![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/654JIZY3EBHAIQDJBOKGER2AME.jpg?smart=true&auth=e77c3286afc55af7088136e331708c256d010bdc0d17dfef10f6435ade1e92da&width=400&height=225)
Thomas Ruff, Substrat 9 11, c-print in wooden frame, 2002. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/A6DLCXIYY7GLIBONXSUEBXELPM.jpg?smart=true&auth=7eb5177032bb53d13c51f7ccd81a80072e9fcf34d7c331358aa611d662aaa682&width=400&height=225)
Gilbert & George, The Wall, 1986. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/4C42CPNVH3B6NPEZWSGS4MQ47I.jpg?smart=true&auth=2d71e5b562a5cab9d2358f9369dca6097fc554e8fb7d7e35342feef00153aad3&width=400&height=225)
Mario Testino at Museo MATE, Lima, Peru by Santiago Barco. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/2KFREDUABDY6DUZIZXBYFS2Z7M.jpg?smart=true&auth=bb121593606bb71d9368adb208194fd38e22cc6924658c64c19bdab6ab06c2fb&width=400&height=225)
Ugo Rondinone, No. 211 DREIZEHNTERSEPTEMBERZWEITAUSENDUNDNULL, 2000. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/YXMJ3WHDNGJ6KKMC6V6EZZPWRU.jpg?smart=true&auth=bb88a9fc4f1da576cdc6de524f6b74f2a14006ad96ff3ae33335e3b6a68cd25c&width=400&height=225)
Adriana Varejao, Blue Sauna, 2003. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/DS7WRKGKQHDJ5HRLANGTRX7HWY.jpg?smart=true&auth=9d4d3f1d4a8e81bc6e159e9064e3edbdb8fb9a109a5a6c3b2166fdd594ebd9b8&width=400&height=225)
Michael Borremans, Two, 2004, oil on canvas. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/FIYOKOAVXJTNF2FFP4ATT7M4T4.jpg?smart=true&auth=c1aec0810bf3ac11dca93120cc8632968cab5b78b3424c38408d9c7bdb08f3e8&width=400&height=225)
Marilyn Minter, Parched 1999, enamel on metal. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/3NG7QSLGXGPJBC7Z2LAUJQRS5Q.jpg?smart=true&auth=363f8c07249698b42f4347f10f3d7a51617bf0ed51afb673be1a4ccf36d8d431&width=400&height=225)
Douglas Gordon, Archival museum board and photograph, 2002. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/FFKN2XX2SF2L2M33CT3U657LF4.jpg?smart=true&auth=89068d8139d9f82b2849c72d811530abbfe8a12c674fc0d67bb368ef76b2f5ed&width=400&height=225)
Martin Parr, Untitled, From the Benidorm Series, 1997. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/654JIZY3EBHAIQDJBOKGER2AME.jpg?smart=true&auth=e77c3286afc55af7088136e331708c256d010bdc0d17dfef10f6435ade1e92da&width=400&height=225)
Thomas Ruff, Substrat 9 11, c-print in wooden frame, 2002. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/A6DLCXIYY7GLIBONXSUEBXELPM.jpg?smart=true&auth=7eb5177032bb53d13c51f7ccd81a80072e9fcf34d7c331358aa611d662aaa682&width=400&height=225)
Gilbert & George, The Wall, 1986. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/4C42CPNVH3B6NPEZWSGS4MQ47I.jpg?smart=true&auth=2d71e5b562a5cab9d2358f9369dca6097fc554e8fb7d7e35342feef00153aad3&width=400&height=225)
Mario Testino at Museo MATE, Lima, Peru by Santiago Barco. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/2KFREDUABDY6DUZIZXBYFS2Z7M.jpg?smart=true&auth=bb121593606bb71d9368adb208194fd38e22cc6924658c64c19bdab6ab06c2fb&width=400&height=225)
Ugo Rondinone, No. 211 DREIZEHNTERSEPTEMBERZWEITAUSENDUNDNULL, 2000. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/YXMJ3WHDNGJ6KKMC6V6EZZPWRU.jpg?smart=true&auth=bb88a9fc4f1da576cdc6de524f6b74f2a14006ad96ff3ae33335e3b6a68cd25c&width=400&height=225)
Adriana Varejao, Blue Sauna, 2003. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/DS7WRKGKQHDJ5HRLANGTRX7HWY.jpg?smart=true&auth=9d4d3f1d4a8e81bc6e159e9064e3edbdb8fb9a109a5a6c3b2166fdd594ebd9b8&width=400&height=225)
Michael Borremans, Two, 2004, oil on canvas. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/FIYOKOAVXJTNF2FFP4ATT7M4T4.jpg?smart=true&auth=c1aec0810bf3ac11dca93120cc8632968cab5b78b3424c38408d9c7bdb08f3e8&width=400&height=225)
Marilyn Minter, Parched 1999, enamel on metal. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/3NG7QSLGXGPJBC7Z2LAUJQRS5Q.jpg?smart=true&auth=363f8c07249698b42f4347f10f3d7a51617bf0ed51afb673be1a4ccf36d8d431&width=400&height=225)
Douglas Gordon, Archival museum board and photograph, 2002. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/FFKN2XX2SF2L2M33CT3U657LF4.jpg?smart=true&auth=89068d8139d9f82b2849c72d811530abbfe8a12c674fc0d67bb368ef76b2f5ed&width=400&height=225)
Martin Parr, Untitled, From the Benidorm Series, 1997. Courtesy: Hill+Knowlton Strategies
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/654JIZY3EBHAIQDJBOKGER2AME.jpg?smart=true&auth=e77c3286afc55af7088136e331708c256d010bdc0d17dfef10f6435ade1e92da&width=400&height=225)
Thomas Ruff, Substrat 9 11, c-print in wooden frame, 2002. Courtesy: Hill+Knowlton Strategies
Mario Testino's private collection at auction with Sotheby's
Mario Testino tells us why he wants to 'Shake It Up' with an auction of 400 artworks
Nick Leech
13 September, 2017
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