Avatar: The Way of Water review: a big-screen blast that's galaxies better than the first

After 13 years, James Cameron takes audiences back to Pandora

Avatar: The Way of Water has been more than 10 years in the making. All photos: 20th Century Studios

Neytiri (Zoe Saldana) and Jake Sully (Sam Worthington) in Avatar: The Way of Water

Jack Champion as Spider

Sigourney Weaver as Kiri and Dr Grace Augustine

Britain Dalton as Lo’ak, with Tulkun, a large whale-like creature native to the oceans of Pandora

Stephen Lang as Quaritch

Trinity Bliss as Tuk

Kate Winslet as Ronal and Cliff Curtis as Tonowari

Jamie Flatters as Neteyam, Saldana as Neytiri, Dalton as Lo’ak and Worthington as Jake Sully

Lang as Quaritch

Curtis as Tonowari

Weaver as Kiri

Worthington as Jake Sully

Sam Worthington as Jake Sully

Britain Dalton as Lo'ak

Bailey Bass as Tsireya

Zoe Saldana and Sam Worthington in the film

Kate Winslet as Ronal

This image released by 20th Century Studios shows, Jake Sully, performed by Sam Worthington, left, and Neytiri, performed by Zoe Saldana in a scene from "Avatar: The Way of Water. " (20th Century Studios via AP)

Stephen Lang as Quaritch

Worthington as Jake Sully

Sam Worthington as Jake Sully, Kate Winslet as Ronal and Cliff Curtis as Tonowari

It is impossible to talk about Avatar: The Way of Water without sounding hyperbolic. But James Cameron's sequel is a truly dazzling cinematic experience that will have you floating on a blockbuster high.

No matter if you’ve spent a second of your life in the past 13 years thinking about what’s happening on Pandora or how Jake Sully (Sam Worthington) and Neytiri (Zoe Saldana) are getting on, assuming you remember their characters’ names. The Way of Water will make awe-struck believers out of even Avatar agnostics, at least for three hours and 12 minutes.

The film isn’t only visually compelling, either, it’s spiritually rich as well — a simple but penetrating story about family and the natural world that is galaxies better than the first.

About that run time: three hours and 12 minutes sounds excessive, but there is something decidedly decadent about really committing that much time to a movie in a theatre. When the filmmaker is purposeful with that time, as Cameron is and many others have been before him, it’s a uniquely rewarding experience. In other words, it’s not a big ask. And you’ll forget all about checking the time from the first shot of Pandora and Jake’s earnest exposition about what’s been going on in the past decade.

He and Neytiri have four children — Neteyam (Jamie Flatters), Lo’ak (Britain Dalton), Tuk (Trinity Bliss) and an adopted teenage daughter, Kiri (Sigourney Weaver), and they’re happy living in the forest.

“Happiness is simple,” he says. “Who ever thought that a jughead like me could crack the code?”

So, of course, it can’t last. The humans are on the hunt for Jake, with a familiar antagonist leading the charge. And soon his family is on the run, taking up home in another part of Pandora, on the water with a new tribe led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis) who reluctantly grant them refuge and try to teach them how to live on the water.

It’s worth noting that Cameron has not stuffed the film with mind-numbing, wall-to-wall action and a needlessly complicated plot. There are long stretches of movie where we’re simply exploring the environment with the characters, delighting in the intricacies of a reef or basking in the beauty of giant sea creatures. Sometimes we’re just sitting in the water with Kiri who is also sitting in the water. It is not advancing the action in any obvious way. It is not even really developing characters. It just is, and it’s serene. You imagine that anyone without his clout would have a hard time justifying something similar.

The action is there, too, of course, and it’s exciting because you’ve become invested in the family and worried about the children who are never where they’re supposed to be and are often in danger because of it. And though we know there are more sequels coming, and one already wrapped, this is not the kind of franchise where anyone is guaranteed to get a fake superhero death. Sure, there is some Avatar silliness, including the fact that the word “bro” is uttered about 8,000 times, but there is something admirable about the straightforward dialogue and emotions at play, too. No one is snarking their way through this ordeal.

“Never doubt James Cameron” has become a bit of a rallying cry lately, at least among those left on Twitter. It’s all the more extraordinary as the once-mythical sequels had become a kind of joke in the years since the first movie. Even as The Way of Water release date actually approached, the “who cares?” chorus intensified. Had anyone really thought twice about Avatar? But Cameron knows his way around a thrilling sequel, and the water for that matter (and references his own greatest hits in this film, too).

But then people saw it and the tune changed. There is something comforting about the fact that we are capable of intense, collective cultural whiplash. That “who cares?” can turn to uncynical amazement in an instant. Is that the magic of the movies? Of continuing to push the bounds of the big screen experience? Of betting big on weird-sounding stories about giant blue environmentalists instead of superheroes every so often? Maybe it’s just the magic of James Cameron.

Avatar: The Way of Water is out in UAE cinemas on December 15