A selection of 50 Quran manuscripts spanning 14 centuries of Islamic civilisation is on show for the first time at the Sharjah Museum of Islamic Civilisation.
The rare works are part of the Hamid Jafar Quran Collection and include examples of Islamic calligraphy from China to North Africa.
The expansive exhibition, titled Sacred Words, Timeless Calligraphy: Highlights of Exceptional Calligraphy from the Hamid Jafar Qur’an Collection, begins on Tuesday, and showcases the craftwork and detail of key pieces of Islamic calligraphy and design.
The exhibition also reflects the nuances of unique aesthetic details and considerations in the works that were heavily influenced by the locations they were produced in and the artisans who created them.
Hamid Jafar, founder and chairman of Sharjah's Crescent Group of Companies, began collecting the rare manuscripts more than 40 years ago.
“I am proud and honoured to be exhibiting this selection from my collection for the first time ever,” he said.
He said he was even more proud to be "doing so in my beloved Sharjah, which I have taken as my home for over half a century, and to be sharing with the wider community the beauty of these remarkable works”.
The pieces were first collected in an effort to present Islam’s artistic influence and its unifying force in the region.
The collection also demonstrates how varying aspects of Islamic design theory and ornamental elements became a great source of inspiration, influencing not only manuscripts but architecture and craftwork of different cultures from the Near East to China, South-East Asia to Spain and North Africa.
The exhibition is on display at the Sharjah Museum of Islamic Civilisation until March 19.
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The latest exhibition from Sotheby’s Dubai is an expansive showcase of modern and contemporary masterworks, as well as pieces from the Middle East and India. All photos: Sotheby's Dubai -
The page from 'Shahnameh of Shah Tahmasp' illustrates one of the stories of Rustam, a mythological hero. -
Illustrated folio from the 'Shahnameh of Shah Tahmasp'. -
The manuscript was commissioned by the emperor Shah Ismail, who sought to illustrate the 'Shahnameh', an epic poem which details the history of Persia’s rulers, written by Ferdowsi between 977 and 1010. -
A detail of Rustam from the 'Shahnameh of Shah Tahmasp'. -
'Soundless' by Mohammed Kazem (2017), pastel on paper. -
'Jerusalem' by Jamil Molaeb (2020) oil on canvas. -
A monumental Quran leaf in Kufic script (750). -
'Wind in the Sun on Earth in Early Winter' by Samia Halaby (1982).
