'Encanto' by Walt Disney Animation Studios features songs by Lin-Manuel Miranda. Photo: Disney
'Encanto' by Walt Disney Animation Studios features songs by Lin-Manuel Miranda. Photo: Disney
'Encanto' by Walt Disney Animation Studios features songs by Lin-Manuel Miranda. Photo: Disney
'Encanto' by Walt Disney Animation Studios features songs by Lin-Manuel Miranda. Photo: Disney

'Encanto' songwriter Lin-Manuel Miranda on making magical music for Disney


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Since Lin-Manuel Miranda’s hit musical Hamilton first took the world by storm with its original off-Broadway premiere in January 2015, the multitalented playwright, director, actor, rapper, songwriter and singer has swiftly established himself as the toast of Broadway and Hollywood.

The original stage musical gathered a record 16 Tony Award nominations, picking up 11 wins, while the film version became the surprise streaming hit of 2020’s global lockdowns – it was Disney+’s most-watched straight-to-streaming release of the year, with subscriptions to the service increasing by 72 per cent during the weekend of its release. Among US audiences, only Warner’s Wonder Woman 1984 on HBO Max clocked up more watches on any streaming platform, and this despite Hamilton essentially being simply a filmed version of the existing stage show.

Miranda and Disney were not exactly strangers by this point – the versatile artist had written songs for 2016’s Moana, including the Oscar-nominated How Far I’ll Go, and picked up a Best Actor nomination at the Golden Globes for his role as Jack in 2018’s Mary Poppins Returns. It’s no surprise, then, that for their latest collaboration, Disney put Miranda front and centre. Encanto, a Colombia-set family animation that will be released in cinemas on November 25, features eight original songs all from Miranda’s pen, as well as a writing credit for the star.

We were blown away by what we were learning about Colombia from people who are of Colombian heritage … a crossroads of culture, of dance, of food, of tradition
Byron Howard,
co-director, 'Encanto'

Unlike with Moana, where he was invited to write tunes for the film when production was well under way, Miranda has been involved with Encanto from the earliest days. This was an experience the film’s co-director Byron Howard says was as valuable as it was unusual. “Lin has been with us on this journey from the very beginning, which is so rare, to have your songwriter with you for this experience,” he tells The National. “We went to Colombia [in 2018] to research with Lin and his dad, Luis, and it was amazing. We were blown away by what we were learning about Colombia from people who are of Colombian heritage … the diversity of families and music … and this crossroads of culture, of dance, of food, of tradition. It was an incredible moment.”

Lin-Manuel Miranda at the premiere of 'Encanto' in New York. AP
Lin-Manuel Miranda at the premiere of 'Encanto' in New York. AP

For Miranda, himself of Latin-American heritage thanks to his mixed Puerto Rican and Mexican family, the trip was equally useful, although he admits he doesn’t know to this day how his father, a consultant for the US Democratic Party, came to be tagging along. “I don't know if my dad was invited by Disney or just sort of showed up on the trip – it remains a mystery,” he tells The National. “But his experience ended up being invaluable.

“I remember him telling us a story about his grandmother. She had a lot of children and when they married, they all stayed under the same roof. And she ruled them with such certainty that people would bring their pay cheques to her and she would reallocate the wealth among the children and the married couples, and that ended up forming Abuela Alma, the film’s matriarch, who loves her family dearly and holds it super-tight. That's where our story begins.”

I don't think there is a person who can go to this movie and not identify with the character ... I can't wait for families to see themselves reflected up on that screen
Lin-Manuel Miranda,
songwriter

That story is one of a close-knit family who live in the Colombian mountains, and each member has the gift of an extraordinary superpower – all except young Mirabel. As the film progresses, however, Mirabel learns that magic itself is under threat and only she can save the day. The concept of the close nature of Latino families is crucial to the film’s story and evidently to how Miranda approached writing it. Coincidentally, it has also become central to the release itself, coming as the festive season approaches at a time when families are finally able to return to cinemas together after the restrictions imposed owing to the pandemic.

The Madrigals family tree. Photo: Disney
The Madrigals family tree. Photo: Disney

Unsurprisingly, for Miranda, it all comes back to family. “I think this family film is the most family film that ever familied. It really is,” he says, with a laugh. “We took family as our thesis in the movie, but it's not about something that happens to this family. It is about the relationships between these family members themselves. And that’s complicated.

[Disney] songs soar in such a specific way that as a kid you go: ‘I get it. I understand, and I'm with you on this journey'
Lin-Manuel Miranda

“Everyone understands the tension of how you see yourself versus how your family sees you, and that's meaty stuff to write about. Honestly, I don't think there is a person who can go to this movie and not identify with the character. It was a joy to write, and I can't wait for families to see themselves reflected up on that screen.”

If anyone has mastered the art of the family film over the years, it is Disney, and in doing so it has also mastered the art of the soundtrack to the family film. From When You Wish Upon a Star to Remember Me, Disney tracks have scooped a multitude of Oscars for best original song. Many of our internal jukeboxes are probably littered with them, too.

When asked if there are any examples of specific songs that Miranda took as inspiration for his task with this latest movie, he admits: “I can give you all the examples because Disney has almost cornered the market in this particular type of song, and that’s intimidating. I'm just trying to push all those other songs out of my head, because you know that if you do it right, you're going on that playlist. Those songs soar in such a specific way that as a kid you go: ‘I get it. I understand, and I'm with you on this journey.’”

Still, Miranda can hardly claim to be a newcomer in the soaring soundtrack game. Surely it must get easier as his successes pile up? “That blank page doesn't get any less blank, my friend,” he says. “But what makes it fun and makes every experience different is the folk you're in the room with. I think that's the fun of working on this project. This is a team of all-stars, and what they pulled out of me and what we pulled out of each other, we could not have made in any other configuration. That's always what makes every page new and what makes you attack the blank page with renewed fervour.”

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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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Updated: November 20, 2021, 6:09 AM