The Arab revolts have shaken the status quo, shattering ideologies and threatening dominating discourses. They have spurred new debates and creative movements throughout the region, questioning capitalism and globalisation, Arabic and western identities and the nature of cultural exchanges.
The Alif Ensemble, composed of an Iraqi-Syrian oud player with a British education, a Palestinian buzuk musician, an Egyptian electronic music composer, a Lebanese drummer and a Syrian bass player, are one of the most fascinating projects to have emerged in the region in the past few years.
Last month at Beirut's Metro Al Madina, the five musicians sat solemnly on the darkened stage. Khyam Allami began a slow, melancholic tune on the oud, soon met by Tamer Abu Ghazaleh singing the poem Hasat by the Iraqi poet Sargon Boulus in a deep voice filled with yearning. The poem is about a tear that has frozen into a pebble and remains untouched after a wrathful flood. Slowly, gentle drum beats, then repetitive pre-recorded violin loops were layered onto the rhythms – until the song exploded with heavy guitar riffs, loud, hectic drum beats and the riotous cries of Abu Ghazaleh. Finally, this musical storm calmed to a meditative melody and the tune ended with a whisper.
It was a wild jumble of poetry, maqam (the melodic modes used in traditional Arab music), progressive rock and electronic music, a mash-up of the musicians’ diverse influences and their taste for free improvisation. It was a rare, powerful moment of melody and dissent, dialogue and solitude, an echo of the flickering realities of the region – and the search for meaning in times of upheaval.
"The effect of Alif's music is dizzying, even melancholic," explains Ahmed Zatari, the editor of the music magazine Maazef. "This, I think, is the effect of the musicians' attempt to alienate the ordinary. Alienation comes from the composition of the instrumentation, not from the melody itself. And this gives the feeling of playing on a somehow dangerously thin line, relying on the performance and the lyrics."
The ensemble were born in 2012 when Allami asked Abu Ghazaleh and other musicians to come together for a residency in London after being commissioned by a number of cultural bodies, including the British Council. After playing at several music festivals, a performance at the Ikon Gallery in Birmingham received a radiant review in The Wire, in which the group was described as "a vehicle for original composition, attuned to the traditions of Arabic music, but applying a rock dynamic to their delivery …
“The dominant Alif character is one of a collective sound, each member working at the service of the compositions, rarely stepping forward to solo and usually sounding equally balanced.”
For Allami, the project is the expression of a personal mission. “The Alif ensemble had been a dream for a while,” he says. “I wanted to create a sound that represents now. The vision is to create a sound and a group that has its roots in the musical foundation of Arabic music (instruments, ornaments, melodies), while at the same time breaking free of certain norms that have to do with forms or structure and from this idea of fusion that exists in the Arabic world, which is very literal.”
Even his choice of name deserved consideration he says, given the determination of the group to acknowledge the past but to create something completely new, Allami says. “We wanted to do something much more subtle and much more creative. The reason I chose the name Alif is because symbolically in geometry or calligraphy it’s a line – it represents the first line of creativity.
“We are striving to not allow any social or cultural or political or musical decisions to take over. This is why questioning is always there in order to break free from things that tie us down. We want to find something that represents us.”
This probing is an essential part of Allami’s journey, whose communist parents fled Baathist Iraq to settle in Damascus, then moved to London as political refugees. As a teenager, Allami played the drums in several post-rock, hardcore and metal bands, but after the 2003 invasion of Iraq he experienced an existential crisis and began to study the oud, delving into Arabic music.
“It’s one of those complicated situations,” he says, “because you don’t have a direct link with a particular culture but that’s where you’re from. We’ve become really tired of those boxes that people try to put us in. It’s about balance. It’s important to understand yourself as a human being and you’re only going to do that by going back to your family’s history.”
Allami knew the great songs of Umm Kulthum and Abdel Halim Hafez because his parents had sung them at home; but now, driven by a thirst for more knowledge, he took private classes with the Iraqi oud master Ehsan Emam and enrolled in the ethnomusicology programme at the University of London’s School of Oriental and African Studies. After graduating, he travelled throughout the Middle East and realised that no existing sound reflected the way he felt about the region’s changing realities.
“We were all searching for a similar thing,” he remembers, “and artists were either choosing a western or Arabic identity. We’ve become trapped in a narrow-minded terminology and things become represented in these binary ways.”
When he met Abu Ghazaleh, a Palestinian steeped in the music styles of the Levant and very active in the experimental scene, they began discussing the development of music in the Arab world and realised they had similar ideas. They then contacted Maurice Louca, an Egyptian musician who had been composing electronic music and rock, Khaled Yassine, a Lebanese drummer who had recorded with Anouar Brahem and Erik Truffaz, and the Syrian bass player and vocalist Khaled Omran.
Allami initially wrote the music and the musicians then opened up the creative process to improvisation. These collaborators are among the region’s most esteemed interpreters and composers, and each of them continues to pursue their individual careers; their influences range from Arab hip-hop to popular Arab music, post-rock and jazz.
These inspirations come together organically with Alif Ensemble, threaded by poems by Mahmoud Darwish, Sargon Boulus and Faiha Abdul Hadi, exploring themes such as death, love, existential angst and torture.
“There’s a problem in subject matter in the Arab world when it comes to songs – you either have love or nationalism,” says Allami. “You rarely find lyrics that are in between and we wanted to break out of that. These poems represented our reality and that was really important, even if the themes are really dark.”
While Allami and his colleagues are still experimenting and exploring boundaries, and while their music has yet to come together as a coherent whole, their sonic landscapes are in tune with the doubts and changes that are shaking the region.
“There’s a creative energy that has come out of the region because of the political events that have pushed us a little more and gave us the energy to stand back and look at what the group represents, socially speaking and politically speaking,” explains Allami.
“Our generation is so sick and tired of all the borders and all the racism and we’re much more interconnected now between countries – there are so many projects that have allowed us to come together. The energy of the so-called revolutions was one of being tired of all the restrictions around us in the Arab world, whether you’re talking about bread or petrol or dialects.
“What the group is doing resonates with them. In 2012, when we came together, there was an incredible energy that was extremely creative and impressive across the Arab world. It was perfect synchronicity.”
Shirine Saad is a New York-based editor and writer.
The parts of the sum: the Ensemble's members, one by one
Khyam Allami
An ethnic Iraqi who was born in Damascus, the UK-based musician is best known for producing a contemporary sound with the oud lute. A musicologist, he also writes about and lectures on Arab music.
Khaled Omran
A graduate of the prestigious Higher Institute for Music (The Conservatory) in Damascus, he has performed with the Syrian Symphony Orchestra, the Syrian Jazz Big Band and Hiwar Band.
Tamer Abu Ghazaleh
The Palestinian singer, multi-instrumentalist, composer and producer is the founder of eka3, a Middle East platform for facilitating the promotion, production and distribution of independent music.
Maurice Louca
The pioneering Egyptian sound artist, who is a founding member of the band Bikya, has composed a number of pieces for films. His work, described as "post-everything", is known for its bruising intensity and unexpected beauty.
Khaled Yassine
The self-taught Lebanese percussionist cofounded the fusion band Fun Jan Shai, performs contemporary dance-theatre and flamenco around the world, and is the artistic director/producer of the Beirut-based label Edict Records.
To sample the music of the Ensemble's members, visit soundcloud.com
COMPANY PROFILE
Company: Eco Way
Started: December 2023
Founder: Ivan Kroshnyi
Based: Dubai, UAE
Industry: Electric vehicles
Investors: Bootstrapped with undisclosed funding. Looking to raise funds from outside
Essentials
The flights: You can fly from the UAE to Iceland with one stop in Europe with a variety of airlines. Return flights with Emirates from Dubai to Stockholm, then Icelandair to Reykjavik, cost from Dh4,153 return. The whole trip takes 11 hours. British Airways flies from Abu Dhabi and Dubai to Reykjavik, via London, with return flights taking 12 hours and costing from Dh2,490 return, including taxes.
The activities: A half-day Silfra snorkelling trip costs 14,990 Icelandic kronur (Dh544) with Dive.is. Inside the Volcano also takes half a day and costs 42,000 kronur (Dh1,524). The Jokulsarlon small-boat cruise lasts about an hour and costs 9,800 kronur (Dh356). Into the Glacier costs 19,500 kronur (Dh708). It lasts three to four hours.
The tours: It’s often better to book a tailor-made trip through a specialist operator. UK-based Discover the World offers seven nights, self-driving, across the island from £892 (Dh4,505) per person. This includes three nights’ accommodation at Hotel Husafell near Into the Glacier, two nights at Hotel Ranga and two nights at the Icelandair Hotel Klaustur. It includes car rental, plus an iPad with itinerary and tourist information pre-loaded onto it, while activities can be booked as optional extras. More information inspiredbyiceland.com
What is tokenisation?
Tokenisation refers to the issuance of a blockchain token, which represents a virtually tradable real, tangible asset. A tokenised asset is easily transferable, offers good liquidity, returns and is easily traded on the secondary markets.
The Last White Man
Author: Mohsin Hamid
192 pages
Published by: Hamish Hamilton (UK), Riverhead Books (US)
Release date: out now in the US, August 11 (UK)
Bundesliga fixtures
Saturday, May 16 (kick-offs UAE time)
Borussia Dortmund v Schalke (4.30pm)
RB Leipzig v Freiburg (4.30pm)
Hoffenheim v Hertha Berlin (4.30pm)
Fortuna Dusseldorf v Paderborn (4.30pm)
Augsburg v Wolfsburg (4.30pm)
Eintracht Frankfurt v Borussia Monchengladbach (7.30pm)
Sunday, May 17
Cologne v Mainz (4.30pm),
Union Berlin v Bayern Munich (7pm)
Monday, May 18
Werder Bremen v Bayer Leverkusen (9.30pm)
The lowdown
Badla
Rating: 2.5/5
Produced by: Red Chillies, Azure Entertainment
Director: Sujoy Ghosh
Cast: Amitabh Bachchan, Taapsee Pannu, Amrita Singh, Tony Luke
TWISTERS
Director:+Lee+Isaac+Chung
Starring:+Glen+Powell,+Daisy+Edgar-Jones,+Anthony+Ramos
Rating:+2.5/5
MATCH INFO
Rugby World Cup (all times UAE)
Final: England v South Africa, Saturday, 1pm
Five famous companies founded by teens
There are numerous success stories of teen businesses that were created in college dorm rooms and other modest circumstances. Below are some of the most recognisable names in the industry:
- Facebook: Mark Zuckerberg and his friends started Facebook when he was a 19-year-old Harvard undergraduate.
- Dell: When Michael Dell was an undergraduate student at Texas University in 1984, he started upgrading computers for profit. He starting working full-time on his business when he was 19. Eventually, his company became the Dell Computer Corporation and then Dell Inc.
- Subway: Fred DeLuca opened the first Subway restaurant when he was 17. In 1965, Mr DeLuca needed extra money for college, so he decided to open his own business. Peter Buck, a family friend, lent him $1,000 and together, they opened Pete’s Super Submarines. A few years later, the company was rebranded and called Subway.
- Mashable: In 2005, Pete Cashmore created Mashable in Scotland when he was a teenager. The site was then a technology blog. Over the next few decades, Mr Cashmore has turned Mashable into a global media company.
- Oculus VR: Palmer Luckey founded Oculus VR in June 2012, when he was 19. In August that year, Oculus launched its Kickstarter campaign and raised more than $1 million in three days. Facebook bought Oculus for $2 billion two years later.
MATCH INFO
Fixture: Ukraine v Portugal, Monday, 10.45pm (UAE)
TV: BeIN Sports
COMPANY PROFILE
Name: Xpanceo
Started: 2018
Founders: Roman Axelrod, Valentyn Volkov
Based: Dubai, UAE
Industry: Smart contact lenses, augmented/virtual reality
Funding: $40 million
Investor: Opportunity Venture (Asia)
UAE currency: the story behind the money in your pockets
COMPANY PROFILE
Company name: Almouneer
Started: 2017
Founders: Dr Noha Khater and Rania Kadry
Based: Egypt
Number of staff: 120
Investment: Bootstrapped, with support from Insead and Egyptian government, seed round of
$3.6 million led by Global Ventures
Company profile
Name: Steppi
Founders: Joe Franklin and Milos Savic
Launched: February 2020
Size: 10,000 users by the end of July and a goal of 200,000 users by the end of the year
Employees: Five
Based: Jumeirah Lakes Towers, Dubai
Financing stage: Two seed rounds – the first sourced from angel investors and the founders' personal savings
Second round raised Dh720,000 from silent investors in June this year
Company Profile
Company name: Hoopla
Date started: March 2023
Founder: Jacqueline Perrottet
Based: Dubai
Number of staff: 10
Investment stage: Pre-seed
Investment required: $500,000
Company profile
Company: Eighty6
Date started: October 2021
Founders: Abdul Kader Saadi and Anwar Nusseibeh
Based: Dubai, UAE
Sector: Hospitality
Size: 25 employees
Funding stage: Pre-series A
Investment: $1 million
Investors: Seed funding, angel investors
Dubai works towards better air quality by 2021
Dubai is on a mission to record good air quality for 90 per cent of the year – up from 86 per cent annually today – by 2021.
The municipality plans to have seven mobile air-monitoring stations by 2020 to capture more accurate data in hourly and daily trends of pollution.
These will be on the Palm Jumeirah, Al Qusais, Muhaisnah, Rashidiyah, Al Wasl, Al Quoz and Dubai Investment Park.
“It will allow real-time responding for emergency cases,” said Khaldoon Al Daraji, first environment safety officer at the municipality.
“We’re in a good position except for the cases that are out of our hands, such as sandstorms.
“Sandstorms are our main concern because the UAE is just a receiver.
“The hotspots are Iran, Saudi Arabia and southern Iraq, but we’re working hard with the region to reduce the cycle of sandstorm generation.”
Mr Al Daraji said monitoring as it stood covered 47 per cent of Dubai.
There are 12 fixed stations in the emirate, but Dubai also receives information from monitors belonging to other entities.
“There are 25 stations in total,” Mr Al Daraji said.
“We added new technology and equipment used for the first time for the detection of heavy metals.
“A hundred parameters can be detected but we want to expand it to make sure that the data captured can allow a baseline study in some areas to ensure they are well positioned.”
Normcore explained
Something of a fashion anomaly, normcore is essentially a celebration of the unremarkable. The term was first popularised by an article in New York magazine in 2014 and has been dubbed “ugly”, “bland’ and "anti-style" by fashion writers. It’s hallmarks are comfort, a lack of pretentiousness and neutrality – it is a trend for those who would rather not stand out from the crowd. For the most part, the style is unisex, favouring loose silhouettes, thrift-shop threads, baseball caps and boyish trainers. It is important to note that normcore is not synonymous with cheapness or low quality; there are high-fashion brands, including Parisian label Vetements, that specialise in this style. Embraced by fashion-forward street-style stars around the globe, it’s uptake in the UAE has been relatively slow.
Confirmed bouts (more to be added)
Cory Sandhagen v Umar Nurmagomedov
Nick Diaz v Vicente Luque
Michael Chiesa v Tony Ferguson
Deiveson Figueiredo v Marlon Vera
Mackenzie Dern v Loopy Godinez
Tickets for the August 3 Fight Night, held in partnership with the Department of Culture and Tourism Abu Dhabi, went on sale earlier this month, through www.etihadarena.ae and www.ticketmaster.ae.
SCORES IN BRIEF
Lahore Qalandars 186 for 4 in 19.4 overs
(Sohail 100,Phil Salt 37 not out, Bilal Irshad 30, Josh Poysden 2-26)
bt Yorkshire Vikings 184 for 5 in 20 overs
(Jonathan Tattersall 36, Harry Brook 37, Gary Ballance 33, Adam Lyth 32, Shaheen Afridi 2-36).
Company profile
Company name: Fasset
Started: 2019
Founders: Mohammad Raafi Hossain, Daniel Ahmed
Based: Dubai
Sector: FinTech
Initial investment: $2.45 million
Current number of staff: 86
Investment stage: Pre-series B
Investors: Investcorp, Liberty City Ventures, Fatima Gobi Ventures, Primal Capital, Wealthwell Ventures, FHS Capital, VN2 Capital, local family offices
ROUTE TO TITLE
Round 1: Beat Leolia Jeanjean 6-1, 6-2
Round 2: Beat Naomi Osaka 7-6, 1-6, 7-5
Round 3: Beat Marie Bouzkova 6-4, 6-2
Round 4: Beat Anastasia Potapova 6-0, 6-0
Quarter-final: Beat Marketa Vondrousova 6-0, 6-2
Semi-final: Beat Coco Gauff 6-2, 6-4
Final: Beat Jasmine Paolini 6-2, 6-2
Top 10 most competitive economies
1. Singapore
2. Switzerland
3. Denmark
4. Ireland
5. Hong Kong
6. Sweden
7. UAE
8. Taiwan
9. Netherlands
10. Norway
Company Profile
Company name: Namara
Started: June 2022
Founder: Mohammed Alnamara
Based: Dubai
Sector: Microfinance
Current number of staff: 16
Investment stage: Series A
Investors: Family offices
SPEC SHEET: APPLE M3 MACBOOK AIR (13")
Processor: Apple M3, 8-core CPU, up to 10-core CPU, 16-core Neural Engine
Display: 13.6-inch Liquid Retina, 2560 x 1664, 224ppi, 500 nits, True Tone, wide colour
Memory: 8/16/24GB
Storage: 256/512GB / 1/2TB
I/O: Thunderbolt 3/USB-4 (2), 3.5mm audio, Touch ID
Connectivity: Wi-Fi 6E, Bluetooth 5.3
Battery: 52.6Wh lithium-polymer, up to 18 hours, MagSafe charging
Camera: 1080p FaceTime HD
Video: Support for Apple ProRes, HDR with Dolby Vision, HDR10
Audio: 4-speaker system, wide stereo, support for Dolby Atmos, Spatial Audio and dynamic head tracking (with AirPods)
Colours: Midnight, silver, space grey, starlight
In the box: MacBook Air, 30W/35W dual-port/70w power adapter, USB-C-to-MagSafe cable, 2 Apple stickers
Price: From Dh4,599