Kaleem Aftab

The Past is the first film that Iranian director Asghar Farhadi has made outside his homeland.

Indian cinema at Cannes is a highlight of this year's festival and we take a look at three of the most intriguing movies.

The Doha Film Institute is to launch two new film festivals following the termination of the partnership with Tribeca Enterprises.

We take a look at the glamorous lineup of films and stars at the French film festival.

Instead of the biting farce it could be, this is just another schmaltzy domestic tale.

Why is there a slew of zombie films in Hindi cinema this year?

In a Hollywood blockbuster, the identity of the bad guys has always been a reflection of political realities and fears outside the dreamworld of the cinema - and Iron Man is no exception.

There is little in the way of tension in this mystery thriller, and the story veers into a torpid family drama.

We live in the age of stunt magicians. The days of pulling rabbits out of a hat have been replaced by “magicians” completing incredible feats of human endurance such as suspending themselves in glass boxes without food for more than a month.

In Oz the Great and the Powerful, a prequel to the 1939 classic that tells the backstory of Oz and the witches, the British Oscar-winner Rachel Weisz plays Evanora, who at first seems very nice. At first ...

The adaptation of the books by Kami Garcia and Margaret Stohl is a little bit too much like Twilight.

This psychosomatic childhood trauma tale is unceremoniously dumped when the action turns into a hide-and-seek monster movie.

The pairing of Sylvester Stallone with Sung Kang is an uneven partnership, and the film suffers from this imbalance.

Zero Dark Thirty is an example of Kathryn Bigelow's brilliance as a director.

A growing list of films are being delayed due to real-life tragedies.