Ramin Salsali lost this Burj Khalifa picture, taken by architectural photographer Christian Voigt, in The Address Downtown blaze. He is asking that the building’s owner, Emaar, be efficient and prompt in paying compensation. Courtesy Salsali Private Museum
Ramin Salsali lost this Burj Khalifa picture, taken by architectural photographer Christian Voigt, in The Address Downtown blaze. He is asking that the building’s owner, Emaar, be efficient and prompt in paying compensation. Courtesy Salsali Private Museum
Ramin Salsali lost this Burj Khalifa picture, taken by architectural photographer Christian Voigt, in The Address Downtown blaze. He is asking that the building’s owner, Emaar, be efficient and prompt in paying compensation. Courtesy Salsali Private Museum
Ramin Salsali lost this Burj Khalifa picture, taken by architectural photographer Christian Voigt, in The Address Downtown blaze. He is asking that the building’s owner, Emaar, be efficient and prompt

Art collector urges speedy resolution after losing Dh1.3m of works


Michael Fahy
  • English
  • Arabic

Insurance claims just as urgent as building repairs

A businessman who owned apartments within The Address Downtown is urging the building’s developer and owner Emaar Properties to be as efficient in dealing with residents’ compensation claims as it has pledged to be in restoring the property.

Ramin Salsali, a petrochemicals consultant and contemporary art collector who owns and runs a private museum in Al Quoz, estimated that he has lost about Dh1.3 million in personal possessions, including many artworks, as a result of the blaze that broke out on New Year’s Eve.

“They already announced that they are going to repair the building, if it is repairable,” Mr Salsali said. “They are assessing right now with an engineering company whether the structure has been damaged.

“Now, everything will narrowed down to one point – how Emaar will compensate the owners or the tenants of the building.”

Mr Salsali owned four apartments within The Address Downtown – two of which, he said, were destroyed by the blaze.

Another, which was used by a member of his staff, suffered smoke damage and the fourth only light damage.

Mr Salsali’s private residence is one of the two that were destroyed. It had a number of artworks and sculptures inside that have been lost, including works by the Iranian artist Amir Hossein Zanjani and the US-based painter George Condo.

It also had a “more sophisticated” safe than the standard model provided by the hotel that contained important documents.

“But this safe is destroyed, completely melted. It’s unbelievable.”

Mr Salsali said that he had not taken out specific contents insurance, as he believed that was covered as part of service charges paid to Emaar.

“The maintenance fees that we paid – there is one item that says insurance for the contents of the household.

“When you read this, you’re not going to do any insurance as such because first the building is insured, and second the content is covered. That was the assumption, and it’s written on the detailed cost list.”

Mr Salsali, who was in Europe at the time of the blaze, praised Emaar staff and Dubai Civil Defence authorities for their speedy reaction, which meant that only minor injuries occurred.

“Until now, they [Emaar] have been very fair and have quickly reacted to accommodate people, put them in hotels, give them the first basic possibilities just to start to recover.”

He expected “a very unbureaucratic and pragmatic approach” from the developer in terms of how claims were handled – especially since a police report last week indicated that an electrical short-circuit from a spotlight caused the blaze.

“The whole world is now watching. The effect on real estate is unbelievable. People have pulled out of contracts where they don’t know about the fire safety of the cladding. It’s not good for Dubai.”

Emaar did not respond to a request for clarification on whether tenants’ contents were insured as part of service or maintenance agreements, or if they would be compensated through its buildings insurance policy.

However, it emailed residents this week and said it was still working with authorities and insurers to determine the cause of the fire. Until this is completed, the email said, it was unable to comment on any liability aspects.

It has also asked residents to submit claims identifying losses within the next seven days.

A spokesman said that “discussions with the insurance companies are continuing regarding the claims”.

“We are committed to reopening the hotel to its old glory,” he said. “To expedite the reopening of The Address Downtown Dubai, we have appointed Dutco Group as the contractor. They are undertaking the clearing, assessment and restoration work. We will announce the timeline in due course.”

mfahy@thenational.ae

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Sukuk are Sharia-compliant financial certificates issued by governments, corporates and other entities. While as an asset class they resemble conventional bonds, there are some significant differences. As interest is prohibited under Sharia, sukuk must contain an underlying transaction, for example a leaseback agreement, and the income that is paid to investors is generated by the underlying asset. Investors must also be prepared to share in both the profits and losses of an enterprise. Nevertheless, sukuk are similar to conventional bonds in that they provide regular payments, and are considered less risky than equities. Most investors would not buy sukuk directly due to high minimum subscriptions, but invest via funds.

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Empty Words

By Mario Levrero  

(Coffee House Press)
 

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1. Kylian Mbappe - to Real Madrid in 2017/18 - €180 million (Dh770.4m - if a deal goes through)
2. Paul Pogba - to Manchester United in 2016/17 - €105m
3. Gareth Bale - to Real Madrid in 2013/14 - €101m
4. Cristiano Ronaldo - to Real Madrid in 2009/10 - €94m
5. Gonzalo Higuain - to Juventus in 2016/17 - €90m
6. Neymar - to Barcelona in 2013/14 - €88.2m
7. Romelu Lukaku - to Manchester United in 2017/18 - €84.7m
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The biog

Name: Dhabia Khalifa AlQubaisi

Age: 23

How she spends spare time: Playing with cats at the clinic and feeding them

Inspiration: My father. He’s a hard working man who has been through a lot to provide us with everything we need

Favourite book: Attitude, emotions and the psychology of cats by Dr Nicholes Dodman

Favourit film: 101 Dalmatians - it remind me of my childhood and began my love of dogs 

Word of advice: By being patient, good things will come and by staying positive you’ll have the will to continue to love what you're doing

Recipe

Garlicky shrimp in olive oil
Gambas Al Ajillo

Preparation time: 5 to 10 minutes

Cooking time: 5 minutes

Serves 4

Ingredients

180ml extra virgin olive oil; 4 to 5 large cloves of garlic, minced or pureed (or 3 to 4 garlic scapes, roughly chopped); 1 or 2 small hot red chillies, dried (or ¼ teaspoon dried red chilli flakes); 400g raw prawns, deveined, heads removed and tails left intact; a generous splash of sweet chilli vinegar; sea salt flakes for seasoning; a small handful of fresh flat-leaf parsley, roughly chopped

Method

Heat the oil in a terracotta dish or frying pan. Once the oil is sizzling hot, add the garlic and chilli, stirring continuously for about 10 seconds until golden and aromatic.

Add a splash of sweet chilli vinegar and as it vigorously simmers, releasing perfumed aromas, add the prawns and cook, stirring a few times.

Once the prawns turn pink, after 1 or 2 minutes of cooking,  remove from the heat and season with sea salt flakes.

Once the prawns are cool enough to eat, scatter with parsley and serve with small forks or toothpicks as the perfect sharing starter. Finish off with crusty bread to soak up all that flavour-infused olive oil.

 

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Top 10 most polluted cities
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The Sand Castle

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Sun jukebox

Rufus Thomas, Bear Cat (The Answer to Hound Dog) (1953)

This rip-off of Leiber/Stoller’s early rock stomper brought a lawsuit against Phillips and necessitated Presley’s premature sale to RCA.

Elvis Presley, Mystery Train (1955)

The B-side of Presley’s final single for Sun bops with a drummer-less groove.

Johnny Cash and the Tennessee Two, Folsom Prison Blues (1955)

Originally recorded for Sun, Cash’s signature tune was performed for inmates of the titular prison 13 years later.

Carl Perkins, Blue Suede Shoes (1956)

Within a month of Sun’s February release Elvis had his version out on RCA.

Roy Orbison, Ooby Dooby (1956)

An essential piece of irreverent juvenilia from Orbison.

Jerry Lee Lewis, Great Balls of Fire (1957)

Lee’s trademark anthem is one of the era’s best-remembered – and best-selling – songs.

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