"Buttons on baby clothes are a bad idea," says Robert Carroll. "Metal studded poppers are not much better."
"Buttons on baby clothes are a bad idea," says Robert Carroll. "Metal studded poppers are not much better."
"Buttons on baby clothes are a bad idea," says Robert Carroll. "Metal studded poppers are not much better."
"Buttons on baby clothes are a bad idea," says Robert Carroll. "Metal studded poppers are not much better."

Baby clothes leave dad a little worse for wear


  • English
  • Arabic

"All this buttoning and unbuttoning," read an anonymous 18th-century suicide note. Struggling to fasten a few buttons on Astrid's dress, I catch a glimpse of this age-old melancholy, exasperation and world-weariness with the process of dressing. I try to catch Astrid as she writhes and wriggles on the bed. Butter-fingered and clumsy-thumbed, it takes me five minutes to do up three buttons. To make it worse, it is her third set of clothing and it is not even midday.

Clothing is full of mysteries that seem to override more immediate practicalities. Take, for instance, the way men's shirts button up on the right, while women's shirts button up on the left. In the 17th century, when this custom apparently began, clothes with buttons were worn mostly by rich people. And while wealthy men dressed themselves, wealthy women had servants to dress them. Men's shirts were therefore made for right-handed wearers to fasten easiest, while women's shirts were made for the benefit of right-handed servants. This practice has remained in place well beyond its function.

Clothing is littered with such relics of bygone customs and traditions. Fortunately, baby clothes are not as prone to such impractical remnants. It is just as well: Astrid would turn a white dress with frills and intricate lace patterns - the garment traditionally worn by Victorian babies - into a stained rag in minutes. She is not a sedentary being. She pushes clothes to their limits. In truth, Astrid demands an item of clothing that has not been invented yet. Made of the hi-tech materials such as Teflon and Kevlar, it would resemble a boiler suit with sturdy protective knee and elbow pads. It would be non-stick, wipe clean and have a fur-soft lining. It would fasten with Velcro or magnets, perhaps. Buttons on baby clothes are, as I have already established, a very bad idea. Metal studded poppers are not much better. Most importantly, the ideal garment would be a living, organic thing that would grow at the same rate as Astrid. If not, all this effort and expense would be in vain. No matter how hard wearing, it would only last for a few weeks.

Astrid grows so quickly. When she was a few months old, she was given some red shoes as a present. They are delightful. Soft leather with green leaf shapes sewn on the front, they are made to look like strawberries. Since they were sized 12-18 months, we put them away until she grew into them. When she was about seven months old, we tried the shoes on her, just to gauge when they might fit. It is fortunate we did; they were the right size. By 10 months old, she had outgrown them. The opportunity for a child to wear a particular item of clothing is fleeting. Its shelf life is short.

The scant use of children's clothes does have its benefits. The second hand shop in St Andrews Church in Abu Dhabi, for example, bristles with good-quality items for a fraction of their original price. Friends are often eager to pass on clothes that their children have grown out of. All in all, most children's garments are well used, eventually. There's only one problem for us with this life cycle of clothes: by the time Astrid has finished with them they are almost always worn out.

Like an infant ornithologist, Astrid spends a lot of time on the balcony watching birds. Small ones dart to and fro. Big ones with flashes of yellow come and perch on the rail. Pigeons flock and congregate on the pavement below. "Birds," we say, as Astrid stands at the glass watching these remarkable things flying about in the sky. Then there are big, noisy ones: "Aeroplanes," we say, and point. She has become very good at pointing whenever she hears the muffled roar of jet engines. We are on some kind of flight path and planes often pass over when we are having breakfast or dinner. Astrid has started pointing at things that sound like aeroplanes: the big lorry collecting rubbish or an old car spluttering into life. Mostly, though, it is the sound of planes.

The strangest thing that has appeared in the balcony's patch of sky is two men levitating on the side of the building. Astrid looked surprised when they floated down one morning. They tried to just get on with their job, but Astrid stood there, pointing and waving manically, trying to get their attention. Eventually, just before they set off to the floor below, one of them waved back. "Window cleaners," we said, as if in explanation.

Life on the balcony is complicated and interesting. * Robert Carroll

Fighter profiles

Gabrieli Pessanha (Brazil)

Reigning Abu Dhabi World Pro champion in the 95kg division, virtually unbeatable in her weight class. Known for her pressure game but also dangerous with her back on the mat.

Nathiely de Jesus, 23, (Brazil)

Two-time World Pro champion renowned for her aggressive game. She is tall and most feared by her opponents for both her triangles and arm-bar attacks.

Thamara Ferreira, 24, (Brazil)

Since her brown belt days, Ferreira has been dominating the 70kg, in both the World Pro and the Grand Slams. With a very aggressive game.

Samantha Cook, 32, (Britain)

One of the biggest talents coming out of Europe in recent times. She is known for a highly technical game and bringing her A game to the table as always.

Kendall Reusing, 22, (USA)

Another young gun ready to explode in the big leagues. The Californian resident is a powerhouse in the -95kg division. Her duels with Pessanha have been highlights in the Grand Slams.

Martina Gramenius, 32, (Sweden)

Already a two-time Grand Slam champion in the current season. Gramenius won golds in the 70kg, in both in Moscow and Tokyo, to earn a spot in the inaugural Queen of Mats.

 

The specs

Engine: 3.9-litre twin-turbo V8

Transmission: seven-speed

Power: 720hp

Torque: 770Nm

Price: Dh1,100,000

On sale: now

Christopher Robin
Starring: Ewan McGregor, Haley Atwell, Jim Cummings, Peter Capaldi
Three stars

'Gold'

Director:Anthony Hayes

Stars:Zaf Efron, Anthony Hayes

Rating:3/5

The Africa Institute 101

Housed on the same site as the original Africa Hall, which first hosted an Arab-African Symposium in 1976, the newly renovated building will be home to a think tank and postgraduate studies hub (it will offer master’s and PhD programmes). The centre will focus on both the historical and contemporary links between Africa and the Gulf, and will serve as a meeting place for conferences, symposia, lectures, film screenings, plays, musical performances and more. In fact, today it is hosting a symposium – 5-plus-1: Rethinking Abstraction that will look at the six decades of Frank Bowling’s career, as well as those of his contemporaries that invested social, cultural and personal meaning into abstraction. 

Who's who in Yemen conflict

Houthis: Iran-backed rebels who occupy Sanaa and run unrecognised government

Yemeni government: Exiled government in Aden led by eight-member Presidential Leadership Council

Southern Transitional Council: Faction in Yemeni government that seeks autonomy for the south

Habrish 'rebels': Tribal-backed forces feuding with STC over control of oil in government territory

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