"Ornament" became a dirty word by the time the big thinkers of the early 20th century got into their stride.
The hornblower in this charge was the architect Alfred Loos - a notoriously intense man, who went as far as to equate decoration with deviancy. Anyone who dared to jazz up, spruce up or interfere with the perfection of simplicity was butting against the modern grain, according to Loos in his essay "Ornament and Crime".
This fed into later dreams of a utopian future, where the fussiness and fluffiness of the past was eradicated. The mantra was form follows function: strip everything inessential away, be it in art, architecture or lifestyle. Under the auspices of architects such as Le Corbusier, buildings would be free of the trappings of earlier, lesser ages. It was modern living, standing tall, clean and alone.
Of course, this lofty thinking met reality. The staunch rigour of modernism (championed by the likes of Loos) found echoes in the insane political projects that typified the early half of the century and slowly the pristine, blank-faced apartment blocks decayed.
Brute Ornament, in its last few days at the Green Art Gallery in Dubai's Alserkal Avenue, Al Quoz, explores this trajectory.
Putting Seher Shah together with the Iranian painter Kamrooz Aram is a marvellous match because the two couldn't be more different. Whereas Shah is adept at drawing ultra-detailed cityscapes in graphite, Aram can suspend a decorative image at the point of obliteration.
Unpicking the dying embers of the modernist dream has become a little commonplace in exhibitions these days, but the curator Murtaza Vali, in bringing these two divergent artists together, has a fresh, potent perspective.
Shah's work is by far the more compelling here. In Emergent Structures: Capital Mass, we see a rectangle punctured by thousands of skyscrapers. A sphere floats above, seeming to bear down on this concrete jungle - like a sun drifting close to the surface.
Although Shah walked away from a career designing skyscrapers, and has a clear draughtsman's eye, she's able to use this rigid style to create a scene of pure imagination: her dense fields of jagged buildings have a science-fiction appeal to them. It's as if we're looking into a Tron-like world pared down to lines and geometry.
In her earlier work, the Pakistani artist looked at the sanctity wrought in the architecture of the courtyard, again employing her graphite pencil to render these spaces, such as Al Hambra in Spain, in fierce line. Yet a similar idea can be found in Brute Ornament: in the excellent accompanying text, Shah says she's interested in the "paper architect", those whose dreams remain sketched in lead rather than built in concrete. The search for purity that was worked out on the drawing board had an almost spiritual dimension for these architects and thinkers, which Shah articulates in her works.
Meanwhile, this seemingly perfect world is constantly being torn apart. In her best pieces, licks of flame roar in from the horizon, and triangles whip up from streets as though these imagined cities are being blown away in the wind. This isn't, perhaps, just reality intruding but a spiritual, social void that crept in and dismantled the modernist dream of forcing out everything that held sway in the past.
Aram explores this differently. He uses his canvases to show how the moderns' rebellion against ornamentation led to a crisis in painting.
With flowery motifs, Aram depicts "decorative" paintings that are slowly imploding. In Angelus Novus, for instance, flowers and murky colours seem to be sucked into a bright white void in the centre of the image, like a Big Bang waiting to happen. They're replaced by ethereal triangles and strange geometry.
Aram is showing the tension of trying to create meaningful, progressive work in painting - a medium often associated with the decorative and the past. The works question whether the act of painting has become mere ornamentation in an art world fixated on conceptualism, which arose in part as a response to the ideas of the modernists.
He's almost restaging this tension in some of the images, which seem to disappear to white - fading into the wall.
But there's a multitude of readings that can be brought to this challenging and considered exhibition. It's a show that looks to make connections with the history of western art, but in the play of geometry and pattern, also references Islamic art and the connections that might be found with this canon in Europe's search for an artistic language of the future.
It isn't all chin-stroking. Shah's works are mighty impressive, and Aram describes his paintings' power best: "I decided that a painting was finished when it started to hum."
• Brute Ornament continues at Green Art Gallery, in Al Quoz, Dubai, until May 5. www.gagallery.com
[ clord@thenational.ae ]
Conservative MPs who have publicly revealed sending letters of no confidence
- Steve Baker
- Peter Bone
- Ben Bradley
- Andrew Bridgen
- Maria Caulfield
- Simon Clarke
- Philip Davies
- Nadine Dorries
- James Duddridge
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COMPANY PROFILE
Company name: Almouneer
Started: 2017
Founders: Dr Noha Khater and Rania Kadry
Based: Egypt
Number of staff: 120
Investment: Bootstrapped, with support from Insead and Egyptian government, seed round of
$3.6 million led by Global Ventures
COMPANY PROFILE
Company name: Klipit
Started: 2022
Founders: Venkat Reddy, Mohammed Al Bulooki, Bilal Merchant, Asif Ahmed, Ovais Merchant
Based: Dubai, UAE
Industry: Digital receipts, finance, blockchain
Funding: $4 million
Investors: Privately/self-funded
More on Turkey's Syria offence
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Uefa Champions League semi-finals, first leg
Liverpool v Roma
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Where: Anfield, Liverpool
Live: BeIN Sports HD
Second leg: May 2, Stadio Olimpico, Rome
War
Director: Siddharth Anand
Cast: Hrithik Roshan, Tiger Shroff, Ashutosh Rana, Vaani Kapoor
Rating: Two out of five stars
Turning waste into fuel
Average amount of biofuel produced at DIC factory every month: Approximately 106,000 litres
Amount of biofuel produced from 1 litre of used cooking oil: 920ml (92%)
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Porsche Macan T: The Specs
Engine: 2.0-litre 4-cyl turbo
Power: 265hp from 5,000-6,500rpm
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EMIRATES'S REVISED A350 DEPLOYMENT SCHEDULE
Edinburgh: November 4 (unchanged)
Bahrain: November 15 (from September 15); second daily service from January 1
Kuwait: November 15 (from September 16)
Mumbai: January 1 (from October 27)
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Source: Emirates
Coming soon
Torno Subito by Massimo Bottura
When the W Dubai – The Palm hotel opens at the end of this year, one of the highlights will be Massimo Bottura’s new restaurant, Torno Subito, which promises “to take guests on a journey back to 1960s Italy”. It is the three Michelinstarred chef’s first venture in Dubai and should be every bit as ambitious as you would expect from the man whose restaurant in Italy, Osteria Francescana, was crowned number one in this year’s list of the World’s 50 Best Restaurants.
Akira Back Dubai
Another exciting opening at the W Dubai – The Palm hotel is South Korean chef Akira Back’s new restaurant, which will continue to showcase some of the finest Asian food in the world. Back, whose Seoul restaurant, Dosa, won a Michelin star last year, describes his menu as, “an innovative Japanese cuisine prepared with a Korean accent”.
Dinner by Heston Blumenthal
The highly experimental chef, whose dishes are as much about spectacle as taste, opens his first restaurant in Dubai next year. Housed at The Royal Atlantis Resort & Residences, Dinner by Heston Blumenthal will feature contemporary twists on recipes that date back to the 1300s, including goats’ milk cheesecake. Always remember with a Blumenthal dish: nothing is quite as it seems.
UAE SQUAD
Mohammed Naveed (captain), Mohamed Usman (vice captain), Ashfaq Ahmed, Chirag Suri, Shaiman Anwar, Mohammed Boota, Ghulam Shabber, Imran Haider, Tahir Mughal, Amir Hayat, Zahoor Khan, Qadeer Ahmed, Fahad Nawaz, Abdul Shakoor, Sultan Ahmed, CP Rizwan
Company Profile
Company name: myZoi
Started: 2021
Founders: Syed Ali, Christian Buchholz, Shanawaz Rouf, Arsalan Siddiqui, Nabid Hassan
Based: UAE
Number of staff: 37
Investment: Initial undisclosed funding from SC Ventures; second round of funding totalling $14 million from a consortium of SBI, a Japanese VC firm, and SC Venture
Coffee: black death or elixir of life?
It is among the greatest health debates of our time; splashed across newspapers with contradicting headlines - is coffee good for you or not?
Depending on what you read, it is either a cancer-causing, sleep-depriving, stomach ulcer-inducing black death or the secret to long life, cutting the chance of stroke, diabetes and cancer.
The latest research - a study of 8,412 people across the UK who each underwent an MRI heart scan - is intended to put to bed (caffeine allowing) conflicting reports of the pros and cons of consumption.
The study, funded by the British Heart Foundation, contradicted previous findings that it stiffens arteries, putting pressure on the heart and increasing the likelihood of a heart attack or stroke, leading to warnings to cut down.
Numerous studies have recognised the benefits of coffee in cutting oral and esophageal cancer, the risk of a stroke and cirrhosis of the liver.
The benefits are often linked to biologically active compounds including caffeine, flavonoids, lignans, and other polyphenols, which benefit the body. These and othetr coffee compounds regulate genes involved in DNA repair, have anti-inflammatory properties and are associated with lower risk of insulin resistance, which is linked to type-2 diabetes.
But as doctors warn, too much of anything is inadvisable. The British Heart Foundation found the heaviest coffee drinkers in the study were most likely to be men who smoked and drank alcohol regularly.
Excessive amounts of coffee also unsettle the stomach causing or contributing to stomach ulcers. It also stains the teeth over time, hampers absorption of minerals and vitamins like zinc and iron.
It also raises blood pressure, which is largely problematic for people with existing conditions.
So the heaviest drinkers of the black stuff - some in the study had up to 25 cups per day - may want to rein it in.
Rory Reynolds
The biog
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Batti Gul Meter Chalu
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UAE currency: the story behind the money in your pockets
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The biog
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Honeymoonish
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Rating: 3/5
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