It seems the graphics people at al Manar TV are brushing up their act. NileSat's most resolutely retro news channel, whose sets used to look like they were out of the 1950s, is suddenly using slick digital transitions to advertise its programmes. It is pacing broadcasts much faster, challenging the competition with colourful plaques, distinctive logos and the full gamut of special effects. The anchors are adopting Jazeera-like voices and the stringers, like al Jazeera's, report breathlessly from the thick.
It is also screening historical soap operas and serial documentaries on topics like the struggle of the Palestinians, the struggle against colonialism and the struggle to maintain national identity. Many of these are imported from Syria, some are dubbed from Farsi, but all seek to lure the global Arabic-speaking viewer into that world of eternal truth, ruthless justice and ever so punctilious philanthropy dreamt up by Hizbollah.
Contrary to the views of American neoconservatives, Hizbollah is not in fact a bunch of Jew-hating terrorists with Nazi or Qa'eda aspirations (for neoconservatives, either comparison will do). Their televisual mouthpiece need not be automatically identified with a venom-spitting monster, therefore. Al Manar does provide a mouthpiece for justified Arab and Muslim discontent. Because it focuses on otherwise voiceless victims of Israel (the people of southern Lebanon, the Palestinians, some Syrians) and speaks to all those who feel bad about people being systematically humiliated, denied homes in which to live or simply finished off, because it gives so much airtime to everyday Hizbollah supporters phoning in to exchange emotional moments with representatives of the movement and its political and doctrinal allies, al Manar has a kind of credibility. Combined with the tendency to look and sound like a news channel from an Iron Curtain dictatorship during the Cold War, this used to give it a certain reason-defying appeal.
Then again, al Manar does promote a dodgy piece of theologising in Khomeini's doctrine of velayat-e faqih, by which the Shia cleric gets to act as "guardian" of the regime, and which even the most pious Shia Iranians believe has proven by far less Islamic, benevolent or just than the pre-1979 Shah's regime. Aside from its shameless advocation of theocracy, what is bad about al Manar, and what the graphic revolution has not managed to improve, is its obsessive devotion to ideology. Unlike subtler Lebanese channels with a political agenda - LBC or Future, for example - al Manar has been a more or less avowed propaganda machine since its inception in 1991 (the channel has been transmitting via satellite since 2000). And the new look is clearly trying to build up its image to make it look less like one.
It seems worrying therefore that, however much you may sympathise with Hizbollah, al Manar's modus operandi is liable to turn you into a Shia-hating, anti-populist Bushophile whatever else you claim to be. Tickers, almanar.com and archives on DVD have improved neither overblown rhetoric nor partisan orientation: America is an incarnation of the selfsame Satan who first tempted Adam in Paradise; velayat-e faqih is the only form of leadership that could bring order to the chaos of Arab-Muslim politics, retrieving the sovereignty said Satan has appropriated; Iran is ready to take over the entire Muslim world and, without so much as a harsh word or a drop of blood, challenge American hegemony and rebuild the glories of Islam.
Grown up people with respectable beards actually sit down to say these things, with perfectly straight faces, and anchors nod enthusiastically as if to say, "Dah!" Talk show hosts support their guests' outrageous views - that Khomeini worked just like a prophet of Allah, that he actually was a prophet of Allah - before the guest has expressed them: "So, your samaha the sheikh, how would you comment on Imam Ruhollah's approach to revolution, which was identical to that of the Prophet Mohammad peace be upon him?" "Well, it was identical..." People phone in to hysterically decry the death of their loved ones under Israeli or Future Movement fire or pronounce Hassan Nassrallah the Redeemer. And atrocities committed against Arabs and Muslims are flaunted to classical verses written in the style of Shia lamentations and set to heart-rending music.
By invoking certain standards of objectivity, the newly introduced, smooth-operating methods only dramatise the misinformation being presented. Those secular Arabs clinging onto the ever more elusive life-raft of critical thinking may very well cheer the resistance Hizbollah has come to embody. But they will still have serious trouble watching al Manar.