It’s more than the world’s largest folk-art market. It’s about keeping traditions alive and helping artisans from developing countries to use their skills to start their own businesses.
Now in its 12th year, the International Folk Art Market will feature more than 150 artists, who will be showcasing everything from handwoven baskets and blankets to vessels hammered out of silver, colourful carvings, ceramics, jewellery and intricate beadwork.
Organisers say the recent wave of interest in all things handmade has helped the market to grow exponentially. Last year, sales topped US$3 million (Dh11m) in one weekend alone, and artists – many of whom come from impoverished countries – took home 90 per cent of that.
Co-founder Judy Espinar said the market has evolved into a tool for artists to better their lives and their communities, and for others to learn more about people from other parts of the world.
“We all need to be reminded that nothing is one-sided and that’s why that part of it is so rich for me. We are exchanging more than money,” she said. “We are exchanging admiration, respect and interest.”
And then there’s that fascination that comes from immersing one’s self in new ideas or, in some cases, ideas that have been around for centuries, she said, pointing to some of the art that is based on techniques that have been passed down for generations.
The three-day event begins on July 10 in Santa Fe, New Mexico. About 20,000 people are expected to attend. Here are some things to know.
The artists
Since the market’s inception in 2004, about 750 artists from 91 countries have participated. They come from as close as Mexico and as far away as Africa, the Middle East and parts of Asia. This year, the Indian government is paying for seven of 17 artists to make the trip. That marks a first for the country and the largest group from India to ever participate. Another 17 artists from Cuba will also be at this year’s show.
The stories
Organisers say one of the best part of the market is getting to talk to the artists themselves. There are Maasai widows from Kenya, who make bracelets, pendants and necklaces; weavers from Rwanda, who have managed to bring back traditions in the wake of the 1994 genocide; Turkish ceramicists, who use designs and colours that date back to the 8th and 9th centuries; and a Japanese kite maker.
The ripple effect
Over the last 11 years, sales generated more than $20m (Dh73.5m), with nearly all of that being kept by the artists, some of whom come from countries where the average income is less than $3 (Dh11) a day. One weekend of selling their wares in Santa Fe can provide artists with the means to make serious changes at home – from financing the building of schools and health clinics to things such as buying three months’ worth of food for more than 500 people in nearby villages.
Behind the scenes
Another part of the market focuses on entrepreneurship and giving the artisans the tools they need to benefit from their skills. Business training for many of them starts a couple of days before the market, with lessons from executives in the fashion, home and business community. The idea, organisers say, is to teach them how to navigate the demands of selling work in the global marketplace. There are also opportunities for online learning.
Going virtual
Can’t make it to Santa Fe? Organisers plan to open a virtual market this autumn, which will offer more than 200 handmade, one-of-a-kind pieces as part of a pilot project. On the list is jewellery from Peru and Niger, metal bowls from Haiti, and felt and silk shawls from Kyrgyzstan.
• The International Folk Art Market runs from July 10 to July 12, on Museum Hill in Santa Fe, New Mexico. For more details, visit www.folkartalliance.org
* Associated Press
