A scene from ‘Still Recording’, which had to be smuggled out of Syria on seven hard drives. Throughout the revolution, the camera became a last line of defence against lies Venice International Film Critics’ Week Courtesy Venice International Film Critics' Week
A scene from ‘Still Recording’, which had to be smuggled out of Syria on seven hard drives. Throughout the revolution, the camera became a last line of defence against lies Venice International Film CShow more
Saeed Al Batal on taking the painful footage of Damascus and Douma for ‘Still Recording’
The documentary attempts to show the reality on the ground. It isn’t concerned with times and dates, but what happened to the Syrian people and their country “psychologically”, “socially”, and “on a basic human being level”