<span data-atex-cstyle="$ID/[No character style]">There was a moment when Josh Hartnett was filming his new </span><span data-atex-cstyle="$ID/[No character style]">film </span><span data-atex-cstyle="Web Italic"><em>6 Below</em></span><span data-atex-cstyle="$ID/[No character style]"> – the true tale of Eric LeMarque, an American snowboarder and former Olympic ice hockey player – that he realised just how close to reality it was. </span><span data-atex-cstyle="$ID/[No character style]">Hartnett was on the second day of the shoot in a mountain range near Salt Lake City</span><span data-atex-cstyle="$ID/[No character style]"> when the crew spotted a girl who had got separated from her party</span><span data-atex-cstyle="$ID/[No character style]">. She had been walking for two hours in the wrong direction. </span> <span data-atex-cstyle="$ID/[No character style]">"It just blew </span><span data-atex-cstyle="$ID/[No character style]">my mind that this sort of thing happens," he says. "If she started to lose track of which direction she was heading, or if it got dark, or she was not able to navigate by the sun, she would've been in really deep trouble. Her phone wasn't working, there was no signal back there … that was the moment I realised this stuff is still real and relevant. If you're stuck on the wrong side of the mountain, you're in trouble." </span> <span data-atex-cstyle="$ID/[No character style]">In the case of his character, LeMarque was snowboarding on California's Mammoth Mountain in 2004 when a huge storm hit and he found himself stranded. What followed was a miraculous survival story</span><span data-atex-cstyle="$ID/[No character style]"> as LeMarque stayed alive for eight days on the mountainside until the National Guard managed to pick up a signal from his equipment. "I couldn't believe the level of strength it must've taken," says Hartnett. "Not many people could survive in conditions like this for more than a couple of days."</span> <span data-atex-cstyle="$ID/[No character style]" data-atex-track="-15">While the film suggests that LeMarque's hallucinogenic state on the mountain led him to find clarity about his personal issues – not least an addiction to drugs – and give him the strength to survive, there is no question he was in dire straits. Without food, he ate bark and pine needles and found a water source, which just about sustained his weakening body. His feet turned black and purple with frostbite</span><span data-atex-cstyle="$ID/[No character style]" data-atex-track="-15"> and later had to be amputated</span><span data-atex-cstyle="$ID/[No character style]" data-atex-track="-15">. "That's about as bleak as it gets!" </span> <span data-atex-cstyle="$ID/[No character style]">Hartnett, 39, has played in previous big-scale </span><span data-atex-cstyle="$ID/[No character style]">films that took him to extremes – notably Michael Bay's wartime drama </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>Pearl Harbor</em></span><span data-atex-cstyle="$ID/[No character style]"> and Ridley Scott's </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>Black Hawk Down</em></span><span data-atex-cstyle="$ID/[No character style]">, which chronicled a 1993 US military raid in Mogadishu. He even starred in </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>30 Days of Night</em></span><span data-atex-cstyle="$ID/[No character style]">, a vampire movie set in snowy Alaska, although it was actually shot in New Zealand. "The snow was a toxic mixture of Epsom salts and shredded paper," he grins. "This was real snow [in </span><span data-atex-cstyle="Web Italic"><em>6 Below</em></span><span data-atex-cstyle="$ID/[No character style]">] and probably a lot less terrible for my long-term health!"</span> <span data-atex-cstyle="$ID/[No character style]">After spending three years in Dublin, "in a nice, warm cosy studio", shooting the series </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>Penny Dreadful</em></span><span data-atex-cstyle="$ID/[No character style]">, Hartnett was craving another outdoor experience. "I felt like it would be fantastic to take on the elements … the pressure and the challenge of being the only actor [in a lot of the scenes] was exciting ... </span> <span data-atex-cstyle="$ID/[No character style]">"For most of the shooting schedule, I was on the mountain by myself with the crew. And that felt like a challenge I couldn't pass up."</span> <span data-atex-cstyle="$ID/[No character style]">Hartnett grew up in Minnesota, so the cold </span><span data-atex-cstyle="$ID/[No character style]">comes naturally to him. But even he began to suffer on a production that required snowmobiles to take a </span><span data-atex-cstyle="$ID/[No character style]">small crew to the shooting locations. "At one point, I had the beginnings of frost bite and we had to stop filming for a little bit and I had to warm up. The medics wanted me to stop for a couple of days while my feet would thaw</span><span data-atex-cstyle="$ID/[No character style]"> but it wasn't possible." The solution? Breakable heat pads placed in his boots.</span> <span data-atex-cstyle="$ID/[No character style]" data-atex-track="-5">With his </span><span data-atex-cstyle="$ID/[No character style]" data-atex-track="-5">partner, the English actress Tamsin Egerton, in tow, Hartnett can hardly have been much fun to be around. "I would come home at night and sit in the bath. Literally. My muscles were so sore from all the hiking. At altitude, everything is more difficult. We're up at 10,000 feet [3,050 metres] or more; that's high enough that when you come down at the end of the day, you're feeling fatigued. I couldn't do anything. I just had to get in the bath, take a melatonin, go to sleep, wake up before dawn, get back on the snowmobiles and get back out there."</span> <span data-atex-cstyle="$ID/[No character style]">Certainly, </span><span data-atex-cstyle="Web Italic"><em>6 Below</em></span><span data-atex-cstyle="$ID/[No character style]"> is well timed, arriving at a moment when Hollywood is taking a punt on shooting films in extreme conditions. The Oscar-winning </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>The Revenant</em></span><span data-atex-cstyle="$ID/[No character style]">, with Leonardo DiCaprio, jungle adventure </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>The Lost City of Z</em></span><span data-atex-cstyle="$ID/[No character style]"> and Christopher Nolan's </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>Dunkirk</em></span><span data-atex-cstyle="$ID/[No character style]"> have been followed by the recent plane-crash drama </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>The Mountain Between Us</em></span><span data-atex-cstyle="$ID/[No character style]">, with Kate Winslet. "We decided to do this before </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>The Revenant</em></span><span data-atex-cstyle="$ID/[No character style]"> had come out," says Hartnett. "In a way if </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>The Revenant</em></span><span data-atex-cstyle="$ID/[No character style]"> hadn't done so well, it would've been more of an uphill climb for us."</span> <span data-atex-cstyle="$ID/[No character style]" data-atex-track="-10">As the actor puts it, audiences are craving films shot in real-world environments, rather than against green-screen backdrops with the landscapes added in later by CGI. </span> <span data-atex-cstyle="$ID/[No character style]" data-atex-track="-10">"I think people can feel it [when it's been shot for real]," says Hartnett. "Also people are interested in these stories of survival now. They seem to be popping up left and right in the world." In our increasingly urban lives, with GPS tracking our every movement, it's no surprise that we fantasise about pitting ourselves against Mother Nature.</span> <span data-atex-cstyle="$ID/[No character style]">With </span><span data-atex-cstyle="Web Italic"><em>6 Below</em></span><span data-atex-cstyle="$ID/[No character style]"> directed by former stuntman Scott Waugh, who previously made the authentic Navy SEALs drama </span><span data-atex-cstyle="$ID/[No character style]" data-atex-fs="NormalItalic"><em>Act of Valor</em></span><span data-atex-cstyle="$ID/[No character style]">, Hartnett felt it was essential that he put himself through these extreme conditions. "The thing I kept going back to, if we were going to do it well, if it's going to make people squirm or make people understand what Eric had gone through, I needed to be exposed to those elements and there's a responsibility to it, so it didn't bother me."</span> <span data-atex-cstyle="$ID/[No character style]">Hartnett has no immediate plans to return to such a hostile environment. With two small children with Egerton</span><span data-atex-cstyle="$ID/[No character style]"> – dividing his time between the UK and the US – he</span><span data-atex-cstyle="$ID/[No character style]"> is quite content to stay at home with "the brood" as he calls them. "We're much more stable now than I've ever been. That travelling lifestyle has slowed down a bit and I'm spending less and less time on the road," he says. "I'm nearing 40 … it's about time I started growing up." </span> <span data-atex-cstyle="Web Italic"><em>6 Below</em></span><span data-atex-cstyle="$ID/[No character style]"> opens today in UAE cinemas</span> _______________ <strong>Read more:</strong> <a href="https://www.thenational.ae/arts-culture/film/oscar-nominee-jim-sheridan-arab-film-makers-should-stop-chasing-hollywood-1.666318">Oscar nominee Jim Sheridan: Arab film makers should stop chasing Hollywood</a> _______________