Brenna Whitaker at Dubai’s Qs Bar Chris Whiteoak / The National
Brenna Whitaker at Dubai’s Qs Bar Chris Whiteoak / The National
Brenna Whitaker at Dubai’s Qs Bar Chris Whiteoak / The National
Brenna Whitaker at Dubai’s Qs Bar Chris Whiteoak / The National

US singer Brenna Whit­a­ker is latest artist to take residency at Q's Bar and Lounge


Saeed Saeed
  • English
  • Arabic

The sound of jazz's un­der­bel­ly is alive and well in Dubai this summer, cour­te­sy of US sing­er Brenna Whit­a­ker. She is the latest res­i­dent ar­tist at Dubai's Qs Bar and Lounge, the in­ti­mate mu­sic ven­ue cu­ra­ted by mu­sic pro­duc­er Quin­cy Jones.

For five nights a week, Whit­a­ker and her three-piece band can be heard per­form­ing songs that pro­vide a dif­fer­ent as­pect of the genre, one that is re­moved from the glit­ter and the fame. From Fe­ver by Peggy Lee and Ruth Brown's I Can't Hear a Word You Say, Whit­a­ker's setlist is made up of songs by art­ists who lived and played hard. "That mu­sic until this day real­ly speaks to me. I hear their voices and what they are say­ing, which is full of hope and de­spair, and I think, yes, these are my peo­ple," Whit­a­ker says. "Jazz does have a history, I guess, of per­form­ers be­ing more or less bro­ken. Now there are a lot of cases where art­ists are alive to­day and lived to re­build their lives. But a lot of the trag­ic cases is down to a lot of things, one of which is the hus­tle is real­ly a grind and to go on stage and bring­ing that emo­tion and en­ergy ev­ery night is like sell­ing a lit­tle bit of your soul."

Whit­a­ker’s ap­pre­ci­a­tion for these art­ists is not mor­bid fas­cin­a­tion. Her ca­reer has in fact fol­lowed the well-trod­den path of her heroes. Raised in ru­ral Kan­sas City where she be­gan per­form­ing in a the­a­tre troupe at the age of 11, Whit­a­ker took off to New York City and Los An­ge­les where she strug­gled and even­tu­al­ly made a name for her­self as a specialist in jazz’s torch-sing­er tra­di­tion.

This came from helming suc­cess­ful jazz par­ties at Los An­ge­les’s trendy W Holly­wood in 2012. Run­ning week­ly for three years, Whit­a­ker trans­formed the lob­by into an in­ti­mate 1960s jazz club – with its sleek cur­tains, moody light­ing and vin­tage bev­er­ages – where she per­formed with a ten-piece band. It didn’t take long for the word to spread, and a range of mu­sic stars, past and pres­ent, were in the audience.

"Justin Bieb­er was there," Whit­a­ker says. "He was real­ly cool, he didn't make a fuss. He just came with his friends and lis­tened to the mu­sic."

I like to con­sid­er my­self a hard-working pro­fes­sion­al but I am not pol­ished. I am not a fan of cer­tain fil­ters they put on the vocals and there was a few pop songs in there that I had to do.

While there are plen­ty of jazz ven­ues in Holly­wood – including Sun­set Bou­le­vard's Catalina Jazz Club which host­ed the likes of mas­ters Diz­zy Gil­les­pie and Chick Cor­ea – it was Whit­a­ker's song se­lec­tion that stood out from the pack.

It was enough for sing­er Stevie Won­der and pop-pro­duc­er David Fos­ter to make low-key ap­pear­ances at the shows.

Fos­ter got her a record deal and pro­duced her 2015 self-titled de­but al­bum, a se­lec­tion of uber-pol­ished cov­ers which in­clud­ed Lesley Gores's You Don't Own Me and Kermit The Frog's sig­na­ture tune It's Not Easy Being Green.

While ul­tim­ate­ly sat­is­fied with the record, Whit­a­ker ad­mits it didn't cap­ture the emo­tion­al heft and grit of her live shows. A lot of that is due to Fos­ter's smooth and ra­di­o-friend­ly pro­duc­tion that made stars out of Michael Buble and Josh Groban.

"Maybe I was a lit­tle bit too dark for the label," she says with a laugh. "I like to con­sid­er my­self a hard-working pro­fes­sion­al but I am not pol­ished. I am not a fan of cer­tain fil­ters they put on the vocals and there was a few pop songs in there that I had to do. I had to emo­tion­al­ly ad­just my­self to do­ing that."

After Jones's tal­ent scouts con­firmed to him that Whit­a­ker's in­dus­try buzz was real, he of­fered her the op­por­tun­ity to per­form in Dubai.

Whit­a­ker sees the de­li­cious iro­ny in per­form­ing these emo­tion­al­ly fraught songs, ori­gin­al­ly per­formed in US dive bars of old, in the plush com­forts of a five-star Dubai ho­tel. "I am not go­ing to lie, it is beauti­ful here," she says. "But I am liv­ing my dream, not be­cause of per­form­ing in beauti­ful places, but from the fact that I am out there on stage sing­ing ev­ery night. This is what my heroes taught me and that's to keep go­ing."

Brenna Whit­a­ker per­forms at Q’s Bar and Lounge at Palazzo Ver­sace Dubai, Tues­days to Sat­ur­days, until Aug­ust 17

Classification of skills

A worker is categorised as skilled by the MOHRE based on nine levels given in the International Standard Classification of Occupations (ISCO) issued by the International Labour Organisation. 

A skilled worker would be someone at a professional level (levels 1 – 5) which includes managers, professionals, technicians and associate professionals, clerical support workers, and service and sales workers.

The worker must also have an attested educational certificate higher than secondary or an equivalent certification, and earn a monthly salary of at least Dh4,000. 

Our legal consultants

Name: Hassan Mohsen Elhais

Position: legal consultant with Al Rowaad Advocates and Legal Consultants.

Lexus LX700h specs

Engine: 3.4-litre twin-turbo V6 plus supplementary electric motor

Power: 464hp at 5,200rpm

Torque: 790Nm from 2,000-3,600rpm

Transmission: 10-speed auto

Fuel consumption: 11.7L/100km

On sale: Now

Price: From Dh590,000

Trump v Khan

2016: Feud begins after Khan criticised Trump’s proposed Muslim travel ban to US

2017: Trump criticises Khan’s ‘no reason to be alarmed’ response to London Bridge terror attacks

2019: Trump calls Khan a “stone cold loser” before first state visit

2019: Trump tweets about “Khan’s Londonistan”, calling him “a national disgrace”

2022:  Khan’s office attributes rise in Islamophobic abuse against the major to hostility stoked during Trump’s presidency

July 2025 During a golfing trip to Scotland, Trump calls Khan “a nasty person”

Sept 2025 Trump blames Khan for London’s “stabbings and the dirt and the filth”.

Dec 2025 Trump suggests migrants got Khan elected, calls him a “horrible, vicious, disgusting mayor”

The biog:

Favourite book: The Leader Who Had No Title by Robin Sharma

Pet Peeve: Racism 

Proudest moment: Graduating from Sorbonne 

What puts her off: Dishonesty in all its forms

Happiest period in her life: The beginning of her 30s

Favourite movie: "I have two. The Pursuit of Happiness and Homeless to Harvard"

Role model: Everyone. A child can be my role model 

Slogan: The queen of peace, love and positive energy

The Buckingham Murders

Starring: Kareena Kapoor Khan, Ash Tandon, Prabhleen Sandhu

Director: Hansal Mehta

Rating: 4 / 5

MOUNTAINHEAD REVIEW

Starring: Ramy Youssef, Steve Carell, Jason Schwartzman

Director: Jesse Armstrong

Rating: 3.5/5

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

THE DETAILS

Solo: A Star Wars Story

Dir: Ron Howard

Starring: Alden Ehrenreich, Emilia Clarke, Woody Harrelson

3/5

I Feel Pretty
Dir: Abby Kohn/Mark Silverstein
Starring: Amy Schumer, Michelle Williams, Emily Ratajkowski, Rory Scovel
 

COMPANY%20PROFILE%20
%3Cp%3EName%3A%20DarDoc%3Cbr%3EBased%3A%20Abu%20Dhabi%3Cbr%3EFounders%3A%20Samer%20Masri%2C%20Keswin%20Suresh%3Cbr%3ESector%3A%20HealthTech%3Cbr%3ETotal%20funding%3A%20%24800%2C000%3Cbr%3EInvestors%3A%20Flat6Labs%2C%20angel%20investors%20%2B%20Incubated%20by%20Hub71%2C%20Abu%20Dhabi's%20Department%20of%20Health%3Cbr%3ENumber%20of%20employees%3A%2010%3C%2Fp%3E%0A
The%20BaaS%20ecosystem
%3Cp%3EThe%20BaaS%20value%20chain%20consists%20of%20four%20key%20players%3A%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EConsumers%3A%3C%2Fstrong%3E%20End-users%20of%20the%20financial%20product%20delivered%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EDistributors%3A%3C%2Fstrong%3E%20Also%20known%20as%20embedders%2C%20these%20are%20the%20firms%20that%20embed%20baking%20services%20directly%20into%20their%20existing%20customer%20journeys%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EEnablers%3A%3C%2Fstrong%3E%20Usually%20Big%20Tech%20or%20FinTech%20companies%20that%20help%20embed%20financial%20services%20into%20third-party%20platforms%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EProviders%3A%3C%2Fstrong%3E%20Financial%20institutions%20holding%20a%20banking%20licence%20and%20offering%20regulated%20products%3C%2Fp%3E%0A
UAE currency: the story behind the money in your pockets
FORSPOKEN
%3Cp%3EDeveloper%3A%20Luminous%20Productions%0D%3Cbr%3EPublisher%3A%20Square%20Enix%0D%3Cbr%3EConsole%3A%20PC%2C%20PS5%0D%3Cbr%3ERelease%20date%3A%20January%3C%2Fp%3E%0A
Company%20of%20Heroes%203
%3Cp%3EDeveloper%3A%20Relic%20Entertainment%3Cbr%3EPublisher%3A%20SEGA%3Cbr%3EConsole%3A%20PC%2C%20PS5%2C%20XSX%3Cbr%3ERelease%20date%3A%20February%3C%2Fp%3E%0A
Star%20Wars%20Jedi%3A%20Survivor
%3Cp%3EDeveloper%3A%20Respawn%20Entertainment%0D%3Cbr%3EPublisher%3A%20Electronic%20Arts%0D%3Cbr%3EConsole%3A%20PC%2C%20PS5%2C%20XSX%0D%3Cbr%3ERelease%20date%3A%20March%3C%2Fp%3E%0A
Suicide%20Squad%3A%20Kill%20the%20Justice%20League
%3Cp%3EDeveloper%3A%20Rocksteady%20Studios%0D%3Cbr%3EPublisher%3A%20Warner%20Bros%0D%3Cbr%3EConsole%3A%20PC%2C%20PS5%2C%20XSX%0D%3Cbr%3ERelease%20date%3A%20May%3C%2Fp%3E%0A
Final%20Fantasy%20XVI
%3Cp%3EDeveloper%3A%20Square%20Enix%0D%3Cbr%3EPublisher%3A%20Square%20Enix%0D%3Cbr%3EConsole%3A%20PS5%0D%3Cbr%3ERelease%20date%3A%20June%3C%2Fp%3E%0A
Street%20Fighter%206
%3Cp%3EDeveloper%3A%20Capcom%0D%3Cbr%3EPublisher%3A%20Capcom%0D%3Cbr%3EConsole%3A%20PS5%2C%20XSX%2C%20PC%0D%3Cbr%3ERelease%20date%3A%20June%3C%2Fp%3E%0A
Diablo%20IV
%3Cp%3EDeveloper%3A%20Blizzard%20Entertainment%0D%3Cbr%3EPublisher%3A%20Blizzard%20Entertainment%0D%3Cbr%3EConsole%3A%20PC%2C%20PS5%2C%20XSX%0D%3Cbr%3ERelease%20date%3A%20June%3C%2Fp%3E%0A
Baldur's%20Gate%203
%3Cp%3EDeveloper%3A%20Larian%20Studios%0D%3Cbr%3EPublisher%3A%20Larian%20Studios%0D%3Cbr%3EConsole%3A%20PC%0D%3Cbr%3ERelease%20date%3A%20August%3C%2Fp%3E%0A
The%20Legend%20of%20Zelda%3A%20Tears%20of%20The%20Kingdom
%3Cp%3EDeveloper%3A%20Nintendo%0D%3Cbr%3EPublisher%3A%20Nintendo%0D%3Cbr%3EConsole%3A%20Nintendo%20Switch%0D%3Cbr%3ERelease%20date%3A%20September%3C%2Fp%3E%0A
Marvel's%20Spider-Man%202
%3Cp%3EDeveloper%3A%20Insomniac%20Games%0D%3Cbr%3EPublisher%3A%20PlayStation%0D%3Cbr%3EConsole%3A%20PS5%0D%3Cbr%3ERelease%20date%3A%20Fall%3C%2Fp%3E%0A
Assassin's%20Creed%20Mirage
%3Cp%3EDeveloper%3A%20Ubisoft%0D%3Cbr%3EPublisher%3A%20Ubisoft%0D%3Cbr%3EConsole%3A%20PC%2C%20PS5%2C%20XSX%2C%20Amazon%20Luna%0D%3Cbr%3ERelease%20date%3A%202023%3C%2Fp%3E%0A
Starfield
%3Cp%3EDeveloper%3A%20Bethesda%20Game%20Studios%0D%3Cbr%3EPublisher%3A%20Bethesda%20Softworks%0D%3Cbr%3EConsole%3A%20PC%2C%20Xbox%0D%3Cbr%3ERelease%20date%3A%202023%3C%2Fp%3E%0A