Sharjah takes the lead in a broad drive to foster a culture of reading in the UAE . Pawan Singh / The National
Sharjah takes the lead in a broad drive to foster a culture of reading in the UAE . Pawan Singh / The National
Sharjah takes the lead in a broad drive to foster a culture of reading in the UAE . Pawan Singh / The National
Sharjah takes the lead in a broad drive to foster a culture of reading in the UAE . Pawan Singh / The National

Why? That's the question that all writers should ask


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These days, there are concerns that technology will render people idle and professions obsolete. I would like to ask why. This issue would make a great topic for a book, but it has to come from somebody who is willing to research this topic.

Lots of ideas – some crazy, some useful, some practical – have ended up in works of literature. There is always a “why” that needs to be answered. This is what writers do.

In their book, Darwin’s Sacred Cause, authors Adrian Desmond and James Moore began by asking: why would a young medical student become so bedazzled by a few weird animals that he would write an entire treatise on those species? The writers conclude that Charles Darwin’s hatred of racism and slavery provided the motivation that drove him to develop his theories.

Even in this age of the internet and false knowledge, there are still ample opportunities to answer some basic questions. This is what writers are for.

The talks at last month’s Sharjah International Book Fair caused a lot of sparks to fly. They came from a concerned community whose frustrations, ideas and experiences could culminate in new books, podcasts and radio programmes, and inspire young people to do research and develop and design solutions for the future. So what’s next?

“Why do we have to read when we have YouTube?” This question was raised by an audience member during one session.

This is a difficult question. One of the reasons is that the video may have been put together by a child as part of a school project, or it might be so short that it is missing important details. You might think that you know what is going on, but in a video you might only get hints – such as a few names and dates – instead of the details that would be available in a 500-page book.

The decree issued by the President, Sheikh Khalifa, easing the cost of publishing and distribution of books will encourage budding writers. Still, how will all of them find the time for quality writing? There should be more grants and opportunities for writers and researchers.

As author and translator Savas Senel noted, during Ottoman times writers were paid by the government to produce literature. This tradition should be revived to help us produce meaningful and beneficial research and knowledge. Creating a market for such works is the next task.

Isobel Abulhoul, OBE, CEO and Trustee of the Emirates Literature Foundation and Director of the Emirates Airline Festival of Literature, bemoaned the condition of the book market in the Arab world.

She asked: “How can you expect publishers to market books if the average sales of any title across the Arab world is only 55,000 copies, while in the UAE it is just 3,000?”

Then there is the problem of getting your book published, especially if it is assumed even before writing the book that it’s not going to be worth publishing.

While the publishing industry is in better shape than it was a decade ago, more needs to be done to encourage authors, both Emirati and expatriate, to write quality fiction and non-fiction in all the languages spoken here.

Some people might think that winning awards is one way to get readers interested in a writer’s work, but this can backfire.

Jamal Al Shehhi, an Emirati writer, says: “Awards help neither writers nor readers. This is a problem in the Emirates. A book might win a prize, but that’s not necessarily an indication that the book is of great quality.

“In fact, such books are often not of the best quality – and when someone picks them up and finds this out, then they lose interest in buying that particular author any more or even any prize-winning books again.”

These challenges need to be overcome so as to ensure a better future for writers and publishers in this country and the region.

Maryam Ismail is a sociologist and teacher

EU Russia

The EU imports 90 per cent  of the natural gas used to generate electricity, heat homes and supply industry, with Russia supplying almost 40 per cent of EU gas and a quarter of its oil. 

Her most famous song

Aghadan Alqak (Would I Ever Find You Again)?

Would I ever find you again
You, the heaven of my love, my yearning and madness;
You, the kiss to my soul, my cheer and
sadness?
Would your lights ever break the night of my eyes again?
Would I ever find you again?
This world is volume and you're the notion,
This world is night and you're the lifetime,
This world is eyes and you're the vision,
This world is sky and you're the moon time,
Have mercy on the heart that belongs to you.

Lyrics: Al Hadi Adam; Composer: Mohammed Abdel Wahab

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Real Madrid 1
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2012-2015

The company offers payments/bribes to win key contracts in the Middle East

May 2017

The UK SFO officially opens investigation into Petrofac’s use of agents, corruption, and potential bribery to secure contracts

September 2021

Petrofac pleads guilty to seven counts of failing to prevent bribery under the UK Bribery Act

October 2021

Court fines Petrofac £77 million for bribery. Former executive receives a two-year suspended sentence 

December 2024

Petrofac enters into comprehensive restructuring to strengthen the financial position of the group

May 2025

The High Court of England and Wales approves the company’s restructuring plan

July 2025

The Court of Appeal issues a judgment challenging parts of the restructuring plan

August 2025

Petrofac issues a business update to execute the restructuring and confirms it will appeal the Court of Appeal decision

October 2025

Petrofac loses a major TenneT offshore wind contract worth €13 billion. Holding company files for administration in the UK. Petrofac delisted from the London Stock Exchange

November 2025

180 Petrofac employees laid off in the UAE

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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Super 30

Produced: Sajid Nadiadwala and Phantom Productions
Directed: Vikas Bahl
Cast: Hrithik Roshan, Pankaj Tripathi, Aditya Srivastav, Mrinal Thakur
Rating: 3.5 /5

The biog

First Job: Abu Dhabi Department of Petroleum in 1974  
Current role: Chairperson of Al Maskari Holding since 2008
Career high: Regularly cited on Forbes list of 100 most powerful Arab Businesswomen
Achievement: Helped establish Al Maskari Medical Centre in 1969 in Abu Dhabi’s Western Region
Future plan: Will now concentrate on her charitable work

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Results

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Final
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Nepotism is the name of the game

Salman Khan’s father, Salim Khan, is one of Bollywood’s most legendary screenwriters. Through his partnership with co-writer Javed Akhtar, Salim is credited with having paved the path for the Indian film industry’s blockbuster format in the 1970s. Something his son now rules the roost of. More importantly, the Salim-Javed duo also created the persona of the “angry young man” for Bollywood megastar Amitabh Bachchan in the 1970s, reflecting the angst of the average Indian. In choosing to be the ordinary man’s “hero” as opposed to a thespian in new Bollywood, Salman Khan remains tightly linked to his father’s oeuvre. Thanks dad. 

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