Earth or garden art by Vicki Rawlins. Photo: Julie M Gile for Vicki Rawlins
Earth or garden art by Vicki Rawlins. Photo: Julie M Gile for Vicki Rawlins
Earth or garden art by Vicki Rawlins. Photo: Julie M Gile for Vicki Rawlins
Earth or garden art by Vicki Rawlins. Photo: Julie M Gile for Vicki Rawlins

Garden artists creating ephemeral beauty with transient foraged materials


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A leaf that doubles as a dog’s ear, stems that make for insect legs and a twig that becomes a baby. Garden artists are using nature’s bounty to unleash their creativity.

Foraging for materials including petals, seeds and acorns, nature lovers – many of whom are gardening enthusiasts – from all over the globe create both portraits and abstract art. These are then photographed for posterity, while the original work is recycled or left for the wind to carry away. The overarching aim of so-called Earth art is to create something of ephemeral beauty, even if it’s transient.

“Nature is an infinite well of inspiration, so naturally I gravitate towards it,” says Canadian artist and photographer Raku Inoue, who makes colourful portraits using flowers, twigs, leaves, seeds and stems placed on white paper, which he then photographs.

His creations also include orangutans, llamas, colourful birds, fish and butterflies, and even dinosaurs. He uses freshly cut flowers to create portraits of insects, from delicate beetles to vibrant ladybirds, using stems to artfully form legs.

Given the nature of his work, Inoue’s palette shifts with the seasons as leaves and petals change colour. He also digitally manipulates the arrangements using different angles to make a montage.

Fellow garden artist Subhashini Chandramani, who lives in Bengaluru, India, uses discarded petals, leaves and seeds to make portraits of anything from the Hindu deity Krishna, complete with a flute, to Audrey Hepburn, flamenco dancers and birds, using poinsettia leaves. For Earth Day in April, Chandramani created a stunning world map using the petals of different flowers on a black backdrop.

“The materials I use originate primarily from my own garden. Even when I am out in parks, I am always on the lookout for unique leaves, flowers, seeds and even vegetables that can inspire my next piece of art,” says Chandramani. “The process of creating each piece is a dance with time and nature, and a little like assembling a puzzle. For example, I've transformed the leaf of Leea rubra into a Native American’s eyes, and a crepe jasmine leaf into a sky filled with birds.”

In Chicago, artist Vicki Rawlins and her daughter Brooke spend much of their time outdoors foraging for materials that Rawlins then uses in her whimsical art.

Vicki Rawlins forages for materials in her garden and neighbourhood. Photo: Julie M Gile
Vicki Rawlins forages for materials in her garden and neighbourhood. Photo: Julie M Gile

“I work with foliage that I forage from walks in my yard and neighbourhood and build detailed scenes and portraits with no glue or tape, just 100 per cent Mother Nature,” says Rawlins. “Sometimes I’ll buy flowers from a local shop if I can't find what I need in my own backyard.

"My pieces aren’t permanent. After I take photos of what I create, I put the foliage back outside in the compost pile for a new life,” adds Rawlins, whose Instagram feed is filled with landscapes and portraits, including one of Frida Kahlo with a head full of flowers.

“If I like what I’ve done I’ll turn the photos into fine art prints and greeting cards,” she says.

British painter and photographer Hannah Bullen-Ryner is garden artist who assembles works not on paper, but rather on woodland floors. She describes herself as “a land artist and woodland pixie in love with the natural world”, and makes portraits of hummingbirds and owls using wildflowers, berries, leaves, seeds, twigs and petals.

She arranges various elements, such as leaves to form the feathers of a bird, such that they resemble artistic brush strokes before she leaves them to be reclaimed by nature.

Ryner also creates images of white tigers and chimpanzees drawn using chalk and water, then filled with foraged materials. She sells prints of her creations on Etsy.

Bridget Beth Collins, from Seattle, has been creating floral art for 15 years. “It started when I was walking through my garden one day and saw a ‘goldfish’ in my orange poppies. I brought the poppy inside and painted a body on a piece of paper, then used the petals as fins. Since that day I have made different animals, landscapes and books with flowers,” says Collins.

An arrangement by Bridget Beth Collins. Photo: @flora.forager
An arrangement by Bridget Beth Collins. Photo: @flora.forager

Her love of nature has been fostered by backpacking trips and time spent in mountain meadows in the state of Washington. Her Instagram feed is filled with eclectic images of everything from gnomes and turtles to bicycles and even the Eiffel Tower made out of petals, leaves and seeds.

“I forage for wildflowers from meadows and parks, and also grow my own flowers or buy bouquets at the market to create my botanical art. Many of my friends give me flowers from their gardens knowing I will create with them,” says Collins, who sells prints of her work at Floraforager.com.

In Singapore, fashion illustrator Grace Ciao uses petals and leaves to create “bloom belles”.

These are illustrations of women in stylish dresses, with full skirts and glamorous gowns made with the petals of daisies, gerberas and roses. Sometimes Ciao will use a whole flower to form a garment.

Unlike many other garden artists, Ciao draws and paints an entire picture before adding petals or leaves as embellishments.

Also differing from the norm is London artist Chris Kenny, whose nature portraits use just one material: twigs.

Chris Kenny uses only twigs to create his portraits. Photo: Chris Kenny
Chris Kenny uses only twigs to create his portraits. Photo: Chris Kenny

Kenny makes everything from detailed dancing figures and babies to abstract portraits by joining together the twigs he forages.

“Twigs provide naturally rhythmic, characterful and unpredictable lines,” says Kenny. “They reveal connections between plant limbs and human limbs with an exuberance inherent to life.”

The six points:

1. Ministers should be in the field, instead of always at conferences

2. Foreign diplomacy must be left to the Ministry of Foreign Affairs and International Co-operation

3. Emiratisation is a top priority that will have a renewed push behind it

4. The UAE's economy must continue to thrive and grow

5. Complaints from the public must be addressed, not avoided

6. Have hope for the future, what is yet to come is bigger and better than before

The biog

Favourite film: Motorcycle Dairies, Monsieur Hulot’s Holiday, Kagemusha

Favourite book: One Hundred Years of Solitude

Holiday destination: Sri Lanka

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Proudest achievement: Building Robotics Labs at Khalifa University and King’s College London, Daughters

Driverless cars or drones: Driverless Cars

How Islam's view of posthumous transplant surgery changed

Transplants from the deceased have been carried out in hospitals across the globe for decades, but in some countries in the Middle East, including the UAE, the practise was banned until relatively recently.

Opinion has been divided as to whether organ donations from a deceased person is permissible in Islam.

The body is viewed as sacred, during and after death, thus prohibiting cremation and tattoos.

One school of thought viewed the removal of organs after death as equally impermissible.

That view has largely changed, and among scholars and indeed many in society, to be seen as permissible to save another life.

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

World record transfers

1. Kylian Mbappe - to Real Madrid in 2017/18 - €180 million (Dh770.4m - if a deal goes through)
2. Paul Pogba - to Manchester United in 2016/17 - €105m
3. Gareth Bale - to Real Madrid in 2013/14 - €101m
4. Cristiano Ronaldo - to Real Madrid in 2009/10 - €94m
5. Gonzalo Higuain - to Juventus in 2016/17 - €90m
6. Neymar - to Barcelona in 2013/14 - €88.2m
7. Romelu Lukaku - to Manchester United in 2017/18 - €84.7m
8. Luis Suarez - to Barcelona in 2014/15 - €81.72m
9. Angel di Maria - to Manchester United in 2014/15 - €75m
10. James Rodriguez - to Real Madrid in 2014/15 - €75m

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Defenders: John Stones, Harry Maguire, Phil Jones, Kyle Walker, Kieran Trippier, Gary Cahill, Ashley Young, Danny Rose, Trent Alexander-Arnold 
Midfielders: Eric Dier, Jordan Henderson, Dele Alli, Jesse Lingard, Raheem Sterling, Ruben Loftus-Cheek, Fabian Delph 
Forwards: Harry Kane, Jamie Vardy, Marcus Rashford, Danny Welbeck

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Starring: Anthony Mackie, Aiysha Hart, Ben Kingsley

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Director: Mowaffaq Alobaid 

Stars: Abdulaziz Almadhi, Mohammed Al Akkasi, Ali Al Suhaibani

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Islamophobia definition

A widely accepted definition was made by the All Party Parliamentary Group on British Muslims in 2019: “Islamophobia is rooted in racism and is a type of racism that targets expressions of Muslimness or perceived Muslimness.” It further defines it as “inciting hatred or violence against Muslims”.

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Stars: Tom Holland, Zendaya, Jacob Batalon 

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Olymon Solutions – smart automation

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Valorafutbol – sports and entertainment

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Updated: July 16, 2023, 2:01 PM