In this, the last week of the Sousse international festival, an annual music event that’s reached venerable middle age, it’s hard to find much reason to be lyrical about Tunisia’s immediate future. Rap – hard-edged, subversive and with a huge following in this predominantly young country – is not on the festival’s playlist and, by extrapolation, neither is its message being properly heard by those in authority.
In Sousse, which is now known worldwide for the June 26 massacre of tourists, locals fear the consequences of so profound a disconnect. “Young people without jobs are angry young people and they go where there seems to be some hope, mostly to the radical imams,” popular Sousse rapper Redstar Radi tells me.
There are no official charts but social media presence and the graffiti in rundown localities generally indicates rappers’ popularity. So, in Sousse it is Radi. In Tunis, there are Zone 5 and Klay BBJ. As a concession to the craze, the capital recently got its first hip-hop venue. All the rappers sing about “broken promises and a weak economy”, wrote Sam Kimball, who recently completed a thesis on the subject.
The rap is composed, recorded and put online for free by artists in poor neighbourhoods some distance away from the beaches and the big resort hotels of Sousse. It forms the soundtrack to the lives of the poor and dispossessed four years after the 2011 Jasmine revolution that toppled the dictatorship of Zine El Abidine Ben Ali. The lyrics rail at privilege and the lack of opportunity for those who live in the ghettos. The songs ask tough questions, not least why getting an education in Tunisia still does not mean a fair chance of getting a good job.
There won't be solutions any time soon. The government's warnings may be pointed, but its strategy seems blunt. It is tackling the discontent as if it were a straightforward security issue. It is trying to close troublesome mosques and has extended the state of emergency – as well as its own extraordinary powers – imposed after the Sousse attack. It has rushed through a counter-terrorism law that controversially allows suspects to be detained without a court order or legal assistance for up to a fortnight. The prime minister has come up with a grand idea – a wall of sand along the porous border with Libya. And the president, Beji Caid Essebsi, has cautioned that everything depends on preventing another terrorist attack, otherwise the state itself might collapse.
The despair at this is reflected in the popularity of the post-revolution rap. If only that were all. Liberation hip-hop was a distinctive feature of the Arab Spring uprising, but it has since evolved and now serves as a key sociological snapshot of a country in transition. Though the music offers frustrated young Tunisians the chance to let off steam, this is perilously short-term therapy for a country afflicted with bigger problems. Unemployment hovers above 15 per cent, higher than the levels before the revolution. There appears to be no firm nationwide plan to create jobs or the space for start-ups. Bank loans are still largely a privilege enjoyed by those who do not need them. In business, as in politics, paternalism still rules.
The tourism slowdown after the Sousse attack is just one part of a larger story of economic woe. Four years after the revolution, the red tape and corruption remain relatively unchanged. It is this, not the pall cast by the Sousse beach gunman, that is scaring away potential investors. And it is this that has hobbled the economy, which seems unable to grow out ofthe low-to-mid two per cent range and is hard pressed to create the jobs those rap fans want.
Why? The saga of the fast-food company McDonald's may be illustrative. The story goes it was unable to enter Mr Ben Ali's Tunisia because it consistently failed to pick the "right" partner, a euphemism for a well-connected crony who would receive and portion out the pickings along that other food chain. Interestingly, there are still no golden arches in Tunisia. Global food franchises may be one way of measuring a country's perceived prospects. While their presence can hardly be said to signify that all's well with an economy, their absence could be an indicator of profound problems. In this context, there has been some movement recently with one American and one French chain opening limited outlets and there is talk of the arrival of two other US brands.
But the coalition government is not advertising any big changes or even the likely direction, speed and thrust of economic reform. The one concrete proposal, which has been agreed by the cabinet but is yet to be voted on by the legislature, is a controversial national economic reconciliation bill. It would grant amnesty for economic and financial offences committed under the Ben Ali regime and on the watch of the coalition government that took office after his removal, and it has pleased no one except the business community. There are fears that if passed it could serve as a template for a broader plan that would excuse decades of political excesses as well.
At least some of this could be dismissed as the teething problems of an unfamiliar new democratic structure had there not been a larger, more urgent issue that Mr Essebsi himself identified after he won the election in December. Linking the parlous state of the economy with young Tunisians’ strong presence in ISIL, he wrote: “We must … confront the fact that poverty is producing terrorism, a new phenomenon for Tunisia.” And he promised an aggressive programme of “training for new jobs in the digital economy and service sector”.
There has been no evidence of this so far. Instead, the real growth has been in the receptiveness to rap and, more troublingly, to radical sermons. The government would do better to heed the rap. At least it calls for the fulfilment of the promised new Tunisia; the radical preachers demand its destruction.
Rashmee Roshan Lall is an itinerant writer on world affairs
On Twitter: @rashmeerl
Innotech Profile
Date started: 2013
Founder/CEO: Othman Al Mandhari
Based: Muscat, Oman
Sector: Additive manufacturing, 3D printing technologies
Size: 15 full-time employees
Stage: Seed stage and seeking Series A round of financing
Investors: Oman Technology Fund from 2017 to 2019, exited through an agreement with a new investor to secure new funding that it under negotiation right now.
Baftas 2020 winners
BEST FILM
- 1917 - Pippa Harris, Callum McDougall, Sam Mendes, Jayne-Ann Tenggren
- THE IRISHMAN - Robert De Niro, Jane Rosenthal, Martin Scorsese, Emma Tillinger Koskoff
- JOKER - Bradley Cooper, Todd Phillips, Emma Tillinger Koskoff
- ONCE UPON A TIME… IN HOLLYWOOD - David Heyman, Shannon McIntosh, Quentin Tarantino
- PARASITE - Bong Joon-ho, Kwak Sin-ae
DIRECTOR
- 1917 - Sam Mendes
- THE IRISHMAN - Martin Scorsese
- JOKER - Todd Phillips
- ONCE UPON A TIME… IN HOLLYWOOD - Quentin Tarantino
- PARASITE - Bong Joon-ho
OUTSTANDING BRITISH FILM
- 1917 - Sam Mendes, Pippa Harris, Callum McDougall, Jayne-Ann Tenggren, Krysty Wilson-Cairns
- BAIT - Mark Jenkin, Kate Byers, Linn Waite
- FOR SAMA - Waad al-Kateab, Edward Watts
- ROCKETMAN - Dexter Fletcher, Adam Bohling, David Furnish, David Reid, Matthew Vaughn, Lee Hall
- SORRY WE MISSED YOU - Ken Loach, Rebecca O’Brien, Paul Laverty
- THE TWO POPES - Fernando Meirelles, Jonathan Eirich, Dan Lin, Tracey Seaward, Anthony McCarten
FILM NOT IN THE ENGLISH LANGUAGE
- THE FAREWELL - Lulu Wang, Daniele Melia
- FOR SAMA - Waad al-Kateab, Edward Watts
- PAIN AND GLORY - Pedro Almodóvar, Agustín Almodóvar
- PARASITE - Bong Joon-ho
- PORTRAIT OF A LADY ON FIRE - Céline Sciamma, Bénédicte Couvreur
LEADING ACTRESS
- JESSIE BUCKLEY - Wild Rose
- SCARLETT JOHANSSON - Marriage Story
- SAOIRSE RONAN - Little Women
- CHARLIZE THERON - Bombshell
- RENÉE ZELLWEGER - Judy
LEADING ACTOR
- LEONARDO DICAPRIO - Once Upon a Time… In Hollywood
- ADAM DRIVER - Marriage Story
- TARON EGERTON - Rocketman
- JOAQUIN PHOENIX - Joker
- JONATHAN PRYCE - The Two Popes
SUPPORTING ACTOR
- TOM HANKS - A Beautiful Day in the Neighborhood
- ANTHONY HOPKINS - The Two Popes
- AL PACINO - The Irishman
- JOE PESCI - The Irishman
- BRAD PITT - Once Upon a Time… in Hollywood
SUPPORTING ACTRESS
- LAURA DERN - Marriage Story
- SCARLETT JOHANSSON - Jojo Rabbit
- FLORENCE PUGH - Little Women
- MARGOT ROBBIE - Bombshell
- MARGOT ROBBIE - Once Upon a Time… in Hollywood
ADAPTED SCREENPLAY
- THE IRISHMAN - Steven Zaillian
- JOJO RABBIT - Taika Waititi
- JOKER - Todd Phillips, Scott Silver
- LITTLE WOMEN - Greta Gerwig
- THE TWO POPES - Anthony McCarten
ORIGINAL SCREENPLAY
- BOOKSMART - Susanna Fogel, Emily Halpern, Sarah Haskins, Katie Silberman
- KNIVES OUT - Rian Johnson
- MARRIAGE STORY - Noah Baumbach
- ONCE UPON A TIME… IN HOLLYWOOD - Quentin Tarantino
- PARASITE - Han Jin Won, Bong Joon ho
DOCUMENTARY
- AMERICAN FACTORY - Steven Bognar, Julia Reichert
- APOLLO 11 - Todd Douglas Miller
- DIEGO MARADONA - Asif Kapadia
- FOR SAMA - Waad al-Kateab, Edward Watts
- THE GREAT HACK - Karim Amer, Jehane Noujaime
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
- BAIT - Mark Jenkin (Writer/Director), Kate Byers, Linn Waite (Producers)
- FOR SAMA - Waad al-Kateab (Director/Producer), Edward Watts (Director)
- MAIDEN - Alex Holmes (Director)
- ONLY YOU - Harry Wootliff (Writer/Director)
- RETABLO - Álvaro Delgado-Aparicio (Writer/Director)
ANIMATED FILM
- FROZEN 2 - Chris Buck, Jennifer Lee, Peter Del Vecho
- KLAUS - Sergio Pablos, Jinko Gotoh
- A SHAUN THE SHEEP MOVIE: FARMAGEDDON - Will Becher, Richard Phelan, Paul Kewley
- TOY STORY 4 - Josh Cooley, Mark Nielsen
CASTING
- JOKER - Shayna Markowitz
- MARRIAGE STORY - Douglas Aibel, Francine Maisler
- ONCE UPON A TIME… IN HOLLYWOOD - Victoria Thomas
- THE PERSONAL HISTORY OF DAVID COPPERFIELD - Sarah Crowe
- THE TWO POPES - Nina Gold
EE RISING STAR AWARD (voted for by the public)
- AWKWAFINA
- JACK LOWDEN
- KAITLYN DEVER
- KELVIN HARRISON JR.
- MICHEAL WARD
CINEMATOGRAPHY
- 1917 - Roger Deakins
- THE IRISHMAN - Rodrigo Prieto
- JOKER - Lawrence Sher
- LE MANS ’66 - Phedon Papamichael
- THE LIGHTHOUSE - Jarin Blaschke
EDITING
- THE IRISHMAN - Thelma Schoonmaker
- JOJO RABBIT - Tom Eagles
- JOKER - Jeff Groth
- LE MANS ’66 - Andrew Buckland, Michael McCusker
- ONCE UPON A TIME… IN HOLLYWOOD - Fred Raskin
COSTUME DESIGN
- THE IRISHMAN - Christopher Peterson, Sandy Powell
- JOJO RABBIT - Mayes C. Rubeo
- JUDY - Jany Temime
- LITTLE WOMEN - Jacqueline Durran
- ONCE UPON A TIME… IN HOLLYWOOD - Arianne Phillips
PRODUCTION DESIGN
- 1917 - Dennis Gassner, Lee Sandales
- THE IRISHMAN - Bob Shaw, Regina Graves
- JOJO RABBIT - Ra Vincent, Nora Sopková
- JOKER - Mark Friedberg, Kris Moran
- ONCE UPON A TIME… IN HOLLYWOOD - Barbara Ling, Nancy Haigh
SOUND
- 1917 - Scott Millan, Oliver Tarney, Rachael Tate, Mark Taylor, Stuart Wilson
- JOKER - Tod Maitland, Alan Robert Murray, Tom Ozanich, Dean Zupancic
- LE MANS ’66 - David Giammarco, Paul Massey, Steven A. Morrow, Donald Sylvester
- ROCKETMAN - Matthew Collinge, John Hayes, Mike Prestwood Smith, Danny Sheehan
- STAR WARS: THE RISE OF SKYWALKER - David Acord, Andy Nelson, Christopher Scarabosio, Stuart Wilson, Matthew Wood
ORIGINAL SCORE
- 1917 - Thomas Newman
- JOJO RABBIT - Michael Giacchino
- JOKER - Hildur Guđnadóttir
- LITTLE WOMEN - Alexandre Desplat
- STAR WARS: THE RISE OF SKYWALKER - John Williams
SPECIAL VISUAL EFFECTS
- 1917 - Greg Butler, Guillaume Rocheron, Dominic Tuohy
- AVENGERS: ENDGAME - Dan Deleeuw, Dan Sudick
- THE IRISHMAN - Leandro Estebecorena, Stephane Grabli, Pablo Helman
- THE LION KING - Andrew R. Jones, Robert Legato, Elliot Newman, Adam Valdez
- STAR WARS: THE RISE OF SKYWALKER - Roger Guyett, Paul Kavanagh, Neal Scanlan, Dominic Tuohy
MAKE UP & HAIR
- 1917 - Naomi Donne
- BOMBSHELL - Vivian Baker, Kazu Hiro, Anne Morgan
- JOKER - Kay Georgiou, Nicki Ledermann
- JUDY - Jeremy Woodhead
- ROCKETMAN - Lizzie Yianni Georgiou
BRITISH SHORT FILM
- AZAAR - Myriam Raja, Nathanael Baring
- GOLDFISH - Hector Dockrill, Harri Kamalanathan, Benedict Turnbull, Laura Dockrill
- KAMALI - Sasha Rainbow, Rosalind Croad
- LEARNING TO SKATEBOARD IN A WARZONE (IF YOU’RE A GIRL) - Carol Dysinger, Elena Andreicheva
- THE TRAP - Lena Headey, Anthony Fitzgerald
BRITISH SHORT ANIMATION
- GRANDAD WAS A ROMANTIC - Maryam Mohajer
- IN HER BOOTS - Kathrin Steinbacher
- THE MAGIC BOAT - Naaman Azh
Key findings of Jenkins report
- Founder of the Muslim Brotherhood, Hassan al Banna, "accepted the political utility of violence"
- Views of key Muslim Brotherhood ideologue, Sayyid Qutb, have “consistently been understood” as permitting “the use of extreme violence in the pursuit of the perfect Islamic society” and “never been institutionally disowned” by the movement.
- Muslim Brotherhood at all levels has repeatedly defended Hamas attacks against Israel, including the use of suicide bombers and the killing of civilians.
- Laying out the report in the House of Commons, David Cameron told MPs: "The main findings of the review support the conclusion that membership of, association with, or influence by the Muslim Brotherhood should be considered as a possible indicator of extremism."
The biog
Favourite hobby: taking his rescue dog, Sally, for long walks.
Favourite book: anything by Stephen King, although he said the films rarely match the quality of the books
Favourite film: The Shawshank Redemption stands out as his favourite movie, a classic King novella
Favourite music: “I have a wide and varied music taste, so it would be unfair to pick a single song from blues to rock as a favourite"