Sweeping Exhibition. Sally Souraya
Sweeping Exhibition. Sally Souraya
Sweeping Exhibition. Sally Souraya
Sweeping Exhibition. Sally Souraya

London art installation reflects on civilian clean-up effort a year on from Beirut blast


Layla Maghribi
  • English
  • Arabic

For days after the massive explosion that ripped through the Lebanese capital, the constant sound of broken glass scraping pavement was all that punctuated the deathly silence of a city gripped by shock and mourning.

In the immediate aftermath of the disaster last year, thousands of Lebanon’s residents took to the streets of Beirut to clear up the wreckage. About 7,000 tonnes of glass shattered when the blast tore through the city, blanketing entire neighbourhoods with debris.

Ordinary people wearing gloves, brooms in hand, became some of the enduring images of civic solidarity from that period, and the inspiration behind Lebanese artist Sally Souraya’s latest work, Sweeping. The multimedia installation, on view at P21 Gallery in London until Saturday, is an exploration of the symbolic and practical implications of the act of sweeping in the context of the aftermath of Beirut’s explosion.

Sally Souraya's multimedia installation 'Sweeping'
Sally Souraya's multimedia installation 'Sweeping'

Souraya, 34, who lives in London, was in the UK capital when the blast happened in her home town. Struggling to process the images she was seeing on social media and TV, Souraya says she felt the urge to move and embody the experience of her compatriots.

“I was looking at footage of people in the street and seeing how important it was and being thankful for these people and grateful for them that they actually stopped their life just to go and restore a kind of normality, despite all of the destruction,” Souraya tells The National.

“I focused on the act of sweeping because it's symbolic, but it's also what brought people together. Its solidarity, it's a way of actually processing what happened in a way that is also positive or helpful.”

In a symbolic act of camaraderie and mourning, Souraya decided she would get her own broom and sweep some broken glass on the streets of London.

Poignantly, finding broken glass in the city was her biggest problem. Wherever she asked, she was told that for reasons of health and safety, they couldn’t give her what she wanted.

Souraya's 'Sweeping' installation includes video footage and testimonies from people in Beirut, and shards of glass from the aftermath of the blast collected from the city's streets 11 months later. Sally Souraya
Souraya's 'Sweeping' installation includes video footage and testimonies from people in Beirut, and shards of glass from the aftermath of the blast collected from the city's streets 11 months later. Sally Souraya

“It made me reflect more on what it means to actually live in a country where you're just so close to danger that your people are walking on broken glass. People I know were injured by this broken glass and then here in London, to just use it for a symbolic performance, it's hard to get,” she says.

After eventually being given a sheet of glass to smash, Souraya walked across parts of the city spilling and sweeping up the shards along the way, being filmed in the process. She called it her "personal act of grieving" and says she found the repetitive act "healing".

“It kind of relieved me in some ways. I felt closer to what happened. I felt like I'm contributing in my own way, even with all of the limitations I have. It was a way of walking in my loved ones’ shoes and thinking of what they have been going through,” says Souraya, who also works as a full-time occupational therapist.

Her symbolically performative act would not, however, become a full art piece until she finally visited Lebanon 11 months later. Nearly a year after the blast, Souraya filmed interviews with people who had been on the streets sweeping in the immediate aftermath and found many who had only then felt ready to reflect on what had happened to them.

“I wanted to bring their voices and their stories,” she says, of the 10-minute video of footage and testimonies that make up part of the installation.

Her trip also gave her the opportunity to collect some of the shattered glass from the explosion, bits of which can still be found all around the city to this day.

"I wanted the exhibition to bring this reality of what is there. The dust from Beirut, the glass, the brooms, because it's important that these rooms represent all of the effort that these people put in to just help in the street."

Sweeping is on display at P21 Gallery in London until Saturday.

How to protect yourself when air quality drops

Install an air filter in your home.

Close your windows and turn on the AC.

Shower or bath after being outside.

Wear a face mask.

Stay indoors when conditions are particularly poor.

If driving, turn your engine off when stationary.

Some of Darwish's last words

"They see their tomorrows slipping out of their reach. And though it seems to them that everything outside this reality is heaven, yet they do not want to go to that heaven. They stay, because they are afflicted with hope." - Mahmoud Darwish, to attendees of the Palestine Festival of Literature, 2008

His life in brief: Born in a village near Galilee, he lived in exile for most of his life and started writing poetry after high school. He was arrested several times by Israel for what were deemed to be inciteful poems. Most of his work focused on the love and yearning for his homeland, and he was regarded the Palestinian poet of resistance. Over the course of his life, he published more than 30 poetry collections and books of prose, with his work translated into more than 20 languages. Many of his poems were set to music by Arab composers, most significantly Marcel Khalife. Darwish died on August 9, 2008 after undergoing heart surgery in the United States. He was later buried in Ramallah where a shrine was erected in his honour.

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The past Palme d'Or winners

2018 Shoplifters, Hirokazu Kore-eda

2017 The Square, Ruben Ostlund

2016 I, Daniel Blake, Ken Loach

2015 DheepanJacques Audiard

2014 Winter Sleep (Kış Uykusu), Nuri Bilge Ceylan

2013 Blue is the Warmest Colour (La Vie d'Adèle: Chapitres 1 et 2), Abdellatif Kechiche, Adele Exarchopoulos and Lea Seydoux

2012 Amour, Michael Haneke

2011 The Tree of LifeTerrence Malick

2010 Uncle Boonmee Who Can Recall His Past Lives (Lung Bunmi Raluek Chat), Apichatpong Weerasethakul

2009 The White Ribbon (Eine deutsche Kindergeschichte), Michael Haneke

2008 The Class (Entre les murs), Laurent Cantet

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Age: 59

From: Laguna, The Philippines

Favourite dish: Seabass or Fish and Chips

Hobbies: When he’s not in the restaurant, he still likes to cook, along with walking and meeting up with friends.

Results

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6.05pm: Maiden (TB) Dh82,500 (Turf) 1,400m, Winner: Mayehaab, Adrie de Vries, Fawzi Nass

6.40pm: Handicap (TB) Dh85,000 (D) 1,600m, Winner: Monoski, Mickael Barzalona, Salem bin Ghadayer

7.15pm: Handicap (TB) Dh102,500 (T) 1,800m, Winner: Eastern World, Royston Ffrench, Charlie Appleby

7.50pm: Handicap (TB) Dh92,500 (D) 1,200m, Winner: Madkal, Adrie de Vries, Fawzi Nass

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8.15pm Handicap (TB) Dh105,000 (D) 1,900m

8.50pm UAE 2000 Guineas Trial (TB) Conditions Dh183,650 (D) 1,600m

9.25pm Dubai Trophy (TB) Conditions Dh183,650 (T) 1,200m

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How Tesla’s price correction has hit fund managers

Investing in disruptive technology can be a bumpy ride, as investors in Tesla were reminded on Friday, when its stock dropped 7.5 per cent in early trading to $575.

It recovered slightly but still ended the week 15 per cent lower and is down a third from its all-time high of $883 on January 26. The electric car maker’s market cap fell from $834 billion to about $567bn in that time, a drop of an astonishing $267bn, and a blow for those who bought Tesla stock late.

The collapse also hit fund managers that have gone big on Tesla, notably the UK-based Scottish Mortgage Investment Trust and Cathie Wood’s ARK Innovation ETF.

Tesla is the top holding in both funds, making up a hefty 10 per cent of total assets under management. Both funds have fallen by a quarter in the past month.

Matt Weller, global head of market research at GAIN Capital, recently warned that Tesla founder Elon Musk had “flown a bit too close to the sun”, after getting carried away by investing $1.5bn of the company’s money in Bitcoin.

He also predicted Tesla’s sales could struggle as traditional auto manufacturers ramp up electric car production, destroying its first mover advantage.

AJ Bell’s Russ Mould warns that many investors buy tech stocks when earnings forecasts are rising, almost regardless of valuation. “When it works, it really works. But when it goes wrong, elevated valuations leave little or no downside protection.”

A Tesla correction was probably baked in after last year’s astonishing share price surge, and many investors will see this as an opportunity to load up at a reduced price.

Dramatic swings are to be expected when investing in disruptive technology, as Ms Wood at ARK makes clear.

Every week, she sends subscribers a commentary listing “stocks in our strategies that have appreciated or dropped more than 15 per cent in a day” during the week.

Her latest commentary, issued on Friday, showed seven stocks displaying extreme volatility, led by ExOne, a leader in binder jetting 3D printing technology. It jumped 24 per cent, boosted by news that fellow 3D printing specialist Stratasys had beaten fourth-quarter revenues and earnings expectations, seen as good news for the sector.

By contrast, computational drug and material discovery company Schrödinger fell 27 per cent after quarterly and full-year results showed its core software sales and drug development pipeline slowing.

Despite that setback, Ms Wood remains positive, arguing that its “medicinal chemistry platform offers a powerful and unique view into chemical space”.

In her weekly video view, she remains bullish, stating that: “We are on the right side of change, and disruptive innovation is going to deliver exponential growth trajectories for many of our companies, in fact, most of them.”

Ms Wood remains committed to Tesla as she expects global electric car sales to compound at an average annual rate of 82 per cent for the next five years.

She said these are so “enormous that some people find them unbelievable”, and argues that this scepticism, especially among institutional investors, “festers” and creates a great opportunity for ARK.

Only you can decide whether you are a believer or a festering sceptic. If it’s the former, then buckle up.

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Updated: August 12, 2021, 9:51 AM