Jerry Lewis. left, talks to Pierre Etaix during the filming of The Day the Clown Cried in 1972. AFP
Jerry Lewis. left, talks to Pierre Etaix during the filming of The Day the Clown Cried in 1972. AFP
Jerry Lewis. left, talks to Pierre Etaix during the filming of The Day the Clown Cried in 1972. AFP
Jerry Lewis. left, talks to Pierre Etaix during the filming of The Day the Clown Cried in 1972. AFP

Controversial 'lost' Jerry Lewis film discovered in Sweden after 53 years


William Mullally
  • English
  • Arabic

One of cinema's most sought-after lost films has been discovered after having been kept secretly in the collection of a Swedish actor for 45 years.

Comedian Jerry Lewis's controversial Holocaust film The Day the Clown Cried, shot in 1972 but never released, was thought to not exist in finished form.

But Hans Crispin, star of the beloved 1980s Swedish TV series Angne & Svullo, claims he stole a complete workprint of the film from the archives of its production studio in 1980 – and has been screening it for guests in his apartment ever since.

“I have the only copy,” Crispin told Swedish state news broadcaster SVT. “I stole it from Europafilm in 1980 and copied it to VHS in the attic where we copied other films at night.

“I've kept the copy in my bank vault,” Crispin added.

Swedish actor Hans Crispin has a complete workprint of The Day The Clown Cried, SVT has reported. AFP
Swedish actor Hans Crispin has a complete workprint of The Day The Clown Cried, SVT has reported. AFP

Crispin recently screened a full copy to journalists from SVT and Sweden's Icon magazine to prove his claim was true.

“You're the 23rd and 24th people I've shown it to,” he told Icon and SVT.

The actor also revealed that his initial copy was missing the opening six-minute sequence of the film shot in Paris, which was mailed to him anonymously in 1990, along with a note saying that the sender knew he possessed a copy of the rest of the film.

Will The Day The Clown Cried be released to the public?

Now that he has come out into the open, Crispin intends to make his copy available for the world to see, saying: “It must be seen!”

Crispin added: “I think I want to hand it over to the next generation. With today's technique, it can be restored. I want to sell it to a serious producer who either restores it or keeps it locked away, or restores it and shows it to people for studying purposes.”

The film tells the story of a German circus clown who is imprisoned in a Nazi concentration camp for mocking Adolf Hitler and is then forced to lure children to their deaths as punishment.

The footage that Lewis possessed of the Day The Clown Cried was donated to the Library of Congress in 2015. AFP
The footage that Lewis possessed of the Day The Clown Cried was donated to the Library of Congress in 2015. AFP

Lewis, who directed and starred in the film as clown Helmut Doork, donated five hours of footage to the US Library of Congress in 2015, adding a stipulation that it not be made available until June 2024.

The footage, which has been made available to scholars, was screened last August for The New Republic journalist Benjamin Charles Germain Lee, who reported that the footage was fragmentary and does not constitute a complete film, leading the industry to conclude that the full film did not exist.

Why the film was never released

While there were myriad alleged issues during the shoot itself, problems reportedly arose between Lewis and producer Nat Wachsberger once filming stopped, which is considered the main catalyst for the film's shelving.

Lewis was reportedly unsatisfied with the film’s financing and announced that Wachsberger did not fulfil his financial obligations. Hearing this, Wachsberger threatened to sue Lewis for breach of contract, which resulted in a fallout between the two that caused Lewis to leave with a rough cut of the film, according to a 2018 feature in The New York Times.

Lewis had mixed feelings about the film, showing fragments of his footage to close friends. However, in his 1982 autobiography, Lewis said “the picture must be seen”.

No complete copy of The Day The Clown Cried has ever been confirmed to exist until now. AFP
No complete copy of The Day The Clown Cried has ever been confirmed to exist until now. AFP

After watching it, The Simpsons voice actor Harry Shearer said it was “a perfect object”, adding: “This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is.”

In an interview with The New York Times in 2018, Chris Lewis, the comedian's son, said: “It was something that was very close to his heart.”

At other times, however, Lewis denounced the film. In 2013, footage of him surfaced on YouTube in which he stated: “It was bad, and it was bad because I lost the magic. No one will ever see it, because I'm embarrassed at the poor work.”

The history of lost films

The Day the Crown Cried is an example of one of many films that were once thought lost or not fit for public screening.

Similar films include 1976’s Chess of the Wind by Iranian director Mohammad Reza Aslani.

Until it was rediscovered in 2020, the film could only be watched on low-quality VHS tapes. Since then, it has been restored and screened around the world.

One of the best-known lost films is The Passion of Joan of Arc from 1928. After being lost for years, a copy was found in a Norwegian hospital in the 1980s. The film is now considered one of the most important historical film artefacts.

The film depicts a clown entertaining children during the Holocaust. AFP
The film depicts a clown entertaining children during the Holocaust. AFP

London After Midnight, a 1927 horror film directed by Tod Browning starring Lon Chaney, is still a veritable white whale for fans after the last-known copy was destroyed in the 1965 MGM vault fire.

Other films that have not yet screened because of filmmaker stipulations include 100 Years starring John Malkovich. The short film is from 2015 but has been placed in time-locked safes that won’t open until 2115, 100 years after the film was made.

Several recently produced films are now considered lost media, including 2022's Batgirl, directed by Adil El Arbi and Bilall Fallah. The superhero film stars Leslie Grace as Batgirl and also includes J K Simmons, Brendan Fraser and Michael Keaton.

Warner Bros Discovery announced in August 2022 that it would not be released due to cost-cutting measures and a strategy shift towards theatrical releases.

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Men’s singles 
Group A:
Son Wan-ho (Kor), Lee Chong Wei (Mas), Ng Long Angus (HK), Chen Long (Chn)
Group B: Kidambi Srikanth (Ind), Shi Yugi (Chn), Chou Tien Chen (Tpe), Viktor Axelsen (Den)

Women’s Singles 
Group A:
Akane Yamaguchi (Jpn), Pusarla Sindhu (Ind), Sayaka Sato (Jpn), He Bingjiao (Chn)
Group B: Tai Tzu Ying (Tpe), Sung Hi-hyun (Kor), Ratchanok Intanon (Tha), Chen Yufei (Chn)

Teri%20Baaton%20Mein%20Aisa%20Uljha%20Jiya
%3Cp%3E%3Cstrong%3EDirectors%3A%3C%2Fstrong%3E%20Amit%20Joshi%20and%20Aradhana%20Sah%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECast%3A%3C%2Fstrong%3E%20Shahid%20Kapoor%2C%20Kriti%20Sanon%2C%20Dharmendra%2C%20Dimple%20Kapadia%2C%20Rakesh%20Bedi%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%204%2F5%3C%2Fp%3E%0A
Results:

6.30pm: Handicap (Turf) | US$175,000 2,410m | Winner: Bin Battuta, Christophe Soumillon (jockey), Saeed bin Suroor (trainer)

7.05pm: UAE 1000 Guineas Trial Conditions (Dirt) | $100,000 1,400m | Winner: Al Hayette, Fabrice Veron, Ismail Mohammed

7.40pm: Handicap (T) $145,000 1,000m | Winner: Faatinah, Jim Crowley, David Hayes

8.15pm: Dubawi Stakes Group 3 (D) $200,000 1,200m | Winner: Raven’s Corner, Richard Mullen, Satish Seemar

8.50pm: Singspiel Stakes Group 3 (T) $200,000 1,800m | Winner: Dream Castle, Christophe Soumillon, Saeed bin Suroor

9.25pm: Handicap (T) $175,000 1,400m​​​ | Winner: Another Batt, Connor Beasley, George Scott

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Updated: June 03, 2025, 8:36 AM