Ryan Gosling performs I'm Just Ken from Barbie during the Oscars ceremony. Reuters / Mike Blake
Ryan Gosling performs I'm Just Ken from Barbie during the Oscars ceremony. Reuters / Mike Blake
Ryan Gosling performs I'm Just Ken from Barbie during the Oscars ceremony. Reuters / Mike Blake
Ryan Gosling performs I'm Just Ken from Barbie during the Oscars ceremony. Reuters / Mike Blake

Music performances at 2024 Oscars ranked: Bocelli, Eilish, and Gosling rocking with Slash


Razmig Bedirian
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Let’s face it, without its musical performances, the Oscars ceremony would be a drudgery of names being read from lists, teary acceptance speeches and strained quips.

It is the music that keeps the night emotionally charged, pulling and relieving tension throughout the three-and-a-half-hour event.

This year’s ceremony featured several exciting performances, and there were some surprising cameos, each bringing a new twist to songs and compositions featured in last year's biggest films.

Though each act was rousing in its own way, some stood out more than others. Here are the musical performances of the 2024 Oscars ranked – it's not fair to say worst to best, so let's say from ones that we'd likely forget sooner rather than later, to the ones that will stick with us for some time.

6. The Fire Inside

It made sense that the backdrop was aflame as Becky G took to the stage at Los Angeles’ Dolby Theatre.

Becky G performs The Fire Inside from the movie Flamin' Hot. EPA / Caroline Brehman
Becky G performs The Fire Inside from the movie Flamin' Hot. EPA / Caroline Brehman

The singer began her performance of The Fire Inside alone and was soon joined by a group of 10 girls. The performance intensified as a choir appeared on the sides of the stage, along with a fully fledged orchestra raised above the fire. As powerful a performance as it was, the night would go on to deliver several spectacles that would outshine it.

The Fire Inside was written by Diane Warren for the Eva Longoria-directed film Flamin’ Hot. The film tells the story of Richard Montanez, the janitor at Frito Lay who came up with the idea for Flamin' Hot Cheetos.

5. Time To Say Goodbye

Andrea Bocelli and his son Mateo Bocelli performed during the ceremony’s In Memoriam section, which paid tribute to the talents that died in the past year. The performance featured stunning choreography and a string section.

It was a beautiful reinterpretation of the song, which was originally released by Bocelli in 1995 as Con te partiro, before its English version came out a year later as a duet with British singer Sarah Brightman.

Matteo Bocelli, left, and Andrea Bocelli perform Time To Say Goodbye during the In Memoriam segment. AP / Chris Pizzello
Matteo Bocelli, left, and Andrea Bocelli perform Time To Say Goodbye during the In Memoriam segment. AP / Chris Pizzello

The memoriam segment began with a recorded message from Alexei Navalny, the Russian opposition figure who died last month. A quote from Navalny, which won the Oscar for Best Documentary Feature last year, was then displayed: “The only thing that is necessary for the triumph of evil is for good people to do nothing.”

Figures honoured during the memoriam performance included Harry Belafonte, Paul Reubens, Matthew Perry, Norman Jewison, Melinda Dillon, Julian Sands, Carl Weathers, Treat Williams and Burt Young. Their names, photos and clips from some of their most renowned performances were displayed on the screen in the background.

4. It Never Went Away

Jon Batiste has always had a special, expressive touch on the piano, and his performance at the Oscars exhibited this in full flair. Yet, there was something even more personal.

Jon Batiste performs the song It Never Went Away from his Oscar-nominated documentary American Symphony. EPA / Caroline Brehman
Jon Batiste performs the song It Never Went Away from his Oscar-nominated documentary American Symphony. EPA / Caroline Brehman

The composer played It Never Went Away from his Oscar-nominated film American Symphony, directed by Matthew Heineman. The documentary tells the story of how Batiste recorded his first symphony in the midst of personal struggle, as his wife, writer Suleika Jaouad, faced leukaemia.

The performance was accentuated with visuals as love scenes from different films, classic and contemporary, were displayed on the circular backdrop.

3. What Was I Made For?

Billie Eilish and Finneas O’Connell delivered a restrained but nonetheless moving performance of the song.

Finneas O'Connell and Billie Eilish won Best Original Song for What Was I Made For? EPA / Allison Dinner
Finneas O'Connell and Billie Eilish won Best Original Song for What Was I Made For? EPA / Allison Dinner

The fifth single from the film Barbie was a chart-topper worldwide. The pair began with a simple vocal and piano duet, before the purple backdrop opened to reveal an orchestra that carried the ballad to the end with a lush string section.

The performance concluded to thunderous standing ovation, which must have caught Eilish by surprise as she let out a chuckle and a "whoa".

Eilish and O’Connell were then named winners of the Oscar for Best Original Song for What Was I Made For?

2. Wahzhazhe (A Song For My People)

Among the most memorable performance was this song from Killers of the Flower Moon, the western crime epic directed by Martin Scorsese.

It was performed by writer Scott George, a member of the Osage Nation and the first Native American to receive an Oscar nomination for Best Original Song. George was joined on stage by other Osage singers and musicians.

Scott George and The Osage Singers perform Wahzhazhe (A Song for My People) from Killers of the Flower Moon. Getty / Kevin Winter
Scott George and The Osage Singers perform Wahzhazhe (A Song for My People) from Killers of the Flower Moon. Getty / Kevin Winter

The performance featured a traditional Osage dance and a hacking drum rhythm as singers chanted in contrasting tones that melded in rolling harmonies. The backdrop, meanwhile, was illuminated a deep orange, giving the impression of a setting sun.

1. I’m Just Ken

Ryan Gosling’s rock star performance shouldn’t be surprising. Yet, as the actor concluded his Barbie character’s song, the audience was enraptured with many A-listers looking towards each other in awe.

Ryan Gosling, centre; Slash, centre right; Wolfgang Van Halen, centre left; and Mark Ronson, left, perform I'm Just Ken. AFP / Patrick Fallon
Ryan Gosling, centre; Slash, centre right; Wolfgang Van Halen, centre left; and Mark Ronson, left, perform I'm Just Ken. AFP / Patrick Fallon

Gosling began the song from his seat behind Barbie co-star Margot Robbie, dressed in a shimmering pink suit. He then proceeded to the Dolby Theatre stage with many of his co-stars from the film dancing alongside him.

The audience sang along and twirled giant cardboard cutouts of Barbie faces before Slash, the legendary guitarist from the band Guns N' Roses, made a surprise appearance during the song’s crescendo, to play a blistering solo.

Other surprising cameos during the song included Wolfgang Van Halen and Mark Ronson.

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Updated: March 12, 2024, 6:45 AM