Kaleem Aftab

The Focus on Syria section at the ongoing Locarno Film Festival screened documentaries by filmmakers who risked exile in their bid to lay stress upon the truth and tragedy of the hapless situation.

Gulshan Grover garnered the nickname Bad Man as he always played the villain in movies. We chat with the versatile Bollywood actor.

Chennai Express is the greatly anticipated Eid release from Bollywood, and it is expected to break some major records.

Deepika's first film was opposite SRK in Om Shanti Om and now they are back together for Chennai Express.

All in Good Time feels contrived, lacks nuance and the comedy is poppadom-flat.

In conversation with D-Day star Irrfan Khan.

Kaleem Aftab writes from the London Indian Film Festival about Monsoon Shootout, which opened the festival.

In Texas Killing Fields, the director doesn't bother with back-story and instead dumps the audience into middle of a murder investigation, expecting us to piece the jigsaw puzzle storyline together as the action moves along.

The film D-Day runs out of steam halfway through.

No amount of breathtaking cinematography filming sharks on the coast of Cape Town can save Dark Tide from its poor plot and dire dialogue.

Made by the team behind Ice Age and Rio, Epic has all the elements of an old-fashioned classic.

What's it like to walk the red carpet at the Cannes Film Festival? Kaleem Aftab tells us about the experience.

We sit down for a chat with Hany Abu Assad, whose new film premeried at Cannes.

Brian Grazer is producing a film on the football star Pele.

Other films by Iranian directors at the Cannes Film Festival.