For Rubem Fonseca, violence is not just a spectacle, it is the meeting point between rich and poor on the streets of Brazil. Benjamin Lytal trails the author's murderous narrators on a tour of Rio de Janeiro.
The Taker and Other Stories
Rubem Fonseca
Translated by Clifford E Landers
Open Letter
Dh54
The Brazilian author Rubem Fonseca writes with a violence that his peers - writers of postmodern crime fiction - eschew. Think of Haruki Murakami, who has used noir plot devices to give structure and grit to adolescent dream narratives. Or Michael Chabon, who has reimagined Jewish-American history through the lens of detective fiction. Or Fonseca's co-linguist, Jose Saramago, who in some of his recent novels has been writing like Paul Auster, making the mystery novel a vehicle for philosophical thought experiments.
None of these other authors goes to crime fiction for blood. Though some maintain an interest in evil, the consistent trend in highbrow crime fiction has been away from the dark alley and into the cerebral stratosphere. Fonseca couldn't differ more. Vital to his stories is the troubling moment when the slashing crimes of his characters become too palpable and, to the engrossed reader, almost participatory.
Fonseca's American publisher, the new small press Open Letter, wisely opens The Taker, a collection of his stories translated by Clifford E Landers, with the two-page long Night Drive. A busy executive, narrating the story in the first person, comes home from the office with a suitcase full of papers. His wife would like him to have a whiskey and to sit down beside her in bed, but he retreats to his study. He opens his suitcase and stares into space. At dinner, he is generous but impersonal. Then he goes out for "a drive" - for an assignation, we assume. Crawling along a deserted street, he spots a woman. We learn that she is wearing a skirt and a blouse.
"She only realised I was going for her when she heard the sound of the tyres hitting the curb. I caught her above the knees, right in the middle of her legs, a bit more toward the left leg - a perfect hit. I heard the impact break the large bones, veered rapidly to the left, shot narrowly past one of the trees, and, tyres squealing, skidded back onto the asphalt."
Night Drive hits us just when the overworked husband has won our sympathies. Its value lies not only in the sudden impact, but also in our being taken along for the ride. Through bait-and-switch, Fonseca makes us recognise that yes, for this character, running over pedestrians does seem like an effective release. The narrator's specific glee, his sadism, is couched in a broader sense of after-work ennui, one that many readers will relate to. His crime almost makes sense.
We read red-handed, in other words. Readerly guilt is nothing new in crime literature, but it differentiates Fonseca from his immediate peers, and in his hands it produces something more than the thrill of dirty reading - it tells a broader story about Brazil. Fonseca's Rio de Janeiro, where geography lifts the poor of the hills vertiginously up against the rich of the beaches, is a place where crime is partially the prurient release of pent-up economic desires. The denizens of his city, the rich and the poor, rip each other apart with a kind of jealous lust. This dynamic is Fonseca's lesson.
In the collection's title story an unintelligent young man declares that he wants to take what the world owes him. "They owe me food... blankets, shoes, a house, car, watch, teeth, they owe me." What is so scary is the Taker's identification of "they": he opts for blame rather than frustration, and proceeds to kill every rich person he can. Having tied a machete to his leg, he waits outside a party and then limps after a departing couple, following them into their red car, where he produces a gun. "Do what I say or I'll kill you both." They drive to a deserted beach, where the Taker shoots the woman (who is pregnant) and then turns to test his machete on the man. The Taker, a would-be poet, assumes a ritualistic air:
"I held the machete with both hands and raised it into the air. I saw the stars in the sky, the immense night, the infinite firmament, and brought the machete, the steel star, down with all my strength, right in the middle of the neck.
His head didn't fall off, and he tried to get up, thrashing about like a dizzy chicken in the hands of an incompetent cook. I struck him again and again and again and the head wouldn't come off. He had fainted, or died, with his goddamn head still on his neck. I threw the body over the car's fender. The neck was in a good position. I concentrated like an athlete who was about to do a somersault. This time, as the machete cut its mutilating path through the air, I knew I would get what I wanted. Plock! The head rolled along the sand."
This is not a Quentin Tarantino, aestheticising violence. Though the Taker tries, he cannot succeed in romanticising his actions. Fonseca's paragraph break, which interrupts the execution by bathetically announcing that "his head didn't fall off", is not a bravura gag designed to heighten our suspense. As his victim thrashes, still alive, the Taker loses all sense of ritual romance and becomes frustrated. He compares himself to a labourer - an incompetent cook - and then to the labourer's automatic hero, an athlete. The Taker forgets about the stars above, and begins to think mechanically, wondering how best to position the victim.
By narrating so crisply, Fonseca draws us into the Taker's actions. We, too, wonder how best to sever the head. We are also fascinated by his victims, the slaughtered partygoers; the Taker's violence forces open doors that would otherwise be closed, leading us into an elite world of luxury and contentment. When he fires a bullet through the windscreen of a Mercedes, killing a white-socked tennis player, and then rapes a pretty 25-year-old in her spacious, staffed condominium, his crimes function as windows onto a better life, one founded on inequality - but also beautiful, clean and desirable. For Fonseca, crime is not only characteristic of Rio; it is also a handy narrative device, a way of jerking between one class and another.
There is so much violence in Rio that the city seems to be at war, and Fonseca compels the reader to root for both sides. The night driver, safely ensconced in his expensive, customised car, victimises the poor. But in other stories, the poor stalk the rich with a ruthlessness that is just as callous. In both cases, we begin to feel sorry for the opposite class, even as we are made to understand the situation of the criminal.
Although Fonseca's writing enacts violence in the first person, the author, who started publishing these stories in the 1970s, is clearly not bloodthirsty, but rather the practitioner of a wise, judicious cynicism - that of the war-weary detective, perhaps. Not coincidentally, his work inspired the first ever HBO series filmed in Portuguese, the detective show Mandrake. None of the short stories in The Taker are proper mysteries: each is too tightly focused on a single spider to reveal the larger web. But they operate on the basic trick of crime fiction, in which a convex drop of blood reflects the society around it - where a detective takes us on a tour of the city's haunts, high and low. The Taker has no detectives, only victims and aggressors, CEOs and deadbeats switching roles from story to story, but the man who arranges their stories has the amoral wherewithal of a chameleonic cop. Fonseca takes us into doctor's offices, to the beach, to the fortresses of rich shut-ins, to the dens of thieves. Out of Rio's crimes, he creates a map.
Only occasionally, as in The Flesh and the Bones, in which an unnamed man visits a joyless strip club on the eve of his mother's internment, does Fonseca's compass seem narrow. The flat contrast as the narrator crosses without comment the line between sex and death falls short of the high-stakes alertness that criminal transgressions bring to most of Fonseca's stories.
More often, Fonseca's outline of Rio is looping and deft. Angels of the Marquees opens with an affluent retiree named Paiva, newly bored, venturing out onto the streets with an almost intellectual curiosity, spotting patterns and observing the homeless as if he had never noticed them before. For a few nights in a row, Paiva watches private ambulances take in pavement sleepers. Finally, he approaches, hoping to join this charitable organisation. The nurses are guarded. But finally, after several missed connections, Paiva secures a trip to the organisation's headquarters. There, his organs are harvested.
Fonseca's sucker-punches require a lean prose. "The corneas were removed and placed in a receptacle. Then Paiva's body was sliced up." The curtain drops immediately, and Fonseca keeps moving to another story, another part of the city.
If a moral were to be drawn from Fonseca's unemotional fictions, it would be that the best response to Rio's intractable divides is Fonseca's taut, dry-eyed cynicism. Most of his characters commit their crimes in a state of confused disgust, unable to achieve the chilly calm that would allow them to live with the stark differences within their society. There is the harassed executive who abruptly murders a persistent panhandler in The Other. In Trials of a Young Writer, the hero, in possession of a firearm for the first time, ends up shooting a black man in a momentary confusion. And the murderers of Happy New Year are portrayed as depraved and stupid.
Fonseca understands Rio better than his characters ever could. The Taker is the work of a man without illusions who still finds the motive to write. There is nothing ameliorist anywhere in this panoramic collection's vicious stories of rich versus poor, but there is little that is bitter either - Fonseca does not lament the lopsided world, he only sees it spinning.
Benjamin Lytal has written about books for The Nation, the Los Angeles Times, The Believer and Bookforum.
Our legal consultant
Name: Dr Hassan Mohsen Elhais
Position: legal consultant with Al Rowaad Advocates and Legal Consultants.
Teri Baaton Mein Aisa Uljha Jiya
Directors: Amit Joshi and Aradhana Sah
Cast: Shahid Kapoor, Kriti Sanon, Dharmendra, Dimple Kapadia, Rakesh Bedi
Rating: 4/5
Essentials
The flights: You can fly from the UAE to Iceland with one stop in Europe with a variety of airlines. Return flights with Emirates from Dubai to Stockholm, then Icelandair to Reykjavik, cost from Dh4,153 return. The whole trip takes 11 hours. British Airways flies from Abu Dhabi and Dubai to Reykjavik, via London, with return flights taking 12 hours and costing from Dh2,490 return, including taxes.
The activities: A half-day Silfra snorkelling trip costs 14,990 Icelandic kronur (Dh544) with Dive.is. Inside the Volcano also takes half a day and costs 42,000 kronur (Dh1,524). The Jokulsarlon small-boat cruise lasts about an hour and costs 9,800 kronur (Dh356). Into the Glacier costs 19,500 kronur (Dh708). It lasts three to four hours.
The tours: It’s often better to book a tailor-made trip through a specialist operator. UK-based Discover the World offers seven nights, self-driving, across the island from £892 (Dh4,505) per person. This includes three nights’ accommodation at Hotel Husafell near Into the Glacier, two nights at Hotel Ranga and two nights at the Icelandair Hotel Klaustur. It includes car rental, plus an iPad with itinerary and tourist information pre-loaded onto it, while activities can be booked as optional extras. More information inspiredbyiceland.com
TO CATCH A KILLER
Director: Damian Szifron
Stars: Shailene Woodley, Ben Mendelsohn, Ralph Ineson
Rating: 2/5
The specs
Engine: 1.8-litre 4-cyl turbo
Power: 190hp at 5,200rpm
Torque: 320Nm from 1,800-5,000rpm
Transmission: Seven-speed dual-clutch auto
Fuel consumption: 6.7L/100km
Price: From Dh111,195
On sale: Now
MATCH INFO
West Ham United 2 (Antonio 73', Ogbonna 90+5')
Tottenham Hotspur 3 (Son 36', Moura 42', Kane 49')
TWISTERS
Director:+Lee+Isaac+Chung
Starring:+Glen+Powell,+Daisy+Edgar-Jones,+Anthony+Ramos
Rating:+2.5/5
What is safeguarding?
“Safeguarding, not just in sport, but in all walks of life, is making sure that policies are put in place that make sure your child is safe; when they attend a football club, a tennis club, that there are welfare officers at clubs who are qualified to a standard to make sure your child is safe in that environment,” Derek Bell explains.
Everybody Loves Touda
Director: Nabil Ayouch
Starring: Nisrin Erradi, Joud Chamihy, Jalila Talemsi
Rating: 4/5
PRIMERA LIGA FIXTURES
All times UAE (+4 GMT)
Saturday
Atletico Madrid v Sevilla (3pm)
Alaves v Real Madrid (6.15pm)
Malaga v Athletic Bilbao (8.30pm)
Girona v Barcelona (10.45pm)
Sunday
Espanyol v Deportivo la Coruna (2pm)
Getafe v Villarreal (6.15pm)
Eibar v Celta Vigo (8.30pm)
Las Palmas v Leganes (8.30pm)
Real Sociedad v Valencia (10.45pm)
Monday
Real Betis v Levante (11.pm)
Company profile
Name: Khodar
Based: Cairo and Alexandria, in Egypt
Founders: Ayman Hamza, Yasser Eidrous and Amr El Sheikh
Sector: agriculture technology
Funding: $500,000
Investors: Saudi Arabia’s Revival Lab and others
Employees: 35
Top 10 most competitive economies
1. Singapore
2. Switzerland
3. Denmark
4. Ireland
5. Hong Kong
6. Sweden
7. UAE
8. Taiwan
9. Netherlands
10. Norway
The specs
Engine: 2.0-litre 4-cyl turbo
Power: 201hp at 5,200rpm
Torque: 320Nm at 1,750-4,000rpm
Transmission: 6-speed auto
Fuel consumption: 8.7L/100km
Price: Dh133,900
On sale: now
COMPANY PROFILE
Company name: Klipit
Started: 2022
Founders: Venkat Reddy, Mohammed Al Bulooki, Bilal Merchant, Asif Ahmed, Ovais Merchant
Based: Dubai, UAE
Industry: Digital receipts, finance, blockchain
Funding: $4 million
Investors: Privately/self-funded
SPEC SHEET: SAMSUNG GALAXY Z FOLD5
Main display: 7.6" QXGA+ Dynamic Amoled 2X, Infinity Flex, 2176 x 1812, 21.6:18, 374ppi, HDR10+, up to 120Hz
Cover display: 6.2" HD+ Dynamic Amoled 2X, 2316 x 904, 23.1:9, 402ppi, up to 120Hz
Processor: Qualcomm Snapdragon 8 Gen 2, 4nm, octa-core; Adreno 740 GPU
Memory: 12GB
Capacity: 256/512GB / 1TB (online exclusive)
Platform: Android 13, One UI 5.1.1
Main camera: Triple 12MP ultra-wide (f/2.2) + 50MP wide (f/1.8) + 10MP telephoto (f/2.4), dual OIS, 3x optical zoom, 30x Space Zoom, portrait, super slo-mo
Video: 8K@24fps, 4K@60fps, full-HD@60/240fps, HD@960fps; slo-mo@60/240/960fps; HDR10+
Cover camera: 10MP (f/2.2)
Inner front camera: Under-display 4MP (f/1.8)
Battery: 4400mAh, 25W fast charging, 15W wireless, 4.5W reverse wireless
Connectivity: 5G; Wi-Fi, Bluetooth 5.3, NFC (Samsung Pay)
I/O: USB-C
Cards: Nano-SIM + eSIM; dual nano-SIMs + eSIM
Colours: Cream, icy blue, phantom black; online exclusives – blue, grey
In the box: Fold5, USB-C-to-USB-C cable
Price: Dh6,799 / Dh7,249 / Dh8,149
Employment lawyer Meriel Schindler of Withers Worldwide shares her tips on achieving equal pay
Do your homework
Make sure that you are being offered a fair salary. There is lots of industry data available, and you can always talk to people who have come out of the organisation. Where I see people coming a cropper is where they haven’t done their homework.
Don’t be afraid to negotiate
It’s quite standard to negotiate if you think an offer is on the low side. The job is unlikely to be withdrawn if you ask for money, and if that did happen I’d question whether you want to work for an employer who is so hypersensitive.
Know your worth
Women tend to be a bit more reticent to talk about their achievements. In my experience they need to have more confidence in their own abilities – men will big up what they’ve done to get a pay rise, and to compete women need to turn up the volume.
Work together
If you suspect men in your organisation are being paid more, look your boss in the eye and say, “I want you to assure me that I’m paid equivalent to my peers”. If you’re not getting a straight answer, talk to your peer group and consider taking direct action to fix inequality.
La Mer lowdown
La Mer beach is open from 10am until midnight, daily, and is located in Jumeirah 1, well after Kite Beach. Some restaurants, like Cupagahwa, are open from 8am for breakfast; most others start at noon. At the time of writing, we noticed that signs for Vicolo, an Italian eatery, and Kaftan, a Turkish restaurant, indicated that these two restaurants will be open soon, most likely this month. Parking is available, as well as a Dh100 all-day valet option or a Dh50 valet service if you’re just stopping by for a few hours.
How to improve Arabic reading in early years
One 45-minute class per week in Standard Arabic is not sufficient
The goal should be for grade 1 and 2 students to become fluent readers
Subjects like technology, social studies, science can be taught in later grades
Grade 1 curricula should include oral instruction in Standard Arabic
First graders must regularly practice individual letters and combinations
Time should be slotted in class to read longer passages in early grades
Improve the appearance of textbooks
Revision of curriculum should be undertaken as per research findings
Conjugations of most common verb forms should be taught
Systematic learning of Standard Arabic grammar
SUCCESSION SEASON 4 EPISODE 1
Created by: Jesse Armstrong
Stars: Brian Cox, Jeremy Strong, Kieran Culkin, Sarah Snook, Nicholas Braun
Rating: 4/5
Kanye West
Ye — the rapper formerly known as Kanye West — has seen his net worth fall to $400 million in recent weeks. That’s a precipitous drop from Bloomberg’s estimates of $6.8 billion at the end of 2021.
Ye’s wealth plunged after business partners, including Adidas, severed ties with him on the back of anti-Semitic remarks earlier this year.
West’s present net worth derives from cash, his music, real estate and a stake in former wife Kim Kardashian’s shapewear firm, Skims.
COMPANY PROFILE
Name: Xpanceo
Started: 2018
Founders: Roman Axelrod, Valentyn Volkov
Based: Dubai, UAE
Industry: Smart contact lenses, augmented/virtual reality
Funding: $40 million
Investor: Opportunity Venture (Asia)
MATCH INFO
Euro 2020 qualifier
Russia v Scotland, Thursday, 10.45pm (UAE)
TV: Match on BeIN Sports
Living in...
This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.
The specs
Engine: 2.9-litre, V6 twin-turbo
Transmission: seven-speed PDK dual clutch automatic
Power: 375bhp
Torque: 520Nm
Price: Dh332,800
On sale: now
Liz Truss
Ministerial experience: Current Foreign Secretary.
What did she do before politics? Worked as an economist for Shell and Cable and Wireless and was then a deputy director for right-of-centre think tank Reform.
What does she say on tax? She has pledged to "start cutting taxes from day one", reversing April's rise in National Insurance and promising to keep "corporation tax competitive".
CABINET OF CURIOSITIES EPISODE 1: LOT 36
Director: Guillermo del Toro
Stars: Tim Blake Nelson, Sebastian Roche, Elpidia Carrillo
Rating: 4/5
Ponti
Sharlene Teo, Pan Macmillan
Anti-semitic attacks
The annual report by the Community Security Trust, which advises the Jewish community on security , warned on Thursday that anti-Semitic incidents in Britain had reached a record high.
It found there had been 2,255 anti-Semitic incidents reported in 2021, a rise of 34 per cent from the previous year.
The report detailed the convictions of a number of people for anti-Semitic crimes, including one man who was jailed for setting up a neo-Nazi group which had encouraged “the eradication of Jewish people” and another who had posted anti-Semitic homemade videos on social media.
Jeff Buckley: From Hallelujah To The Last Goodbye
By Dave Lory with Jim Irvin
The US Congress, explained
- US Congress is divided into two chambers: the House of Representatives and Senate
- 435 members make up the House, and 100 in the Senate
- A party needs control of 218 seats to have a majority in the House
- In the Senate, a party needs to hold 51 seats for control
- In the event of a 50-50 split, the vice president's party retains power in the Senate
The biog
Born November 11, 1948
Education: BA, English Language and Literature, Cairo University
Family: Four brothers, seven sisters, two daughters, 42 and 39, two sons, 43 and 35, and 15 grandchildren
Hobbies: Reading and traveling
WORLD'S 10 HIGHEST MOUNTAINS
1. Everest
2. K2
3. Kangchenjunga
4. Lhotse
5. Makalu
6. Cho Oyu
7. Dhaulagiri
8. Manaslu
9. Nanga Parbat
10. Annapurna