Lebanese dance company Mayyas have won America's Got Talent season 17, taking home the $1 million prize and the chance to headline a Las Vegas show.
During the emotional two-hour finale show on Wednesday, in which the results from public voting were revealed, the 11 finalists performed for a final time on the America's Got Talent stage. Mayyas, took the stage alongside fellow finalist dancer Kristy Sellars for a mesmerising performance to a backdrop of gold lighting. Judge Simon Cowell gave the performance a standing ovation.
Watch the moment Mayyas wins 'America's Got Talent' here:
On Tuesday night, the troupe performed a moody routine in white, feathered outfits, featuring sparkling globes. The performance won a standing ovation from the crowd, leading Cowell to say the act was "astonishing".
Last week, they made a triumphant return to the America's Got Talent stage for the semi-finals. Their hypnotic performance was praised by judges, including Cowell.
"Every single one of us in this room, I promise you, are going to remember this moment," Cowell said of the September 7 performance.
"This is not just going to change your lives, and this is going to sound very dramatic, this is a performance that changes the world. It was as good as it gets ... respect."
Watch Mayyas's full 'America's Got Talent' semi-final performance here
In June, the group made their America's Got Talent debut and impressed judges Cowell, Heidi Klum, Howie Mandel and Sofia Vergara so much they received a golden buzzer and fast track to the live shows.
However, the successful audition was not the female troupe's first talent show appearance.
The crew was founded in Beirut by Nadim Cherfan, who is also the act's choreographer. Cherfan started dancing aged 14 and attended workshops in the UK, the US and India. He launched his own dance classes in studios around the Lebanese capital in 2012, before forming the Mayyas.
In 2019, the group appeared on the sixth series Arabs Got Talent and went on to win the series. In the same year, they participated in Britain's Got Talent: The Champions, an international spin-off of the talent show on UK TV.
Their 2019 Arabs Got Talent win came with a new car and a 200,000 Saudi riyal ($53,333) cash prize.
Despite not making it past the semi-final on Britain's Got Talent: The Champions, Cowell — a judge on both shows — described the act as "genius" and his fellow judge, English comedian David Walliams said: "It was one of the most beautiful things I have ever seen. This is one of those acts where it only works if every one of you is doing their piece perfectly and every one of you did.”
On Britain's Got Talent: The Champions, the Mayyas were one of 45 acts who competed in a pool that featured global talent hailing from the UK, India, the Philippines, South Africa, Spain, Singapore and more.
Speaking to The National after their Britain's Got Talent: The Champions experience, Cherfan said he was satisfied with the experience. "We wanted to go there and show what we can do because that was important to us," he said.
"The best part of it all was that we were invited to perform alongside winners from around the world. To be included in that is special."
MBC's Mazen Hayek said that their stint on the show and international success was an inspiration for the whole region.
"They are symbol of resilience," Hayek said. "Reaching Britain's Got Talent: The Champions is another token of that resilience and an example of that there is nothing impossible when there is talent and determination. They are the perfect embodiment of Arab youth for whom the sky is the limit."
During their America's Got Talent audition, the group explained their name, saying it "is a word in Arabic that means the proud walk of a lioness".
Vergara also asked the group about life in Lebanon right now, to which they replied: "Lebanon is a very beautiful country, but we live a daily struggle."
Another dancer said: "Unfortunately, being a dancer as a female Arab is not fully supported yet."
When asked about their dream, they said that being there "on the biggest stage in the world" is their "only chance to prove to the world what Arab women can do, the art we can create, the fights we fight".
Back in 2019, Cherfan had his sights set high, telling Arab News: "I would love to one day choreograph for Beyonce.
"She’s a huge inspiration and amazing dancer, and she’s the number one entertainer in the world."
Watch Mayyas' full 'America's Got Talent' audition here:
— A version of this article was first published on June 23, 2022
Quick pearls of wisdom
Focus on gratitude: And do so deeply, he says. “Think of one to three things a day that you’re grateful for. It needs to be specific, too, don’t just say ‘air.’ Really think about it. If you’re grateful for, say, what your parents have done for you, that will motivate you to do more for the world.”
Know how to fight: Shetty married his wife, Radhi, three years ago (he met her in a meditation class before he went off and became a monk). He says they’ve had to learn to respect each other’s “fighting styles” – he’s a talk it-out-immediately person, while she needs space to think. “When you’re having an argument, remember, it’s not you against each other. It’s both of you against the problem. When you win, they lose. If you’re on a team you have to win together.”
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Tank warfare
Lt Gen Erik Petersen, deputy chief of programs, US Army, has argued it took a “three decade holiday” on modernising tanks.
“There clearly remains a significant armoured heavy ground manoeuvre threat in this world and maintaining a world class armoured force is absolutely vital,” the general said in London last week.
“We are developing next generation capabilities to compete with and deter adversaries to prevent opportunism or miscalculation, and, if necessary, defeat any foe decisively.”
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
Seven%20Winters%20in%20Tehran
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PULITZER PRIZE 2020 WINNERS
JOURNALISM
Public Service
Anchorage Daily News in collaboration with ProPublica
Breaking News Reporting
Staff of The Courier-Journal, Louisville, Ky.
Investigative Reporting
Brian M. Rosenthal of The New York Times
Explanatory Reporting
Staff of The Washington Post
Local Reporting
Staff of The Baltimore Sun
National Reporting
T. Christian Miller, Megan Rose and Robert Faturechi of ProPublica
and
Dominic Gates, Steve Miletich, Mike Baker and Lewis Kamb of The Seattle Times
International Reporting
Staff of The New York Times
Feature Writing
Ben Taub of The New Yorker
Commentary
Nikole Hannah-Jones of The New York Times
Criticism
Christopher Knight of the Los Angeles Times
Editorial Writing
Jeffery Gerritt of the Palestine (Tx.) Herald-Press
Editorial Cartooning
Barry Blitt, contributor, The New Yorker
Breaking News Photography
Photography Staff of Reuters
Feature Photography
Channi Anand, Mukhtar Khan and Dar Yasin of the Associated Press
Audio Reporting
Staff of This American Life with Molly O’Toole of the Los Angeles Times and Emily Green, freelancer, Vice News for “The Out Crowd”
LETTERS AND DRAMA
Fiction
"The Nickel Boys" by Colson Whitehead (Doubleday)
Drama
"A Strange Loop" by Michael R. Jackson
History
"Sweet Taste of Liberty: A True Story of Slavery and Restitution in America" by W. Caleb McDaniel (Oxford University Press)
Biography
"Sontag: Her Life and Work" by Benjamin Moser (Ecco/HarperCollins)
Poetry
"The Tradition" by Jericho Brown (Copper Canyon Press)
General Nonfiction
"The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care" by Anne Boyer (Farrar, Straus and Giroux)
and
"The End of the Myth: From the Frontier to the Border Wall in the Mind of America" by Greg Grandin (Metropolitan Books)
Music
"The Central Park Five" by Anthony Davis, premiered by Long Beach Opera on June 15, 2019
Special Citation
Ida B. Wells
Results
1. New Zealand Daniel Meech – Fine (name of horse), Richard Gardner – Calisto, Bruce Goodin - Backatorps Danny V, Samantha McIntosh – Check In. Team total First round: 200.22; Second round: 201.75 – Penalties 12 (jump-off 40.16 seconds) Prize €64,000
2. Ireland Cameron Hanley – Aiyetoro, David Simpson – Keoki, Paul Kennedy – Cartown Danger Mouse, Shane Breen – Laith. Team total 200.25/202.84 – P 12 (jump-off 51.79 – P17) Prize €40,000
3. Italy Luca Maria Moneta – Connery, Luca Coata – Crandessa, Simone Coata – Dardonge, Natale Chiaudani – Almero. Team total 130.82/198.-4 – P20. Prize €32,000
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DEADPOOL & WOLVERINE
Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin
Director: Shawn Levy
Rating: 3/5
Killing of Qassem Suleimani
