Sara Rahmani's work of an Afghan girl seen in colour and black and white went viral when she shared it in August. Sara Rahmani
Sara Rahmani's work of an Afghan girl seen in colour and black and white went viral when she shared it in August. Sara Rahmani
Sara Rahmani's work of an Afghan girl seen in colour and black and white went viral when she shared it in August. Sara Rahmani
Sara Rahmani's work of an Afghan girl seen in colour and black and white went viral when she shared it in August. Sara Rahmani

Artist Sara Rahmani captures horror and hope in Afghanistan with moving works


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On August 22, a week after Kabul fell to Taliban control and days after three men, desperate to escape the country, fell to their deaths after clinging to a US military aircraft, Sara Rahmani shared a painting that quickly went viral.

Executed in stark black and white, with a single diagonal stripe of bold colour bisecting the canvas, the painting captures a young Afghan girl, smiling as a tear drops from her right eye.

In the black-and-white sections of the painting, silhouetted figures fall to the ground as a plane soars overhead. One man, amid a faceless crowd, passes a swaddled baby to a soldier across coils of barbed wire.

I got an idea that even if we are in dark days of our lives and our country ... we still have a ray of hope
Sara Rahmani,
artist

In the coloured section of the image, which includes the girl’s close-lipped smile, the wing of the plane transforms into the wing of a dove and a woman in bright Afghan clothing dances beside another who is writing the word “peace” in Farsi.

“I always wanted to show the best pictures of my country through my artworks, but today nothing is left for us. We went back 20 years ago,” Rahmani wrote on Instagram. “My dear Afghanistan … I’m sorry for the world’s silence.”

Rahmani started the painting before Afghanistan fell to Taliban control. “I was just planning to paint the portrait of that little Afghan girl. I like the eyes and the way she was smiling,” she says.

“Then, when it all happened in one week, we had a protest here in San Diego so I wanted to create something really effective to show our emotions, what we were going through those couple of days.”

Sara Rahmani, 23, is a painter from Afghanistan now living in California. Photo: Sara Rahmani
Sara Rahmani, 23, is a painter from Afghanistan now living in California. Photo: Sara Rahmani

Rahmani, 23, has lived in San Diego since 2017, after her father, who worked for an American company, received a Special Immigrant Visa.

Witnessing the swift and brutal fall of her homeland to Taliban forces from afar, desperately worried about family members left behind in Kabul, one of whom has been forced to go into hiding, she completely changed the concept of her painting.

“After I started painting, I felt like, ‘This girl is not happy at this time. Why should I paint her that way?’” she says. But having always tried to show Afghanistan in a positive light, she wanted to convey her wish for a brighter future.

“I got an idea that even if we are in dark days of our lives and our country ... we still have a ray of hope, so I used that coloured part of the painting as a ray of hope.”

The work drew tens of thousands of views. “I didn’t expect to go viral with this painting. It was really emotional for me … I cried a lot over that painting,” she says.

A portrait of Fatima Rasa by Afghan painter Sara Rahmani, inspired by a photograph by Avizeh (2021). Photo: Sara Rahmani
A portrait of Fatima Rasa by Afghan painter Sara Rahmani, inspired by a photograph by Avizeh (2021). Photo: Sara Rahmani

Born and raised in Kabul, where she attended high school and college, Rahmani studied civil engineering before moving to California aged 19. She says that since the withdrawal of US troops last month, her friends in the Afghan capital, several of them women who worked as civil engineers, are afraid to leave their homes.

“I had so many friends over there working. After this happened they are all unemployed. They are stuck at home and everyone is so scared,” she says. “Most of the stores and offices are closed right now, so how can they make money? After one month with no work, no food, nothing, how can you survive? It’s really hard for all Afghan people, especially for women.”

Despite her move to the US four years ago, Rahmani has not had an easy time. Initially struggling with English, she found herself forced to repeat her studies.

“Even if you know English, when you come here it’s totally different,” she says. “They didn’t accept the documents from there, my transcripts, so I started over again here with college in civil engineering and it’s my second year. The first year I was not really happy but I had to go on and achieve my goals, my dreams.”

Rahmani started painting at the age of 15, attending two months of art classes in Kabul before academic demands forced her to quit. Having always regarded painting as a hobby, she continued to create new artworks in America, taking inspiration from photographs to portray Afghan culture in a positive light.

“We have so many talented photographers in Afghanistan,” she says. “There is Fatimah Hossaini, Roya Heydari and so many other photographers who are so talented and well-known. I get my ideas from them.

"They were my role models and I was inspired by their work when I started, especially Avizeh, who does clothes design, Afghan jewellery and very good photography of Afghan girls and women.”

A portrait of Mahal Wak by Afghan painter Sara Rahman, inspired by a photo by Fatimah Hossaini (2021). Photo: Sara Rahmani
A portrait of Mahal Wak by Afghan painter Sara Rahman, inspired by a photo by Fatimah Hossaini (2021). Photo: Sara Rahmani

Rahmani’s paintings aim to show a different side of Afghanistan. “My goal was to show the beautiful face of my country – our culture, our traditions – because we have a rich culture," she says.

"When you search on Google for Afghanistan it’s all about war, blood, all these things – the poor people. We have so many good pictures of our country – beautiful places, beautiful people, kind people. I want to show that face of my country, not the war."

But now she feels compelled to change her approach.

“At this time I believe we have to,” she says. “It’s our responsibility to show what’s going on right now in our country and I will try my best … to raise awareness about this situation to the world … Still I keep the beauty in my paintings and I never want to hide that face.”

Although she never intended to pursue painting as a career, Rahmani says she has been inspired to reconsider.

"I never wanted to do painting as a job, but I realised that I have to do something with my art. People encouraged me a lot."

The specs

Engine: 6.2-litre V8

Transmission: ten-speed

Power: 420bhp

Torque: 624Nm

Price: Dh325,125

On sale: Now

The National Archives, Abu Dhabi

Founded over 50 years ago, the National Archives collects valuable historical material relating to the UAE, and is the oldest and richest archive relating to the Arabian Gulf.

Much of the material can be viewed on line at the Arabian Gulf Digital Archive - https://www.agda.ae/en

The burning issue

The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE. 

Read part four: an affection for classic cars lives on

Read part three: the age of the electric vehicle begins

Read part one: how cars came to the UAE

 

The burning issue

The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE.

Read part three: the age of the electric vehicle begins

Read part two: how climate change drove the race for an alternative 

Read part one: how cars came to the UAE

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The Bio

Favourite place in UAE: Al Rams pearling village

What one book should everyone read: Any book written before electricity was invented. When a writer willingly worked under candlelight, you know he/she had a real passion for their craft

Your favourite type of pearl: All of them. No pearl looks the same and each carries its own unique characteristics, like humans

Best time to swim in the sea: When there is enough light to see beneath the surface

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The past winners

2009 - Sebastian Vettel (Red Bull)

2010 - Sebastian Vettel (Red Bull)

2011 - Lewis Hamilton (McLaren)

2012 - Kimi Raikkonen (Lotus)

2013 - Sebastian Vettel (Red Bull)

2014 - Lewis Hamilton (Mercedes)

2015 - Nico Rosberg (Mercedes)

2016 - Lewis Hamilton (Mercedes)

2017 - Valtteri Bottas (Mercedes)

Match info

Liverpool 3
Hoedt (10' og), Matip (21'), Salah (45 3')

Southampton 0

Dust and sand storms compared

Sand storm

  • Particle size: Larger, heavier sand grains
  • Visibility: Often dramatic with thick "walls" of sand
  • Duration: Short-lived, typically localised
  • Travel distance: Limited 
  • Source: Open desert areas with strong winds

Dust storm

  • Particle size: Much finer, lightweight particles
  • Visibility: Hazy skies but less intense
  • Duration: Can linger for days
  • Travel distance: Long-range, up to thousands of kilometres
  • Source: Can be carried from distant regions

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Company profile

Name: Thndr

Started: October 2020

Founders: Ahmad Hammouda and Seif Amr

Based: Cairo, Egypt

Sector: FinTech

Initial investment: pre-seed of $800,000

Funding stage: series A; $20 million

Investors: Tiger Global, Beco Capital, Prosus Ventures, Y Combinator, Global Ventures, Abdul Latif Jameel, Endure Capital, 4DX Ventures, Plus VC,  Rabacap and MSA Capital

First Person
Richard Flanagan
Chatto & Windus 

Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills
Updated: September 24, 2021, 9:28 AM