Unge Beirut could have become a professional footballer. Photo by Bjorn Thorkildsen
Unge Beirut could have become a professional footballer. Photo by Bjorn Thorkildsen
Unge Beirut could have become a professional footballer. Photo by Bjorn Thorkildsen
Unge Beirut could have become a professional footballer. Photo by Bjorn Thorkildsen

From Rod Stewart to Jack White: meet the musicians with bizarre hidden talents


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The scene: a large concert venue in southern Norway, where a tightly packed front row of young fans eagerly awaits one of the nation's hottest new rappers, Unge Beirut. Such an atmosphere could be intimidating, but Beirut – whose real name is Elias Tchaba – had some experience of expectant crowds before rap kicked in. For years, he looked likely to pursue a career in football.

"If someone asked me, 'what is your biggest regret?', it would probably be that I let music get the better of me," says Tchaba, after performing at the Sorveiv Festival. "I love music, a lot. But I would choose football any day."

Such is the price that can be paid when deciding between creative vocations. Tchaba was born in the Lebanese capital – his stage name means "Young Beirut" – then raised in Kristiansand, a city in southern Norway. Football helped him to fit in and he earned a US soccer scholarship. But circumstances changed, he returned home and rap took over.

Unge Beirut looked likely to forge a career in football. Photo by Nico Hagen
Unge Beirut looked likely to forge a career in football. Photo by Nico Hagen

It went well. Last year his debut album, Hevnen er sot, men jeg tilgir deg, was nominated for the Spellemann Award for Urban Music at Norway's version of the Grammys. That riotous show he performed at the Sorveiv Festival in Kristiansand suggests Tchaba made the right decision. "People keep telling me that," he says, laughing.

This may sound like an enviable embarrassment of riches, but for popular musicians, balancing two creative passions can be complicated. Some talents complement each other, while other vocations clash.

Visual arts tend to mix well with the music lifestyle. For big stars, enviable opportunities can occur. Take the Rolling Stones guitarist, and accomplished artist, Ronnie Wood, who last month partnered with luxury watch brand Bremont to paint 47 watch faces. Each timepiece costs about the same as a new BMW.

For newer musicians, that flair for visuals is useful for record covers and other promotional ventures. Last month, Canadian singer-songwriter Matthew Chaim staged a joint art exhibition and launch party for his album The Mathematics of Nature. A track on the album, Reason, is also accompanied by a jaunty animated video, using Chaim's distinctive drawing style. Offstage he chills out by using children's crayons.

"I was doing a tonne of songwriting sessions in LA with producers I'd never worked with before," Chaim explains. "Something as light as drawing with crayons was a great way to relax into the session and allow something real and true to come out in whatever music we'd create."

Keeping the drawing and music separate can also be positive, though. He says there are periods "when I'm doing so many writing sessions that it starts to feel like I'm writing the same song every day. Or the business side takes a front seat and writing songs doesn't feel all that inspired".

"That's when turning to another medium can offer a fresh, expansive perspective on things. Drawing has done that for me," he says.

Jack White crafts furniture as well as plays music with the White Stripes. Getty Images
Jack White crafts furniture as well as plays music with the White Stripes. Getty Images

Unlikely creative pursuits can help to alleviate the pressure of working in the music business. Blues rock hero Jack White has developed a sideline in artisan furniture making, while Rod Stewart raised eyebrows by revealing his long-term hobby: a massive model train set, based on 1940s America.

It's difficult to imagine the rocker tinkering with those tracks, but he also enjoyed a more energetic passion in his younger years, when he was a gifted footballer and had a trial at English club Brentford.

One talented musician who made the switch to sport is violinist Vanessa Mae. She took a sabbatical to ski for Thailand at the 2014 Winter Olympics, but things went downhill soon afterwards when she was banned from the sport for four years after being found guilty of taking part in races that were fixed to help her qualify. While that ban was overturned, the headlines were hurtful.

Vanessa Mae competing in the women's Giant Slalom Alpine Skiing event in the Rosa Khutor Alpine Center during the Sochi 2014 Olympic Games in Russia. EPA
Vanessa Mae competing in the women's Giant Slalom Alpine Skiing event in the Rosa Khutor Alpine Center during the Sochi 2014 Olympic Games in Russia. EPA

Rapper Beirut still plays amateur football, but mixing music and serious sport proved problematic. "One coach told me, 'seriously, you have to choose, because you're clearly not focused at practice'. And he was right," he says.

Even hugely successful performers can move between creative careers. In 2017, singer Gerard Way suggested his band My Chemical Romance was probably finished due to his success at writing comics. He runs a DC Comics imprint and his creation, The Umbrella Academy, is now a popular Netflix series. But in October, My Chemical Romance announced they had reformed. Like superheroes, bands are rarely dead for long.

Keeping a group intact is a juggling act when your other vocation has become a successful career. Hanne Torfs leads Belgian synth-pop band Fortress, but is also renowned for acting. "I can't always find the time to work on new songs because of some intense theatre tours," she explains.

Gerard Way at a signing for one of his 'The Umbrella Academy' comic books. Photo by Christina Radish.
Gerard Way at a signing for one of his 'The Umbrella Academy' comic books. Photo by Christina Radish.

Those talents do cross over – Torfs also composes for theatre – although critics can be snobbish about performers who diversify. She recalls that "someone in the industry once told me: 'I can immediately tell when a singer is also an actor and it's very unpleasant to watch those people sing on stage.' I see it as a strength."

She says her acting has helped her perform with her band because she almost plays a character. "I can hide my insecurities and stage fright behind that persona and talking to the audience between songs isn't that awkward to me any more, due to my experience as an actress."

Many musicians have endured less fulfilling acting experiences, from Mick Jagger to Michael Jackson and Madonna, while those who succeed on screen often shelve their music careers. Carrie Brownstein cofounded US indie band Sleater-Kinney, then comedy sketch show Portlandia. It ran for eight seasons, although the band slept for much of it.

Ava Lake is a multidisciplinary dance-pop singer whose self-directed music videos feature her own comedy characters. Photo by Val Kilborn
Ava Lake is a multidisciplinary dance-pop singer whose self-directed music videos feature her own comedy characters. Photo by Val Kilborn

Perhaps combining everything is the way forward. Ava Lake, from Chicago, is a multidisciplinary dance-pop singer whose self-directed music videos feature her own comedy characters. Her other passions converge, too.

"I recently painted a picture and thought, why don't I take a photo of each brush stroke and make a stop-motion video, then I can use it as a music video of sorts for one of my songs," Lake says.

The downside was that it took seven hours to complete that project, although the result is a unique snapshot of an eclectic artist at work. 

"Loving the creative process is so important, realising that it's not just about the end goal, but the journey," she says. "Personally, all my passions intertwine – they're all part of the same artistic message. I'm just trying to create my own artistic universe."

Sometimes, singing is not quite enough for an artist.

WOMAN AND CHILD

Director: Saeed Roustaee

Starring: Parinaz Izadyar, Payman Maadi

Rating: 4/5

Specs

Engine: 51.5kW electric motor

Range: 400km

Power: 134bhp

Torque: 175Nm

Price: From Dh98,800

Available: Now

SCORES IN BRIEF

Lahore Qalandars 186 for 4 in 19.4 overs
(Sohail 100,Phil Salt 37 not out, Bilal Irshad 30, Josh Poysden 2-26)
bt Yorkshire Vikings 184 for 5 in 20 overs
(Jonathan Tattersall 36, Harry Brook 37, Gary Ballance 33, Adam Lyth 32, Shaheen Afridi 2-36).

Fight card

Preliminaries:

Nouredine Samir (UAE) v Sheroz Kholmirzav (UZB); Lucas Porst (SWE) v Ellis Barboza (GBR); Mouhmad Amine Alharar (MAR) v Mohammed Mardi (UAE); Ibrahim Bilal (UAE) v Spyro Besiri (GRE); Aslamjan Ortikov (UZB) v Joshua Ridgwell (GBR)

Main card:

Carlos Prates (BRA) v Dmitry Valent (BLR); Bobirjon Tagiev (UZB) v Valentin Thibaut (FRA); Arthur Meyer (FRA) v Hicham Moujtahid (BEL); Ines Es Salehy (BEL) v Myriame Djedidi (FRA); Craig Coakley (IRE) v Deniz Demirkapu (TUR); Artem Avanesov (ARM) v Badreddine Attif (MAR); Abdulvosid Buranov (RUS) v Akram Hamidi (FRA)

Title card:

Intercontinental Lightweight: Ilyass Habibali (UAE) v Angel Marquez (ESP)

Intercontinental Middleweight: Amine El Moatassime (UAE) v Francesco Iadanza (ITA)

Asian Featherweight: Zakaria El Jamari (UAE) v Phillip Delarmino (PHI)

The specs

Engine: 4.0-litre, six-cylinder

Transmission: six-speed manual

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RESULTS

6.30pm: Maiden (TB) Dh 82,500 (Dirt) 1.600m
Winner: Miller’s House, Richard Mullen (jockey), Satish Seemar (trainer).

7.05pm: Maiden (TB) Dh 82,500 (D) 2,000m
Winner: Kanood, Adrie de Vries, Fawzi Nass.

7.50pm: Handicap (TB) Dh 82,500 (D) 1,600m
Winner: Gervais, Sandro Paiva, Ali Rashid Al Raihe.

8.15pm: The Garhoud Sprint Listed (TB) Dh 132,500 (D) 1,200m
Winner: Important Mission, Royston Ffrench, Salem bin Ghadayer.

8.50pm: The Entisar Listed (TB) Dh 132,500 (D) 2,000m
Winner: Firnas, Xavier Ziani, Salem bin Ghadayer.

9.25pm: Conditions (TB) Dh 120,000 (D) 1,400m
Winner: Zhou Storm, Connor Beasley, Ali Rashid Al Raihe.

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Asia Cup 2018 final

Who: India v Bangladesh

When: Friday, 3.30pm, Dubai International Stadium

Watch: Live on OSN Cricket HD