai is made of the same tough stuff as his father. Shyamalan's missteps in the conception and execution of After Earth are akin to the head-scratching choices that kept his The Happening from fulfilling its doomsday-flick potential.
Also, what seasoned soldier would send his son on a deadly four-day mission with a backpack the size of a bicycle seat? – AP
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