<span>W</span><span>hen 56-year-old identical twins Craig </span><span>and Charlie Reid aka The Proclaimers released the single </span><span><em>Streets of Edinburgh </em></span><span>in August, it caused quite a stir. Taken from their new album </span><span><em>Angry Cyclist</em></span><span>, the song is a touching portrayal of the Scottish capital, </span><span>its landmarks, people and its potholed thoroughfares.</span> <span>Despite the twins' obvious affection for their home city, the song's accompanying video</span><span> takes a warts-and-all approach. "We wanted to give an honest picture of modern Edinburgh," the duo told Scottish Television.</span> <span>Some fans of the song </span><span>described it as </span><span>an alternative Scottish </span><span>national </span><span>anthem</span><span>, while Justin Currie, singer with fellow Scots act Del Amitri Tweeted that </span><span><em>Streets of Edinburgh</em></span><span> was "awesome. Just flabbergasting". In light of its theme, here are 10 more songs inspired by streets both real and fictional.</span> <span>With its signature saxophone motif, Rafferty's tale of an ageing man whose drinking and womanising are slowly ruining him is set on the same </span><span>London thoroughfare that was home to Sir Arthur Conan Doyle's fictional detective, Sherlock Holmes. "This city desert makes you feel so cold / it's got so many people but it's got no soul," sings Rafferty, his laid-back delivery </span><span>enhancing the song's singular mood. </span><span><em>Baker Street </em></span><span>was a big international hit </span><span>in February 1978.</span> <span>Taken from Camille's 2005 album </span><span><em>Le Fil </em></span><span>(The Thread), this song is named after a long, picturesque street in the 20th arrondissement of Paris. Camille's gentle a cappella performance finds her looking out on to La Rue De Menilmontant on a particularly quiet morning, and thinking forlornly of an absent lover. "In the schoolyard / a little further / the birds are quiet," she sings with </span><span>haiku-like economy</span><span>.</span> <span>"On my way to where the air is sweet / Can you tell me how to get / How to get to Sesame Street …" runs Raposo's jaunty theme for the American children's TV show that first aired in 1969. The Massachusetts-born composer took his inspiration for the theme song's opening riff from The Beach Boys' </span><span><em>Good Vibrations.</em></span><span> Jon Stone, who wrote the lyrics for the </span><span><em>Sesame Street Theme</em></span><span> with Raposo and Bruce Hart, described it as "a musical masterpiece and a lyrical embarrassment". The location itself is fictional, but </span><span><em>Sesame Street</em></span><span> won a place in the hearts of children around the word for generations.</span> <span>For Waits and his wife Kathleen Brennan – she co-writes here – the Reeperbahn in Hamburg's St Pauli district is a vehicle for tales of lost innocence. "The apple has gone but there's always the core," intones Waits gruffly alongside rusty pecks of banjo and a decrepit-sounding piano. The song comes from his 2002 album, </span><span><em>Alice</em></span><span>. With salt in the air and a story around every corner, </span><span>the Reeperbahn's seedy, slightly sinister atmosphere is perfectly evoked. You sense that Waits feels perfectly at home there</span><span>, too.</span> <span>Taken from Morrison's landmark 1968 album </span><span><em>Astral Weeks</em></span><span>, </span><span><em>Cypress Avenue</em></span><span> is an impressionistic evocation of a residential street in Belfast, Northern Ireland. "To me it was a very mystical place" the singer recalled. "It was a whole avenue lined with trees and I found it a place where I could think." Flute, harpsichord and upright bass aid Morrison's stream-of-consciousness flow as he is transported back to his childhood. The song's significance for him was obvious; he would often close his concerts with it in the 1970s.</span> <span>It was natural that Barcelona</span><span>-born guitarist and songwriter Quimi Portet (real name Joaquim Portet Serd</span><span>a) would want to big-up La Rambla, the Spanish city's tree-lined, pedestrianised street. Like La Rambla itself, this percussion-rich song from 2003 is a snaking, slowly-unfolding thing full of life, activity and colour. "I'll buy you a bouquet of flowers", sings Serd</span><span>a. "We'll drink coloured syrups. There is a monkey who danced on the tip of a stick."</span> <span>Is this the most famous street song of them all? Written by Paul McCartney about the Liverpool street from which he and John Lennon would catch buses to each other’s houses, and portraying a barber, a banker, a fireman and a nurse, it remains an astonishingly potent time-capsule of 1960s Britain. It was the Royal Philharmonic Orchestra’s David Mason who played the song’s distinctive piccolo trumpet solo of the 1967 track. In 1987, the instrument he used was sold in an auction at Sotheby’s for $10,846 (Dh40,000).</span> <span>When 19-year-old singer Amy Anne Duffy relocated from North Wales to London, she found a certain poetry in the street name Warwick Avenue, which is also a tube stop on the Bakerloo Line. “When I get to Warwick Avenue / I’ll tell you baby that we’re through,” she sings, making the station the epicentre of her hurt. This classic soul-influenced single reached No 3 in the British charts in 2008.</span> <span>Broadly speaking, Caetano Veloso feels the same way about Sao Paulo, Brazil as the The Proclaimers do about Edinburgh. In </span><span><em>Sampa</em></span><span>, a Spanish guitar-led stroll through the city, he reflects that something unique happens in his heart every time he walks down Ipiranga </span><span>Avenue, but he also notices "the oppressed people in the queues and the favelas", and "the ugly smoke that rises, erasing the stars". A thoughtful walking tour set to a </span><span>bossa nova rhythm from Veloso's 2006 album </span><span><em>Perfil</em></span><span>.</span> <span>Few people have rhapsodised about one street as fulsomely as Detroit-born Sufjan Stevens. His 2009 album </span><span><em>The B Q E</em></span><span> was "a symphonic and cinematic exploration of New York's infamous Brooklyn-Queens Expressway". An electronic and orchestral-pop adventure, Stevens's inspired record explored the thoroughfare's endless vehicle flow with movements such as </span><span><em>Self Organising Emergent Patterns</em></span><span>. In </span><span>an accompanying film written and directed by Stevens, hula-hoopers dance in slow motion with the busy motorway in the background. It was originally a live show performed in 2007.</span> __________________<br/> Read more: <strong><a href="https://www.thenational.ae/arts-culture/music/cover-versions-the-good-the-bad-and-the-unlistenable-1.772727">Cover versions: the good, the bad and the unlistenable</a> </strong> <strong><a href="https://www.thenational.ae/arts-culture/music/why-simon-garfunkel-should-reunite-one-last-time-1.752178">Why Simon & Garfunkel should reunite one last time</a></strong> <strong><a href="https://www.thenational.ae/arts-culture/music/doing-it-together-how-women-finally-took-over-the-music-charts-in-2018-1.754277">Doing it together: How women (finally) took over the music charts in 2018</a></strong> __________________