'Campbell's Soup Cans' by Andy Warhol has been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies
'Campbell's Soup Cans' by Andy Warhol has been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies
'Campbell's Soup Cans' by Andy Warhol has been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies
'Campbell's Soup Cans' by Andy Warhol has been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies

Climate protesters glue themselves to Warhol print in Australian gallery


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Climate protesters glued their hands to the transparent covers of Andy Warhol's famous Campbell's Soup screen prints on display at the National Gallery of Australia in Canberra on Wednesday.

The protest, by a group calling itself Stop Fossil Fuel Subsidies Australia, was the latest in a series of climate demonstrations targeting famous artworks around the world.

Protesters also scrawled graffiti across the covers of the prints, which were removed for cleaning, but were not damaged, according to the gallery.

"A protest has taken place at the National Gallery of Australia following similar incidents here and overseas," the organisation said.

"The National Gallery does not wish to promote these actions and has no further comment."

Warhol's Campbell's Soup screen prints, produced in the 1960s, remain one of the most recognisable symbols of the American pop art movement.

"Warhol took as themes everyday subject matter that resonated because of its familiar origins ... such as the humble can of Campbell's Soup," the National Gallery of Australia wrote alongside the exhibition.

The protesters said they were targeting the Warhol prints to highlight the "danger of capitalism".

"Andy Warhol depicted consumerism gone mad in this iconic series. And now we have capitalism gone mad," climate activist Bonnie Cassen said.

"Families are having to choose between medicine and food for their children while fossil fuel companies return record profits."

Other climate protesters have recently glued their hands to Goya paintings in Madrid, thrown soup on Vincent van Gogh works in London, and smeared mashed potatoes on a Claude Monet masterpiece in Potsdam, near Berlin.

In October, two climate activists glued their hands to the perspex cover of a Picasso painting in a Melbourne art gallery.

The painting, which was not damaged during the demonstration, was being shown on the final day of the gallery's The Picasso Century exhibition.

Climate activists targeting artworks around the world — in pictures

  • 'Campbell's Soup Cans' by Andy Warhol was been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies
    'Campbell's Soup Cans' by Andy Warhol was been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies
  • A police officer stands outside the Mauritshuis museum, where three people were arrested for attempting to smudge Vermeer's painting 'Girl with a Pearl Earring', currently exhibited there, in The Hague, Netherlands on October 27, 2022. EPA
    A police officer stands outside the Mauritshuis museum, where three people were arrested for attempting to smudge Vermeer's painting 'Girl with a Pearl Earring', currently exhibited there, in The Hague, Netherlands on October 27, 2022. EPA
  • Two environmental activists of Last Generation glue themselves to metal bars around a display of dinosaur skeletons and holding a banner reading "what if the government does not have it under control" in the Berlin's Natural History Museum, in Berlin on October 30. AFP
    Two environmental activists of Last Generation glue themselves to metal bars around a display of dinosaur skeletons and holding a banner reading "what if the government does not have it under control" in the Berlin's Natural History Museum, in Berlin on October 30. AFP
  • Climate protesters of Last Generation after throwing mashed potatoes at the Claude Monet painting 'Les Meules' at Potsdam’s Barberini Museum on October 24. AP
    Climate protesters of Last Generation after throwing mashed potatoes at the Claude Monet painting 'Les Meules' at Potsdam’s Barberini Museum on October 24. AP
  • Protesters throw two tins of Heinz tomato soup at Vincent van Gogh’s famous 1888 work Sunflowers at the National Gallery in London on October 14. Photo: Just Stop Oil
    Protesters throw two tins of Heinz tomato soup at Vincent van Gogh’s famous 1888 work Sunflowers at the National Gallery in London on October 14. Photo: Just Stop Oil
  • Three young supporters of Just Stop Oil spray-painted around the Kelvingrove Art Gallery and Museum in Glasgow. Two also glued themselves to the frame of Horatio McCulloch's painting 'My Heart’s in the Highlands' on June 29 this year. Photo: Just Stop Oil
    Three young supporters of Just Stop Oil spray-painted around the Kelvingrove Art Gallery and Museum in Glasgow. Two also glued themselves to the frame of Horatio McCulloch's painting 'My Heart’s in the Highlands' on June 29 this year. Photo: Just Stop Oil
  • Two activists glued themselves to the frame of Vincent van Gogh’s 'Peach Trees in Blossom' (1889) at The Courtauld Gallery in London on June 30. Photo: Just Stop Oil
    Two activists glued themselves to the frame of Vincent van Gogh’s 'Peach Trees in Blossom' (1889) at The Courtauld Gallery in London on June 30. Photo: Just Stop Oil
  • On July 1, two activists glued themselves to the frame of 'Tomson’s Aeolian Harp' (1809), a painting by JMW Turner, at the Manchester Art Gallery. Photo: Just Stop Oil
    On July 1, two activists glued themselves to the frame of 'Tomson’s Aeolian Harp' (1809), a painting by JMW Turner, at the Manchester Art Gallery. Photo: Just Stop Oil
  • Activists from the 'Just Stop Oil' campaign group cover 'The Hay Wain' painting by English artist John Constable, in a mock 'undated' version including roads and aircraft, before glueing their hands to the frame in protest against the use of fossil fuels, at The National Gallery in London on July 4. AFP
    Activists from the 'Just Stop Oil' campaign group cover 'The Hay Wain' painting by English artist John Constable, in a mock 'undated' version including roads and aircraft, before glueing their hands to the frame in protest against the use of fossil fuels, at The National Gallery in London on July 4. AFP
  • Activists glue their hands to the frame of the painting 'The Hay Wain' on July 4. AFP
    Activists glue their hands to the frame of the painting 'The Hay Wain' on July 4. AFP
  • Five Just Stop Oil activists spray paint the wall and glue themselves to the frame of the painting the 'Last Supper' by Leonardo da Vinci on July 5, at the Royal Academy of Arts, London. Photo: In Pictures via Getty Images
    Five Just Stop Oil activists spray paint the wall and glue themselves to the frame of the painting the 'Last Supper' by Leonardo da Vinci on July 5, at the Royal Academy of Arts, London. Photo: In Pictures via Getty Images
  • Two activists of the Ultima Generazione (Last Generation) environmentalist group glue themselves to the glass protecting Italian Renaissance painter Sandro Botticelli's 'Primavera (Spring)' in Florence's Uffizi Galleries on July 22. Photo: Ultima Generation via AP
    Two activists of the Ultima Generazione (Last Generation) environmentalist group glue themselves to the glass protecting Italian Renaissance painter Sandro Botticelli's 'Primavera (Spring)' in Florence's Uffizi Galleries on July 22. Photo: Ultima Generation via AP
  • A museum official tries to block two activists of Ultima Generazione (Last Generation). Photo: Ultima Generation via AP
    A museum official tries to block two activists of Ultima Generazione (Last Generation). Photo: Ultima Generation via AP
  • Visitors take pictures and video of the 'Mona Lisa' after cake was smeared on its protective glass at the Louvre Museum in Paris on May 29. Photo: Twitter / @klevisl007 via Reuters
    Visitors take pictures and video of the 'Mona Lisa' after cake was smeared on its protective glass at the Louvre Museum in Paris on May 29. Photo: Twitter / @klevisl007 via Reuters
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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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Group B: Belgium, Russia, Denmark, Finland

Group C: Netherlands, Ukraine, Austria, 
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Group E: Spain, Poland, Sweden, 
N.Ireland/Bosnia/Slovakia/Ireland

Group F: Germany, France, Portugal, 
Iceland/Romania/Bulgaria/Hungary

Omar Yabroudi's factfile

Born: October 20, 1989, Sharjah

Education: Bachelor of Science and Football, Liverpool John Moores University

2010: Accrington Stanley FC, internship

2010-2012: Crystal Palace, performance analyst with U-18 academy

2012-2015: Barnet FC, first-team performance analyst/head of recruitment

2015-2017: Nottingham Forest, head of recruitment

2018-present: Crystal Palace, player recruitment manager

 

 

 

 

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Dubai College A 50-12 Dubai College B

COMPANY PROFILE
Name: Akeed

Based: Muscat

Launch year: 2018

Number of employees: 40

Sector: Online food delivery

Funding: Raised $3.2m since inception 

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Updated: November 09, 2022, 4:38 AM