<span>Success in the music industry is often </span><span>a result of being in the right place at the right time. This is </span><span>particularly </span><span>true when it comes to Latin pop artists. </span> <span>For decades, </span><span>Spanish-speaking singers have been viewed by the English-speaking market as </span><span>regional curiosit</span><span>ies, and trailblazing </span><span>figures such as Julio Iglesias, Gloria Estefan, Ricky Martin and Shakira </span><span>needed to be strong-willed to </span><span>break into the US and UK markets</span><span>.</span> <span>But the </span><span>digital music landscape has erased </span><span>these cultural barriers. Latin pop artists no longer need an elaborate marketing campaign or a change in musical direction</span><span>, such as singing in English</span><span>, to </span><span>become popular with a global audience</span><span>. </span> <span>These days, a series of excellent music videos and some good placements on influential online playlists is all you need to </span><span>make a name in the English-speaking market.</span> <span>That </span><span>blueprint has </span><span>helped people such as Puerto Rican reggaeton stars Daddy Yankee</span><span>, the man behind the 2018 hit </span><span><em>Dura</em></span><span>, and Luis </span><span>Fonsi of </span><span><em>Despacito</em></span><span> fame, who </span><span>took over YouTube </span><span>before taking on the world.</span> <span>The music has changed, too</span><span>, with t</span><span>he next generation of talents </span><span>introducing a new sound. Defined by its liberal mix of Latin club styles – such as reggaeton, dembow, Latin trap, champeta and dashes of bachata – and channelled through a gritty hip-hop attitude, </span><span>urbano is the next musical train coming our way from</span><span> Spanish-speaking singers.</span> <span>And among the many young stars leading the charge</span><span>, including Colombia</span><span>'s Maluma – who collaborated with Madonna on her </span><span><em>Madame X </em></span><span>album – and Puerto Ric</span><span>o's Ozuna</span><span>, one artist in particular stands out: Karol G.</span> <span>She's still relatively unknown in the English-speaking world, </span><span>but </span><span>the Colombian, 28, is a huge deal in the Latin American market</span><span>. She has more than 20 million Instagram followers and astronomical YouTube figures</span><span>. For example, 2017's </span><span><em>Ahora Me Llama</em></span><span> </span><span>has more than 732 million views on YouTube and </span><span>this year's </span><span><em>Culpables </em></span><span>has clocked up more than 697 million views and counting.</span> <span>With her second album </span><span><em>Ocean</em></span><span> released</span><span> only last month, the artist, </span><span>whose real name is Carolina </span><span>Navarro</span><span>, says</span><span> it is her turn in the spotlight. "</span><span>That comes with a lot of pressure," she</span><span> tells </span><span><em>The National</em></span><span>. "A lot of that I put on myself. The new album came out, it debuted at number two </span><span>in the American charts. That feels strange to me as I remember doing music by myself for years and now everything is happening. I want to follow the great artists </span><span>such as Shakira, for example, </span><span>by being a big star, and that bar is set so high."</span> <span>Despite these challenges, when </span><span>we meet her for an exclusive chat before her performance at Morocco's Mawazine festival</span><span> last Saturday, Navarro appears relaxed and bubbly. She is soaking up the moment because it has been a long time coming. "What is happening right here in the </span><span>past three years comes from the 14 years of work I have been doing. It seems to be happening fast but I have been working for this for a while and it was not easy</span><span>," she says.</span> <span>Born in Medellin</span><span> </span><span>and raised by a music-loving father</span><span>, who </span><span>managed her career in the early years</span><span>, Navarro spent her days in vocal classes and performing a range of gigs as a backing singer for local acts. After</span><span> </span><span>failing to win </span><span>the Colombian version of </span><span><em>The X Factor</em></span><span> in 2010 and seeing a series of </span><span>covers she released on YouTube</span><span> go relatively unnoticed, she took a break from the music industry.</span><span> She returned in 2016 with the stage name Karol G</span><span> and brought with her a tougher attitude towards her art and business.</span> <span>It was good timing,</span><span> too, as her return coincided with the growing influence of streaming services such as Spotify and Apple Music. Her </span><span>collaboration with Reykon</span><span> on the track </span><span><em>301</em></span><span> in 2012 had already </span><span>caught the attention of </span><span>music fans in Latin</span><span> America</span><span> and she followed that up a year later with</span><span> </span><span><em>Amor de Dos</em></span><span>, a star-crossed urbano ballad featuring </span><span>American singer Nicky Jam. The </span><span>buzz that created helped to make her</span><span> 2017 album </span><span><em>Unstoppable</em></span><span> a success, </span><span>with several of her songs featuring </span><span>ebullient reggaeton hooks that disguis</span><span>ed angry break-up lyrics.</span> <span>In </span><span><em>A Ella</em></span><span>, Navarro addresses the woman her cheating beau was involved with ("She was a second / And I was forever") while in the freedom-celebrating </span><span><em>Casi Nada</em></span><span>, she declares: "I am having fun, I'm not looking for you, I can tell you that."</span> <span>With </span><span><em>Ocean</em></span><span>, she diversifies her sound with more pop songs and ballads, and </span><span>increases the lyrical intensity. </span><span>Navarro is now engaged to Latin trap artist Anuel AA – </span><span>they </span><span>sing together on the single </span><span><em>Secreto</em></span><span>, which </span><span>has been streamed more than 250 million </span><span>times – </span><span>and her </span><span>latest album is laced with songs celebrating her femininity in ways people </span><span>in </span><span>Latin America have found problematic.</span> <span>As part of a growing, yet still small, number of female urbano artists </span><span>having an impact in the regional industry, Navarro </span><span>says she's faced her fair share of backlash for her more brash song choices. "It comes down to culture," she says. "Because of the lyrics of urbano music</span><span>, it has always been associated with men and people are not used to women doing it.</span> <span>"And now that there are people like me singing in that style, there are people who are mad because I am singing about how I am good yet bad, how I love people but make mistakes and how I celebrate my body. I sing about everything and that's important. We need to have women putting forward these points of view</span><span> in </span><span>songs."</span> <span>While pushing her feminist message forward in</span><span> Latin America, Navarro also wants to use her art to change other people's perceptions of her homeland. As a Colombian</span><span> performing in the Arab world, Navarro says she has a keen understanding of the damage that false perceptions can have on all communities.</span> <span>"</span><span>I completely get it, believe me," she says. "I know that for a lot of people, when they think about Colombia they think of the Netflix show </span><span><em>Narcos</em></span><span> and the violence. You have to understand that we are not proud of those moments. All of us know families who were killed in the violence. So I am </span><span>simply glad that when people now mention Colombia, they don't immediately say </span><span><em>Narcos</em></span><span> or Pablo Escobar. They think of singers </span><span>such as Shakira, Maluma and, I hope, even Karol G."</span>