There was a time when releasing an album came with uncertainty.
Artists and record label executives would rack their brains wondering how new songs would be received. And whether any of them would become a hit.
Thanks to online streaming, the answers are immediate. Such is the case with Ava Max's debut album Heaven & Hell. It was released last month, but the singer, 26, didn't have to worry too much about how her tunes would fare.
Eight of the 15 songs had already been released as singles, with five of them topping charts from the US to Australia.
With Heaven & Hell home to established bangers Sweet but Psycho and Kings & Queens, it is as much a greatest hits collection as a debut album. That said, even with success achieved, Max – real name Amanda Ava Koci – couldn't dispel the nerves of releasing her first album.
"These are things you dream about when you are a kid," she tells The National. "Just the fact that I am saying I have an album gets me excited. The fans have been waiting a while and I am happy to finally give them what they want."
And what they want is large doses of flamboyant and up-tempo pop music. Heaven & Hell is anything but subtle. Nearly every track is infused with colossal hooks carried by oceans of synth lines and club-stomping beats. Max's vocals are equally maximalist as she tears through the tunes with unrelished glee.
This is what makes her such an an intriguing prospect.
Sonically, Max's music is out of tune with the current times. From Billie Eilish's goth take on the genre to The Weeknd's bleak outlook and Taylor Swift's recent introspective turn on Folklore, pop music has become decidedly slower and darker. Even superstars Lady Gaga and Katy Perry couldn't overcome this murky wave, with respective albums Chromatica and Smile sinking with little trace.
Max is not convinced that her unapologetic take on pop music, inspired by 1990s-era divas Mariah Carey and Britney Spears, is dead. “I hear what you are saying, but I think there will always be room for this. I mean, my streaming numbers definitely show this,” she says. “If done correctly, people will always move towards this style because it is uplifting and inspirational.”
Max has been aware of music’s transformative powers since childhood.
Born in the US to Albanian parents, her mother was a trained opera singer while her father played the piano. Watching both of them struggle with menial jobs and adjusting to a new country remains Max’s biggest source of inspiration.
It allowed her to push through the countless record label rejections and failed appearances at singing competitions that she has experienced since the age of 13.
“Their story is my roots. Watching them overcome their challenges is what keeps me motivated,” she says. “They showed me the importance of persevering.”
That determination resulted in a remixed version of her song, 2013's Take Away the Pain, catching the ears of Canadian producer Cirkut, real name Henry Walter, a year later.
After meeting at a dinner party, the duo hit it off immediately and a songwriting partnership was born that yielded over 100 tunes. Cirkut is executive producer of Heaven & Hell and co-wrote a lion's share of the tracks.
It’s a relationship Max cherishes due to its rarity within a hard-nosed music industry. She may be relatively new to the scene, but her experience has already given her a more realistic perspective of what is needed to survive.
“The industry is cruel in that it is really hard to make genuine connections. If I didn’t meet Cirkut, I probably wouldn’t have made it into the industry,” she says.
“It makes you realise that it is all about making the right connections. And when you want to enter the industry you can lose track of that because you want to party. You need to keep your focus and keep working hard because when you do that, the probability of meeting the right people gets higher.”
It’s good to have Max around. Not only does she remind us that pop music can be joyful, but she reaffirms the equally timeless principle that hard work pays off.
Racecard
6pm: The Pointe - Conditions (TB) Dh82,500 (Turf) 1,400m
6.35pm: Palm West Beach - Maiden (TB) Dh82,500 (T) 1,800m
7.10pm: The View at the Palm - Handicap (TB) Dh85,000 (Dirt) 1,400m
7.45pm: Nakeel Graduate Stakes - Conditions (TB) Dh100,000 (T) 1,600m
8.20pm: Club Vista Mare - Handicap (TB) Dh95,000 (D) 1,900m
8.55pm: The Palm Fountain - Handicap (TB) Dh95,000 (D) 1,200m
9.30pm: The Palm Tower - Handicap (TB) Dh87,500 (T) 1,600m
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Translated from the German by Charlotte Collins
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Ten tax points to be aware of in 2026
1. Domestic VAT refund amendments: request your refund within five years
If a business does not apply for the refund on time, they lose their credit.
2. E-invoicing in the UAE
Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption.
3. More tax audits
Tax authorities are increasingly using data already available across multiple filings to identify audit risks.
4. More beneficial VAT and excise tax penalty regime
Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.
5. Greater emphasis on statutory audit
There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.
6. Further transfer pricing enforcement
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7. Limited time periods for audits
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8. Pillar 2 implementation
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10. Substance and CbC reporting focus
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Contributed by Thomas Vanhee and Hend Rashwan, Aurifer
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How Voiss turns words to speech
The device has a screen reader or software that monitors what happens on the screen
The screen reader sends the text to the speech synthesiser
This converts to audio whatever it receives from screen reader, so the person can hear what is happening on the screen
A VOISS computer costs between $200 and $250 depending on memory card capacity that ranges from 32GB to 128GB
The speech synthesisers VOISS develops are free
Subsequent computer versions will include improvements such as wireless keyboards
Arabic voice in affordable talking computer to be added next year to English, Portuguese, and Spanish synthesiser
Partnerships planned during Expo 2020 Dubai to add more languages
At least 2.2 billion people globally have a vision impairment or blindness
More than 90 per cent live in developing countries
The Long-term aim of VOISS to reach the technology to people in poor countries with workshops that teach them to build their own device
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