Trevor Noah on identity and what's next after 'The Daily Show': 'I'm gonna breathe'

The South African comedian appeared in conversation at the Culture Summit Abu Dhabi

Television host Trevor Noah is among the high-profile figures taking part in Culture Summit Abu Dhabi. AFP

The fluidity and evolutionary nature of Abu Dhabi’s cultural identity is something that has long fascinated Trevor Noah, with the South African comedian saying the UAE capital approaches notions of identity much like he does himself.

“I’ve always enjoyed coming out here,” he said at a talk during the Culture Summit Abu Dhabi, which started on Sunday. “After many, many years, I’ve loved seeing a place take its identity, shape and grow over time. Try to reimagine what that identity means. Think about how that identity is impacted by the past and will shape the future.”

Trevor Noah discussed how his upbringing in South Africa informed his comedy career. Victor Besa / The National

Noah is, of course, a bit of a one-man culture summit himself. While starting as a stand-up comedian, he is now also a bestselling author, producer, political commentator, actor and soon-to-be former host of The Daily Show. While his professional identity can be a bit mercurial to box down, Noah said he’s always been used to existing outside canonical categorisations — something that ultimately helped inform his career and worldview.

“Performing stand-up comedy, the idea that some people have is that you are taking centre stage,” he said. “How I view it is me echoing the culture I’m existing within, the people that I’ve grown up with, the world I’m living in. I grew up in a very mixed family, in a very mixed country. What happened over time is that I learnt how to transfer information between people, how to send messages between groups who don’t necessarily communicate in the same wavelength.”

Noah was born in Johannesburg during the apartheid era. His mother is Xhosa, an ethnic group that is the second-largest in South Africa. His father is of Swiss-German ancestry. Their union was illegal under apartheid law, which prohibited relationships between white and black races. In his 2016 autobiography Born a Crime, Noah reflects upon his background, highlighting how the moment he was born, his very existence was deemed an act of immorality.

“Identity is a really fascinating concept,” he said at the summit. “It’s one I’m continuously grappling with and speaking with people about. How do you see yourself and how do others see you? I grew up in a country where we were told who we are meant to be because of the colour of our skin. Once apartheid ended, South Africa found itself in a moment in time where it was allowed to define itself. What that came with was a challenge. What is identity? Which identities do we celebrate? How do we celebrate them, and why? I've lived my entire life with that challenge, and it's been a gift on the other side.”

Another existential quandary, Noah said, was balancing his artistic self with his public persona. Artists can exist in complete anonymity, creating their art and living the way they wish to. As a public figure, that changes.

“I do believe there is a responsibility that comes with acknowledging the fact that people can hear what you're saying and see what you’re doing. It is the difference between the public and the private — it means there are times when you’ll be interacting with more people than just outside your vicinity. There is a responsibility, but it's the same responsibility that comes with anybody in public. You know, there are certain things that you don't do in public, because you understand that you are affecting people around you.”

Noah credits much of his success with the education that his mother sought to afford him. The school he attended, Maryvale College, he said, was beyond his family’s means, and helped him lay the foundations of his career. It is something he hopes to pay forward through his developmental initiative, the Trevor Noah Foundation, which he founded in 2018. The initiative helps youth in Johannesburg prepare for higher education or entry into the workforce.

“My aim was to help,” he said, of the reasons he began the foundation. “I didn't know how I would help, why I would help, I just knew that I wanted to help. Following my passion, I realised that there is nothing that has shaped the success of my family more than education. The only reason my family is where it is today is because my mother was taught subjects by a missionary in South Africa, who shouldn't have been teaching those subjects to black students, according to what the apartheid government deemed."

All of this meant his career has taken him to new heights and Noah recently announced he will be ending his tenure as host of world-famous The Daily Show in December. The comedian has been the face of the late-night television programme since 2015. At the Culture Summit Abu Dhabi, he was cryptic about what his next plans are, but did stress he is looking forward to the downtime.

"The first thing I'm going to do next is breathe. Oh, genuinely, I'm gonna breathe," he said. "I'm going to take my time. I'm going to appreciate what this moment in my life has been. It's been a chapter in my life."

Scroll through the gallery below to see photos from the first day of the Culture Summit Abu Dhabi

Sultan Sooud Al Qassemi, founder of Barjeel Art Foundation, takes part in the discussion on the third and final day of Culture Summit Abu Dhabi. All photos: Victor Besa / The National

Manal Ataya, director general at Sharjah Museums Authority, also took part in the panel.

Maya Allison, executive director and chief curator at the NYU Abu Dhabi Art Gallery, joined the discussion.

A panellist speaks during the event.

The New Canon was one of the panels held on day three of the Culture Summit Abu Dhabi.

Famed pianist, composer and educator Danilo Perez waves to the crowd.

Former minister and now diplomatic advisor Anwar Gargash. Victor Besa / The National

Visitors were treated to a traditional Al Ayala dance, where performers hold thin bamboo canes and move to steady drum rhythms.

Al Ayala is often performed at weddings and other celebrations.

Chris Dercon in conversation with architect Sir David Adjaye.

A session on Taking Bollywood Global: Dynamics of Diversity, moderated by Hans Fraikin, Abu Dhabi Film Commissioner.

Kabir Khan, director of '83', in the conversation on Bollywood.

Taking Bollywood Global: Dynamics of Diversity - Aashish Singh, Chief Executive Officer, Lyca Productions.

Andre Timmins, founder and director of Wizcraft and IIFA, as part of the discussion on Bollywood.

A member of the audience watching a panel called 'Taking Bollywood Global: Dynamics of Diversity'.

Day three of the Culture Summit Abu Dhabi opened with a traditional performance from the mountain regions.

The event was a meeting of minds, with visitors from across various sectors sharing their thoughts on the post-Covid cultural world.

Omar Saif Ghobash, UAE ambassador to Vatican, speaks at the event.

Grammy Award-winning producer Jimmy Jam discussed the regional music scene.

Mohamed Al Mubarak in conversation with Frank Gehry, Architect, Gehry Partners.

Robot artist Ai-Da, left, in conversation with The National's Hareth Al Bustani, far right, with her creator Aidan Meller, looking on.

Performance by Iraqi oud virtuoso Naseer Shamma.

The audience listens to Mohamed Al Mubarak in conversation with Frank Gehry, Architect, Gehry Partners.

Harvey Mason Jr, chief executive of Recording Academy, lecturing on 'Music and Influence on Global Culture'.

An attendee on day two of the Culture Summit in Abu Dhabi.

A discussion on 'Mentoring for Impact', with moderator Fiammetta Rocco, senior editor and culture editor of The Economist, and speakers Erica Love, director of Culture Central, Eric Wainaina, artist and founder of The Nairobi Musical Theatre Initiative, and Gael Hedding, director of Berklee Abu Dhabi.

A peformance of 'The Roots' by French Algerian choreographer Kader Attou, a dance performance in which he returns to the origins of hip-hop with an acrobatic celebration of the genre. Eleven dancers perform different facets of the former underground culture and show how the body can bend to different beats: from breakdance to Smurf, electric boogie to popping.

A discussion on 'AI and the Future of Culture', with moderator Priya Khanchandani, head of curatorial + interpretation at the Design Museum, and speakers Aidan Meller, director of Ai-Da Robot and Oxfordians, and Suhair Khan, founder and director of Open/Ended Design.

Artificial intelligence-powered robot artist Ai-Da at the Culture Summit in Abu Dhabi. Ai-Da's work reflects human aesthetic tastes and the conditions by which they are shaped.

Ai-Da in conversation with Tim Marlow, chief executive and director of London's Design Museum, who analysed the creative philosophy of the world’s first humanoid artist.

Mr Marlow introduces Ai-Da at the summit.

Eyal Weizman, director of research agency Forensic Architecture, speaks on the use of technology such as machine learning, as well as the importance of modelling and simulations.

UAE Minister of Culture and Youth Noura Al Kaabi gives the keynote address.

This year’s Culture Summit will be attended by 1,000 people while another 5,000 will take part online.

The summit seeks to identify ways in which culture can transform societies and communities around the globe.

The conference brings together decision makers in culture, heritage, public policy and technology, as well as artists, thinkers and performers from around the world.

The summit is now in its fifth year.

It is organised by Abu Dhabi's Department of Culture and Tourism.

The theme of this year's event is 'A Living Culture'.

The summit has returned with a more extensive programme.

UAE Minister of Culture and Youth, Noura Al Kaabi at the summit.

In-person attendance returned to the event after it moved online for two years owing to the Covid-19 pandemic.

In only five years, the summit has grown from a noble idea into a staple of the international cultural calendar.

Mohamed Al Mubarak, chairman of DCT — Abu Dhabi, arrives with Steve Harvey.

Zaki Nusseibeh, cultural adviser to the President, attends the event.

Mr Nusseibeh moderated a discussion on 'The role of culture in making resilient and shared societies', featuring former Lithuanian president Dalia Grybauskaite, former Malawian president Joyce Banda and former Croatian president Ivo Josipovic.

Mr Al Mubarak makes the welcome speech and opening remarks.

Ms Banda, former president of Malawi, takes part in the discussion moderated by Mr Nusseibeh.