A group of five contestants from Gaza make it directly to the semi-finals


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  • Arabic

The judges on the popular reality TV talent show Arabs' Got Talent usually use their buzzers to terminate a contestant's performance, or at the very least, to show their displeasure at what is being presented to them on stage.

But last Saturday, when five young musicians from Gaza took their spots on stage, their beautiful, emotional performance inspired one of the judges – Saudi actor and comedian Nasser Al Qasabi – to press the Golden Buzz, signifying that the contestants would be afforded a shortcut straight through to the live rounds of the show. That’s how good they were; that’s how much they tugged on the collective heartstrings in the room.

The six-and-a-half minute video of their audition, taken from last Saturday's episode of Arabs' Got Talent, has been spreading like wildfire. On Facebook alone, the video has received over 55,000 likes and been shared more than 40,000 times since it was first uploaded on Sunday. On YouTube, it has been viewed close to 2.5 million times and counting. An assortment of Twitter commentators proclaimed the episode the most moving since the show launched in January 2011, accompanied by the hashtag #GazaGotTalent.

You don’t need to understand Arabic to get what’s happening, either. The five Palestinian children from war-torn Gaza – four boys and a girl – all study at Gaza’s Edward Said National Conservatory of Music, and their band is called Al Takht Al Sharqi. Ahmad Al Madhoun is the lead singer, Sarraj Al Sersawi plays the oud, Mahmoud Kehail plays the qanun and Ramzi Alfar the tabla. The girl, Reema Ashour, plays the nai, a flute made of wood.

The band tried and failed to audition for Arabs' Got Talent three times before making it.

“We couldn’t, the checkpoints were closed, and there was no way for us to leave Gaza,” Al Sersawi says during the opening sequence of the video. “During the war, studying stopped because there was no way for us to go to school or the conservatory, but there were times when we’d get a respite, sometimes five days, three days at a time, maybe just one day, so we’d get together to film videos of our performance to send to the TV programme because we really wanted to take part.”

Bombs and war did not deter the musicians from their desire to show the world talent from Gaza.

“Despite the bombing and the war and the destruction – on our way to the conservatory, we always see destroyed homes, destruction everywhere, it really bothers a person to see things like that, on the way to go perform music – we kept getting together and practising because we really wanted to take part in the TV programme,” said Al Sersawi. “We wanted to show that Gaza has talent, Palestine has talent.”

On their fourth attempt to leave Gaza, the members of Al Takht Al Sharqi finally crossed into Egypt, then travelled hours on bus to the airport in Cairo, where they boarded a flight to Beirut.

“The road was so long in the bus. We slept in the airport for one night, it was hard.”

Finally on stage, they performed a moving rendition of a song by the late Lebanese singer Wadih El Safi, Alallah T'oud, which means By God May It Return, in reference to Palestine. It is a well-loved anthem related to Palestine and to lost lands and showcased their incredible talents to the four celebrity judges – Al Qasabi, Lebanese singer Najwa Karam, Egyptian actor and comedian Ahmed Helmi and MBC Group TV director Ali Jaber – and the audience of millions who watched Saturday night.

Their performance – well-­executed and heavy with emotion – moved the audience to tears. When Al Qasabi pressed the Golden Buzz and confetti showered down on the performers prompting all four judges to get to their feet to clap and sing along, the youngest musician, playing the qanun, had tears running down his face. The show’s hosts, Saudi rapper and musician Qusai and Lebanese TV presenter Raya Abirached, were visibly moved. Abirached was unable to contain her tears; Qusai said: “Palestine is deserving, Gaza is deserving.”

“We want to show that the children of Gaza have talents,” said the youngest boy in the band.

Dina Al Natour, a ­Palestinian -Jordanian mother of two living in Dubai, was one of the first to share the video in the UAE, early on Sunday morning, a few hours after the show aired on MBC4. She wrote on her Facebook feed: “In the middle of war they sang. In the midst of all the death and pain they did not give up and were determined to follow their dream. So many other kids from Gaza have not been able to leave yet. So many wonderful talented kids were killed before they got the chance … But I’m happy at least these kids were able to.”

Ellen Schwarz, who lives all the way over in Oakland, California, was one of the more recent people to share the video on Facebook; she posted it to her timeline on Tuesday afternoon UAE time, and wrote: “No translation necessary ... the photos and huge smiles tell it all ... so affirming and impressive what beauty can come from such hardship.”

At the end of the performance, when all four judges had made their way onto the stage to embrace and congratulate the young musicians, Karam asked the youngest of them, after he put his qanun aside and wiped his face of tears, to share how he is feeling.

His answer? “Joy.”

• Season four of Arabs’ Got Talent (www.mbc.net/mbc4) is on MBC4 every Saturday from 10pm to midnight. Follow the show on Facebook, Twitter and Instagram; stream past episodes through shahid.mbc.net

artslife@thenational.ae

While you're here

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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Marie Byrne, a counsellor who volunteers at the UAE government's mental health crisis helpline, said the ordeal the crew had been through would take time to overcome.

“It was worse than a prison sentence, where at least someone can deal with a set amount of time incarcerated," she said.

“They were living in perpetual mystery as to how their futures would pan out, and what that would be.

“Because of coronavirus, the world is very different now to the one they left, that will also have an impact.

“It will not fully register until they are on dry land. Some have not seen their young children grow up while others will have to rebuild relationships.

“It will be a challenge mentally, and to find other work to support their families as they have been out of circulation for so long. Hopefully they will get the care they need when they get home.”

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