Last week, Jordan's Royal Film Commission released a video showing the crew of a South Korean thriller, Bargaining, arriving at Queen Alia International Airport.
It was a small but hopeful bit of news for the country's film industry, which – like most of its counterparts in the region and the wider world – has been heavily affected by the coronavirus pandemic.
“With the current global health situation, the return of such a big production filming in Jordan is proof that the country is ready and safe enough to open up for filming again," Mohannad Al-Bakri, the commission's managing director, said.
Special arrangements were made for the Bargaining crew to enter the country – and they had to undergo a quarantine period in a Amman hotel – but it was still a welcome sign of the industry picking up pace again.
Jordan is, and has long been, a favoured destination for filmmakers. And, between its jagged, bronze desertscapes and historic landmarks, it’s easy to see why, with Wadi Rum and Petra among its most popular filming sites.
So, with that in mind, we take a look at what to expect from Bargaining, as well as rounding up seven other films that made Jordan their backdrop.
1. ‘Bargaining’
A South Korean thriller based on real events, Bargaining tells the story of a National Intelligence Service agent and a diplomat, who work together to save a group of 23 South Koreans taken hostage in Afghanistan.
Filming was originally set to begin in Jordan in March, however, production was postponed because of the coronavirus pandemic.
It's not the first South Korean production to have been filmed in Jordan. The award-winning TV series Misaeng was shot in Amman, Wadi Rum and Petra, in 2014.
2. ‘Theeb’
Directed by Naji Abu Nowar, Theeb tells the story of a young Bedouin boy who embarks on a dangerous journey to guide a British officer across the desert.
Filming took place in three locations: Wadi Araba, south of the Dead Sea basin, Wadi Rum and in the Dabaa region of southern Jordan.
Theeb went on to represent Jordan at the 2016 Oscars and became the first Arab film to win at the Baftas, scooping the award for Outstanding Debut by a British Writer, Director or Producer that same year.
3. ‘Lawrence of Arabia’
It's no surprise that the classic 228-minute epic based on the life of T E Lawrence was shot in Wadi Rum. The British archaeologist and army officer fought real-life battles against Ottoman forces in what is now Jordan.
However, it is worth noting that Jordan, along with several other Arab countries, banned the 1962 film, feeling that it did not represent the region and its people well. Egypt was the only country in the region to allow it to be screened after Omar Sharif (who had his breakthrough English-language role in the film) convinced then-Egyptian president Gamal Abdel Nasser to see it.
Peter O’Toole, who played the titular character, reportedly expressed his dislike of the film, saying in an interview: “I loathe it.”
4. ‘The Martian’
Matt Damon’s sci-fi survival film was almost entirely shot in Jordan, with Wadi Rum posing as the surface of Mars. Filming in the Unesco World Heritage Site lasted eight days.
Wadi Rum has been used to depict the red planet in a number of other films, including Mission to Mars and The Last Days on Mars.
5. ‘Star Wars’
The red sands and stone giants of Wadi Rum have also made an appearance in a number of Star Wars films, including Rogue One and The Rise of Skywalker.
In Rogue One, Wadi Rum served as the location of the desert moon Jedha, whereas in The Rise of Skywalker, it was used to portray the fictional planet of Pasaana.
6. ‘Indiana Jones and the Last Crusade’
Petra, the ancient capital of the Nabatean empire, has a starring role in the third Indiana Jones film. It is where the titular character, played by Harrison Ford, finds the elusive Holy Grail. Hewn into a sandstone cliff, the ancient city is an archaeological marvel. It was built in 400BC but the area around it had been inhabited as early as 7000BC.
7. 'Dune'
In Frank Herbert's 1965 novel, the fictional planet of Arrakis is an arid, desert landscape dominated by creatures called sandworms. In the 2020 film adaptation of his book, those sweeping deserts found a real-life home in the UAE and in Jordan.
The protagonist, Paul Atreides, is played by Academy Award nominee Timothee Chalamet, who earlier this year recounted his experiences filming in the region.
"It was really surreal," he said in an interview with Variety, about shooting a scene at dawn in Wadi Rum. "There are these Goliath landscapes, which you may imagine existing on planets in our universe, but not on Earth."
Dune is set to be released in December.
8. ‘Aladdin’
Guy Ritchie's 2019 live-action remake of the popular Disney animation was shot partly in Wadi Rum.
A number of notable landmarks around the desert appear in the film, including the rock bridge at Jebel Kharazeh and the Seven Pillars of Wisdom, which was where the scenes set in the Cave of Wonders were filmed.
Director: Laxman Utekar
Cast: Vicky Kaushal, Akshaye Khanna, Diana Penty, Vineet Kumar Singh, Rashmika Mandanna
Rating: 1/5
FIRST TEST SCORES
England 458
South Africa 361 & 119 (36.4 overs)
England won by 211 runs and lead series 1-0
Player of the match: Moeen Ali (England)
Company profile
Name: Dukkantek
Started: January 2021
Founders: Sanad Yaghi, Ali Al Sayegh and Shadi Joulani
Based: UAE
Number of employees: 140
Sector: B2B Vertical SaaS(software as a service)
Investment: $5.2 million
Funding stage: Seed round
Investors: Global Founders Capital, Colle Capital Partners, Wamda Capital, Plug and Play, Comma Capital, Nowais Capital, Annex Investments and AMK Investment Office
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Biog:
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Dubai Bling season three
Cast: Loujain Adada, Zeina Khoury, Farhana Bodi, Ebraheem Al Samadi, Mona Kattan, and couples Safa & Fahad Siddiqui and DJ Bliss & Danya Mohammed
Rating: 1/5
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”