<span>Even before </span><span>Anthony Vaccarello</span><span><em> </em></span><span>staged his autumn/winter 2018 fashion show for Saint Laurent in Paris, we knew we would be in for something spectacular.</span> <span>Appoi</span><span>nted as the brand's creative director in 2016, Vaccarello shares the same inclination for discreet drama as his predecessors, so it felt entirely natural that the autumn/winter show would be staged in a huge glass box opposite the Eiffel Tower. What better way to ensure that the entire world would be watching?</span> <span>The h</span><span>ouse of Saint Laurent</span><span> </span><span>has long been defined by its</span><span> </span><span>luxurious fabrics and </span><span>exquisite</span><span> deta</span><span>iling</span><span>;</span><span> however</span><span>,</span><span> under the directorship of Vaccarello, this has been </span><span>taken</span><span> to a new level.</span><span> </span><span>In the collection, both </span><span>men and women w</span><span>ere clad almost exclusively in black</span><span>, and </span><span>at first glance</span><span> this served to </span><span>hide</span><span> all </span><span>the sumptuous detailing.</span><span> </span><span>The w</span><span>omen were draped in acres of gleaming leather, while the men were clad in shimmering silver lurex, suits of crushed velvet and embroidered fronted shirts.</span> <span>A sli</span><span>m</span><span>-</span><span>cut suit in deep piled velvet was lifted –</span><span> </span><span>barely</span><span> –</span><span> with a burnished gold shirt, while elsewhere</span><span>,</span><span> an intensely dark 1970s leather peacoat sat over a knitted jumper</span><span>,</span><span> run through with silver thread. In a rare shot of colour, a teal suit was carved from velvet so dense only flashes of pigment were </span><span>to be </span><span>seen, while a tuxedo was so subdued, the exquisite grosgrain edging was almost imperceptible. In one of the lighter touches, a bomber jacket was made from Glen tweed, woven from what might have been spun pewter.</span> <span>Much </span><span>is made of the expression</span><span> </span><span>"</span><span>the devil is in the detail</span><span>"</span><span>, but </span><span>in</span><span> this </span><span>ominously beautiful collection, </span><span>that</span><span> really holds true. By layering tone</span><span>-</span><span>on</span><span>-</span><span>tone</span><span>,</span><span> Vaccarello shows his mastery of understatement, as the shadows disguise almost all of the rich embellishment</span><span>s</span><span>. By choosing such a dark approach, </span><span>the creative director reaffirms that </span><span>true luxury is not so much </span><span>about </span><span>shouting to the world, but instead saving the real beauty of a garment for the person wearing it.</span> _________________________ <strong>Read more:</strong> __________________________