<span>A </span><span>contemporary theatre performance</span><span> exploring the bi</span><span>cultural reality of young Emirati women</span><span> </span><span>will be staged at NYU Abu Dhabi this weekend</span><span>. </span><span><em>Al Raheel/Departure</em></span><span> was developed from a series of poems </span><span>by Emirati writer </span><span>Reem Al</span><span>menhali</span><span> and </span><span>adapted to the stage by American director Joanna Settle</span><span>. It featur</span><span>es an all-</span><span>women Emirati cast.</span> <span>Co-commissioned by the Arts Centre at NYUAD and the Cultural Foundation</span><span>, the performance was conceived after Almenhali</span><span> brought three poems to Settle's directing class at the university.</span> <span>"They made up about nine minutes of material," says Settle, who has taught </span><span>at </span><span>NYUAD </span><span>since 2017</span><span>. "</span><span>Months later, I was still thinking about how interesting they were."</span> <span>After sharing the work with other </span><span>staff, </span><span>Almenhali</span><span> was commissioned to write </span><span>new</span><span> piece. "They took a chance and we launched forward on a very short timetable</span><span>," </span><span>Settle says.</span> <span>The original poems</span><span>, written in both Arabic and English</span><span>, proposed three stages of life, from childhood to adulthood </span><span>to old age. They became a point of departure for expanding the work. After four months of development, new material and shaping the work as a whole, the piece grew into a 50-minute</span><span> production.</span> <span>"We spent [the first] three months working 10</span><span> to 12 hours a week," Settle</span><span> says. "We would research and talk, talk, talk. Aesthetically, we have a sense of memory, of women in progress along with their country and the performance environment."</span> <span>Almenhali says</span><span> she enjoyed the experience. "What's beautiful about making a piece on what influences the creation of your identity, is </span><span>it prompts you to look for </span><span>nuances in what you think is too familiar. It turns home into a place to explore</span><span>," she says.</span> <span>"</span><span><em>Al Raheel</em> addresses the multilingual or bilingual nature of this place in a way that shows how the duality of languages expands the possibilities for meaning."</span><br/> <span>The all-</span><span>women cast </span><span>is made up of bilingual students </span><span>from Abu Dhabi, Sharjah and Ras Al Khaimah. </span> <span>The set design features colourful plastic chairs, stacked baskets and upended bins. Settle says most of the props were collected </span><span>during</span><span> trips </span><span>to </span><span>souqs with set designer Marsha Ginsberg. "We wanted to consider objects the whole audience might relate to, but that we also found sculptural."</span> <em>Al Raheel/Departure will be performed on Friday and Saturday, January 24 and 25 at The Arts Centre, NYUAD</em>