Life-size camel carvings in Saudi Arabia found to be the world’s oldest

Each carving was thought to have taken between 10 and 15 days to complete

A picture taken in February 2018 shows carved sculptures of a donkey facing the partial head of a camel at the site of an archaeological discovery about eight kilometres north of the city of Sakaka in Saudi Arabia's northwestern Jouf province. AFP

Previously, it was thought that the ancient camel sculptures found in the northern province of Al Jouf were around 2,000 years old.

The camel site, viewed from north-west, showing the position of all large reliefs (red stars), small reliefs (white stars) and large fragments (stars with red outline). G. Charloux & M. Guagnin, R. Schwerdtner.

Chemical analysis and the examination of tool marks (pictured) helped to show that the carvings at the camel site were made in the sixth millennium BCE.

Stunning relief carvings of camels in Saudi Arabia are now thought to date back more than 7,000 years – making them more than three times as old as was first suggested.

Previously, it was thought the ancient camel sculptures found in the northern province of Al Jouf were about 2,000 years old.

However, chemical analysis and the examination of tool marks helped to show that the carvings at the site were made in the sixth millennium BCE.

It means the remarkable life-size sandstone carvings of camels and other animals, including a donkey, are the world’s oldest surviving large-scale reliefs.

One of the functions of rock art sites ... is a way to mark space; this is the place we come to meet

Dr Maria Guagnin,
Max Planck Institute for the Science of Human History

“They are absolutely stunning and, bearing in mind we see them now in a heavily eroded state with many panels fallen, the original site must’ve been absolutely mind blowing,” said Dr Maria Guagnin, from the department of archaeology at Germany’s Max Planck Institute for the Science of Human History, the lead author of a new study on the late Stone Age carvings.

“There were life-sized camels and equids two or three layers on top of each other. It must have been an absolutely stunning site in the Neolithic."

Researchers heard about the site about five years ago and before the coronavirus pandemic, Dr Guagnin and other specialists made two visits of about 10 days each to examine the carvings.

The presence of camel reliefs at Petra in Jordan, produced by Nabataeans about 2,000 years ago, had suggested the Saudi carvings may be about two millennia old.

However, a stone mason analysing the camel site carvings did not find evidence that metal tools had been used and there was no sign of pottery.

Weathering and erosion patterns, high-tech analysis involving fluorescence and luminescence and radiocarbon dating of remains also indicated an early origin.

"Every day the Neolithic was more likely [as the time when the carvings were made] until we realised it was absolutely a Neolithic site we were looking at,” Dr Guagnin said.

Researchers also came from the Saudi Ministry of Culture, King Saud University and France’s Centre National de la Recherche Scientifique.

Story behind the carvings

One of the rock spurs where the carvings were found.

On three rock spurs there are 21 carvings, each thought to have taken about 10 to 15 days to complete, during which time the stone tools used would have been resharpened and replaced frequently.

The tools were made from a rock called chert, which came from at least 15 kilometres away, and a platform or rigging would have been needed to hold whoever was carrying out the carving.

The Max Planck Institute saidthe carvings were probably produced as part of a communal effort, perhaps involving an annual gathering.

“The weight gain and references to the mating season in the camel reliefs suggests that they may be symbolically connected to the yearly cycle of wet and dry seasons to which these biological changes are linked,” the organisation said.

Most or all were carved by the late sixth millennium BC, but reconstructions of carving and weathering indicate that the site was used for generations and the panels re-engraved and re-shaped.

When the carvings were made, the area was mostly grassland with some lakes and trees where, as well as keeping herds of domestic animals, local people hunted wild camels and equids.

What exactly the site was used for, such as whether it was a place of worship, is unlikely to ever be known.

“Were they lighting fires underneath or feasting near them or just looking at them? One of the functions of rock art sites in general is not just in actual symbolism and belief that might be linked to the imagery. It’s a way to mark space; this is the place we come to meet,” Dr Guagnin said.

Attention now turns to preserving the site in the face of wind and moisture, and further studies of the sandstone are needed to determine what measures will be most suitable.

Researchers are also interested in whether there are other similar sites.

They have generated three-dimensional models of the site and these could be used to produce digital interactive models for the public.

With Saudi Arabia having begun to issue tourist visas in 2019, the camel site could become a major draw.

“The site itself is quite spectacular, seeing them in place,” Dr Guagnin said. “If I was a tourist, I would want to go and see it.”