“You know, maybe we don’t ever have to travel again to get a story.”
A fellow foreign correspondent who was previously based in the Middle East and Africa, and now lives in Europe, recently shared this thought with me over lunch, as he told me how he spent six hours on a zoom call with someone for a story that takes place in Thailand.
Last week, I was part of a British literary festival that took place over Zoom. This kind of event is the new normal, as the great global literary festivals like Hay, Brooklyn Books, Jaipur or the Palestine Literary Festival are affected by the coronavirus pandemic.
It felt a little strange, at first, to face a large audience over video conference, but after the first few questions it was fine. We are adapting this new world because, frankly, we have to.
One of the questions was about how foreign correspondents would continue to work in the present climate, with countries locked down and borders sealed. Where foreign reporting once involved risk (especially in war zones) or annoying bureaucratic paperwork (e.g. visas and press cards), today reporting from abroad may mean getting infected with a virus.
One of the panellists, an editor from a major British newspaper, noted that fewer reporters would now be sent overseas, as budgets are shrinking drastically.
Practically speaking, it is going to be difficult for newsrooms to go back to the “old-school” model of reporting. Air travel, when it does begin to open up, will be risky and expensive. More editors will be unwilling to send journalists into the field now that we have all seen how three months of working via Zoom or Skype has yielded pretty impressive results.
Those who are used to reporting abroad will not get the same colour or atmosphere that comes from operating on the ground, but for the most part, they will probably get the exact same quotes.
If this is the future, there are both positive and negative repercussions on the media landscape. If we start living in a world where we do not have objective eyes and ears on the ground to witness world events – for instance, Minnesota burning or protests in Hong Kong – how will we know what is really happening?
French freelance reporter Pierre Torres talks to an AFP journalist based at AFP's Middle East and North Africa headquarters in Nicosia, Cyprus, via Skype direct from the Syrian northern city of Aleppo on July 30, 2012. AFP
All of this, however, can also open up an interesting, viable alternative to the old model. The people the foreign press often refer to somewhat patronisingly as “fixers”, who are usually local reporters crucial in helping us to get our jobs done, might at last have receive well-deserved attention.
I am on the international board of an NGO called the Institute of War and Peace Reporting, founded during the Balkan Wars in the 1990s by Anthony Borden, then a young reporter in the field. The aim is to support and train local journalists in war zones. We help them to thrive and to keep safe, training them in how to deliver credible stories from places like Aleppo or Baghdad.
Technology makes this possible. When I started out as a foreign correspondent 30 years ago, my main challenge was to find a way to get my story back to London or New York – sometimes having to bribe someone for a satellite telephone over which I could dictate my copy. Now you just need a mobile phone to Zoom into headquarters a thousand miles away.
You can Google information that I used to have to knock on doors to get, and you can shoot video from your mobile.
Fewer reporters may be sent overseas, as budgets are shrinking drastically
Of course, in the era of “fake news”, there is a major challenge in ensuring that the local reporters we work with are nonpartisan. Getting the most accurate version of a story is not easy when the person reporting it is from a community under siege. But objectivity is possible. After all, developed countries rely on local reporters to tell local stories without worrying too much about bias.
Then again, it is also difficult if you are working from places with forces that actively obstruct the truth from emerging. Nevertheless, many local reporters are indeed aware of this, and work twice as hard to uphold the ideals of credible journalism. It is also worth pointing out that the list of such places seems to be getting ever longer, arguably growing even to include places like the United States.
I recently had a conversation with a young reporter whose family came from the Balkans. She related how, in the 1990s, she resented foreign reporters coming to her country to tell the story of her people.
“It’s not your story to tell,” she said to me, and I had to agree, although it is worth noting that the work me and my colleagues did in those days did play a significant role in shifting worldviews and policies towards those wars.
I have had similar conversations with writers from the Middle East who have felt that foreigners cannot fully understand the region’s nuances, and therefore have a limited ability to write about them.
These are viewpoints worth listening to. In a few months, I will begin a UN-funded project training local reporters in Iraq, Yemen and Syria on the use of narrative nonfiction to tell the stories of the wars taking place in their countries.
The first lesson I teach will be about objectivity, and I am thinking hard about how to present this. How, after all, do you describe your own country, hometown, city or even family coming under a hail of bombs in a nonpartisan manner?
Covid-19 has changed nearly every aspect of our lives, economically and socially. Now, it is even going to change the way we report the news. Perhaps that is not necessarily a bad thing. Perhaps it is time to pass the baton to a new breed of reporters to tell the story of their own countries with compassion, empathy and pragmatism.
Truth-telling, after all, does not always have to come from foreign reporters. It can come from local people who are seeing, hearing and feeling the news in real time – not just from the other side of a Zoom call.
Janine di Giovanni is a Senior Fellow at Yale’s Jackson Institute for Global Affairs
Top New Zealand cop on policing the virtual world
New Zealand police began closer scrutiny of social media and online communities after the attacks on two mosques in March, the country's top officer said.
The killing of 51 people in Christchurch and wounding of more than 40 others shocked the world. Brenton Tarrant, a suspected white supremacist, was accused of the killings. His trial is ongoing and he denies the charges.
Mike Bush, commissioner of New Zealand Police, said officers looked closely at how they monitored social media in the wake of the tragedy to see if lessons could be learned.
“We decided that it was fit for purpose but we need to deepen it in terms of community relationships, extending them not only with the traditional community but the virtual one as well," he told The National.
"We want to get ahead of attacks like we suffered in New Zealand so we have to challenge ourselves to be better."
Flying
There is no simple way to get to Punta Arenas from the UAE, with flights from Dubai and Abu Dhabi requiring at least two connections to reach this part of Patagonia. Flights start from about Dh6,250.
Touring
Chile Nativo offers the amended Los Dientes trek with expert guides and porters who are met in Puerto Williams on Isla Navarino. The trip starts and ends in Punta Arenas and lasts for six days in total. Prices start from Dh8,795.
States of Passion by Nihad Sirees,
Pushkin Press
Autumn international scores
Saturday, November 24
Italy 3-66 New Zealand
Scotland 14-9 Argentina
England 37-18 Australia
'Laal Kaptaan'
Director: Navdeep Singh
Stars: Saif Ali Khan, Manav Vij, Deepak Dobriyal, Zoya Hussain
Rating: 2/5
The specs
Engine: 3.9-litre twin-turbo V8 Power: 620hp from 5,750-7,500rpm Torque: 760Nm from 3,000-5,750rpm Transmission: Eight-speed dual-clutch auto On sale: Now Price: From Dh1.05 million ($286,000)
Avatar: Fire and Ash
Director: James Cameron
Starring: Sam Worthington, Sigourney Weaver, Zoe Saldana
Rating: 4.5/5
One in nine do not have enough to eat
Created in 1961, the World Food Programme is pledged to fight hunger worldwide as well as providing emergency food assistance in a crisis.
One of the organisation’s goals is the Zero Hunger Pledge, adopted by the international community in 2015 as one of the 17 Sustainable Goals for Sustainable Development, to end world hunger by 2030.
The WFP, a branch of the United Nations, is funded by voluntary donations from governments, businesses and private donations.
Almost two thirds of its operations currently take place in conflict zones, where it is calculated that people are more than three times likely to suffer from malnutrition than in peaceful countries.
It is currently estimated that one in nine people globally do not have enough to eat.
On any one day, the WFP estimates that it has 5,000 lorries, 20 ships and 70 aircraft on the move.
Outside emergencies, the WFP provides school meals to up to 25 million children in 63 countries, while working with communities to improve nutrition. Where possible, it buys supplies from developing countries to cut down transport cost and boost local economies.
The Sand Castle
Director: Matty Brown
Stars: Nadine Labaki, Ziad Bakri, Zain Al Rafeea, Riman Al Rafeea
Khalifa Mubarak (24) An accomplished centre-back, the Al Nasr defender’s progress has been hampered in the past by injury. With not many options in central defence, he would bolster what can be a problem area.
Ali Salmeen (22) Has been superb at the heart of Al Wasl’s midfield these past two seasons, with the Dubai club flourishing under manager Rodolfo Arrubarrena. Would add workrate and composure to the centre of the park.
Mohammed Jamal (23) Enjoyed a stellar 2016/17 Arabian Gulf League campaign, proving integral to Al Jazira as the capital club sealed the championship for only a second time. A tenacious and disciplined central midfielder.
Khalfan Mubarak (22) One of the most exciting players in the UAE, the Al Jazira playmaker has been likened in style to Omar Abdulrahman. Has minimal international experience already, but there should be much more to come.
Jassim Yaqoub (20) Another incredibly exciting prospect, the Al Nasr winger is becoming a regular contributor at club level. Pacey, direct and with an eye for goal, he would provide the team’s attack an extra dimension.
The story of Edge
Sheikh Mohamed bin Zayed, Crown Prince of Abu Dhabi and Deputy Supreme Commander of the Armed Forces, established Edge in 2019.
It brought together 25 state-owned and independent companies specialising in weapons systems, cyber protection and electronic warfare.
Edge has an annual revenue of $5 billion and employs more than 12,000 people.
Some of the companies include Nimr, a maker of armoured vehicles, Caracal, which manufactures guns and ammunitions company, Lahab
How to protect yourself when air quality drops
Install an air filter in your home.
Close your windows and turn on the AC.
Shower or bath after being outside.
Wear a face mask.
Stay indoors when conditions are particularly poor.
Focus on gratitude: And do so deeply, he says. “Think of one to three things a day that you’re grateful for. It needs to be specific, too, don’t just say ‘air.’ Really think about it. If you’re grateful for, say, what your parents have done for you, that will motivate you to do more for the world.”
Know how to fight: Shetty married his wife, Radhi, three years ago (he met her in a meditation class before he went off and became a monk). He says they’ve had to learn to respect each other’s “fighting styles” – he’s a talk it-out-immediately person, while she needs space to think. “When you’re having an argument, remember, it’s not you against each other. It’s both of you against the problem. When you win, they lose. If you’re on a team you have to win together.”
Infiniti QX80 specs
Engine: twin-turbocharged 3.5-liter V6
Power: 450hp
Torque: 700Nm
Price: From Dh450,000, Autograph model from Dh510,000
Available: Now
ONCE UPON A TIME IN GAZA
Starring: Nader Abd Alhay, Majd Eid, Ramzi Maqdisi