• Afzal is currently showing his work in Gallery 4 in an exhibition titled The Future Past at The Foundry in downtown until October 30.
    Afzal is currently showing his work in Gallery 4 in an exhibition titled The Future Past at The Foundry in downtown until October 30.
  • Baber Afzal's dramatic and surreal photography captures the UAE's epic architecture. All Photos: Baber Afzal
    Baber Afzal's dramatic and surreal photography captures the UAE's epic architecture. All Photos: Baber Afzal
  • 'I always tend to pre-visualise my images and how they would turn out before I set out to shoot,' the photographer says.
    'I always tend to pre-visualise my images and how they would turn out before I set out to shoot,' the photographer says.
  • Afzal combines on-site shooting and post-production techniques to create awe-inspiring images that look real and don't feel overly worked.
    Afzal combines on-site shooting and post-production techniques to create awe-inspiring images that look real and don't feel overly worked.
  • In regards to his process, Afzal says, 'Once I’ve locked what I‘ve envisioned, I scout the location and view the possible vantage points to shoot. Once I have shot it, I spend time countless hours in post-production to bring as close as possible to what I had originally envisioned.'
    In regards to his process, Afzal says, 'Once I’ve locked what I‘ve envisioned, I scout the location and view the possible vantage points to shoot. Once I have shot it, I spend time countless hours in post-production to bring as close as possible to what I had originally envisioned.'
  • Afzal experiments with long-exposure techniques, along with various blending and compositing methods and techniques in post-production.
    Afzal experiments with long-exposure techniques, along with various blending and compositing methods and techniques in post-production.
  • 'In some instances, I capture the perfect moment and enhance it, while in other cases I enhance the surroundings to create the perfect moment,' Afzal says.
    'In some instances, I capture the perfect moment and enhance it, while in other cases I enhance the surroundings to create the perfect moment,' Afzal says.
  • Afzal credits the way in which Dubai and the UAE were designed as to why the city and its landmarks are so photogenic.
    Afzal credits the way in which Dubai and the UAE were designed as to why the city and its landmarks are so photogenic.
  • 'I want people to not only be wowed by how stunning the cityscapes look but to be taken aback by how far Dubai has come,' Afzal says.
    'I want people to not only be wowed by how stunning the cityscapes look but to be taken aback by how far Dubai has come,' Afzal says.
  • Afzal’s work captures a contemporary and futuristic vision of Dubai that is also epic and timeless.
    Afzal’s work captures a contemporary and futuristic vision of Dubai that is also epic and timeless.

Dubai photographer captures Burj Khalifa like you’ve never seen it


Maan Jalal
  • English
  • Arabic

Celebrated skyscrapers, groundbreaking architecture and visionary cityscapes — the UAE's monuments have been captured through many lenses.

However, tonight, photographer, filmmaker and visual artist, Baber Afzal, brings a uniquely visceral and emotional approach to architecture and landscape photography — as part of a new group exhibition at Foundry, Downtown Dubai.

Afzal's work blends the real and ethereal — skyscrapers rise from the clouds, emerge out of shadows and are painted with light, highlighting their significance without overshadowing their surroundings.

Afzal says he uses editing to help align his photos to his vision: pictured here is Burj Al Arab at sunset. Photo: Baber Afzel
Afzal says he uses editing to help align his photos to his vision: pictured here is Burj Al Arab at sunset. Photo: Baber Afzel

While it’s natural to depend on the scale of the Burj Khalifa, Burj Al Arab or Sheikh Zayed Grand Mosque to create an impact through an image, Afzal infuses a more nuanced range of emotions to his photos.

“I always tend to pre-visualise my images and how they would turn out before I set out to shoot,” Afzal tells The National.

“Once I’ve locked what I‘ve envisioned, I scout the location and view the possible vantage points to shoot. Once I've shot it, I spend countless hours in post-production to bring it as close as possible to what I had originally envisioned.”

Afzal estimates that his final images are created through a combination of 20 per cent shooting on location and 80 percent in post-production.

Using a range of long-exposure techniques, he attempts to capture the his subjects from different perspectives and angles. He then experiments with various blending and compositing methods in post-production to align the image with his vision.

Afzal is showcasing his work at Gallery 4 in an exhibition titled The Future Past at The Foundry in Downtown, until October 30. Photo: Baber Afzal
Afzal is showcasing his work at Gallery 4 in an exhibition titled The Future Past at The Foundry in Downtown, until October 30. Photo: Baber Afzal

“In some instances, I capture the perfect moment and enhance it, while in other cases, I enhance the surroundings to create the perfect moment,” Afzal says.

His career as a photographer began by chance. In 2007, while living in Islamabad, Pakistan, he decided to document a family road trip to the Margalla Hills with his sister’s Sony Cybershot camera.

“The light felt so clear that day,” he says, inviting him to capture the landscape and the spend the time needed to edit the images. "It made me fall in love with that process.”

Afzal hasn’t stopped working since. After purchasing a Canon 450D, he first photographed a dramatic sunset at Jumeirah beach. Since then, he’s captured more popular landmarks in Dubai as they exist, implementing his on-site and post-production techniques.

Dubai resident and photographer Baber Afzal uses a combination of on-site shooting and post-production techniques to create surreal images of the UAE. Photo: Baber Afzal
Dubai resident and photographer Baber Afzal uses a combination of on-site shooting and post-production techniques to create surreal images of the UAE. Photo: Baber Afzal

His range of work, particularly where Burj Khalifa is the subject, show Dubai's most recognisable landscapes through a different view.

“From an architectural perspective, it’s the way Dubai and the UAE have been designed and envisioned that makes them so photogenic,” he says. “I want people to not only be wowed by how stunning the cityscapes look, but to be taken aback by how far Dubai has come.”

Afzal's images of the UAE are the subject of his latest exhibition, The Future Past, at Gallery 4 in Foundry in Downtown.

Reflecting on the images, he says: “This series of visuals in this exhibition have been over 10 years in the making.”

“They highlight iconic perspectives of Dubai’s cityscape and how it has evolved over time since 2010. The ever-changing landscape of Dubai has also made it impossible to recapture the same cityscape again due to new skyscrapers that have come into existence. This makes some of the artworks one-of-a-kind”

These new works will also exist as NFTs, available for purchase through Afzal’s website.

Baber Afzal's The Future Past is showing at Gallery 4 in the Foundry Downtown Dubai until October 30.

Weather Photographer of the Year 2022 Shortlist - in pictures

  • 'In Search of Water', Purulia, West Bengal, India, by Barun Rajgaria of India. All photos: Weather Photographer of the Year / the photographer
    'In Search of Water', Purulia, West Bengal, India, by Barun Rajgaria of India. All photos: Weather Photographer of the Year / the photographer
  • 'Waterlily Harvesting', Kolkata, India, by Shibasish Saha of India.
    'Waterlily Harvesting', Kolkata, India, by Shibasish Saha of India.
  • Chongqing, China, by Luo Xing of China.
    Chongqing, China, by Luo Xing of China.
  • Leeds, UK, by Andrew McCaren of England.
    Leeds, UK, by Andrew McCaren of England.
  • Toronto, Canada, by Zhenhuan Zhou of Canada.
    Toronto, Canada, by Zhenhuan Zhou of Canada.
  • Crni Kal, Slovenia, by Sara Jazbar of Italy.
    Crni Kal, Slovenia, by Sara Jazbar of Italy.
  • Woking, UK, by Thomas Chitson of England.
    Woking, UK, by Thomas Chitson of England.
  • Pila, Poland, by Krzysztof Tollas of Poland.
    Pila, Poland, by Krzysztof Tollas of Poland.
  • Llica de Vall, Spain, by Enric Navarrete Bachs of Spain.
    Llica de Vall, Spain, by Enric Navarrete Bachs of Spain.
  • Tankerton, Kent, by Brendan Conway of England.
    Tankerton, Kent, by Brendan Conway of England.
  • Grayslake, US, by Laura Hedien of the US.
    Grayslake, US, by Laura Hedien of the US.
  • Sant Cugat del Valles, Barcelona, Spain, by Carlos Castillejo Balsera of Spain.
    Sant Cugat del Valles, Barcelona, Spain, by Carlos Castillejo Balsera of Spain.
  • Taiwan, Province Of China, by Rossi Fang of Taiwan, Province of China.
    Taiwan, Province Of China, by Rossi Fang of Taiwan, Province of China.
  • Hpa-an, Myanmar, by Aung Chan Thar of Myanmar.
    Hpa-an, Myanmar, by Aung Chan Thar of Myanmar.
  • Midhurst, West Sussex, UK, by Christopher Ison of England.
    Midhurst, West Sussex, UK, by Christopher Ison of England.
  • Shanklin, UK, by Jamie Russell of England.
    Shanklin, UK, by Jamie Russell of England.
  • Abisko, Sweden, by Felipe Martin Menzella of Sweden.
    Abisko, Sweden, by Felipe Martin Menzella of Sweden.
  • Rimavska Sobota, Slovakia, by Tamas Kusza of Slovakia.
    Rimavska Sobota, Slovakia, by Tamas Kusza of Slovakia.
  • Addis Ababa, Ethiopia, by Betel Tibebu of Ethiopia.
    Addis Ababa, Ethiopia, by Betel Tibebu of Ethiopia.
  • Penrith, UK, by Vince Campbell of Scotland.
    Penrith, UK, by Vince Campbell of Scotland.
  • Barcelona, Spain, by Emili Vilamala Benito of Spain.
    Barcelona, Spain, by Emili Vilamala Benito of Spain.
  • Toronto, Canada, by Zhenhuan Zhou of Canada.
    Toronto, Canada, by Zhenhuan Zhou of Canada.
Updated: September 15, 2022, 12:31 PM