Articles
The cruellest cuts
Feature Rumours that Baz Luhrmann changed the ending of his latest movie as a result of adverse focus-group reactions underscore Hollywood's obsession with the test screening. But is this really good for cinema?
In the mood for a blockbuster love story
Film school A bluffer's guide to In The Mood For Love.
Mighty duo
One to one The directors of Je Veux Voir explore cinema's role in explaining war.
A colourful new language for cinema
Film school A bluffer's guide to the Three Colours trilogy.
A winning role
Interview With Slumdog Millionaire being tipped for Oscar nominations, its 18-year-old star, Dev Patel, talks about his first big-screen appearance and this week's award win.
A complex role
One on one Martina Gedeck talks about playing the notorious Ulrike Meinhof.
A star that lives like an actress
One on one Julianne Moore's approach to life and career make her an actress' actress.
Crest of the new wave
Film school Francois Truffaut's cinematic love poem, Jules et Jim is arguably the best and most influential film of the French New Wave.
Nights in Rodanthe
This is adaptation by numbers, strangely presided over by one of the great theatre directors of our time.
The Rocker
It should be a fun ride but the dialogue and plot are too predictable and Rainn Wilson has no fun with the old-fogey role.
Redline
This has to be one of the worst acted movies of the year. It should come with red tape marked toxic.
The Strange Case of Dr Jekyll and Mr Hyde
The director John Carl Buechler makes a monkey out of Robert Louis Stevenson's text.
Woody Allen
Film interview The director talks about going back to New York for his next project.
The Escapist
Decidedly mixed results in its attempt to break out of the prison drama genre.
