The 60th Venice Art Biennale will be running from April 20 until November 24 in Italy under the theme of Stranieri Ovunque – Foreigners Everywhere.
Through various national pavilions and events, the theme will explore identity, nationality, race and gender. Out of 331 artists invited to the biennial, over 40 are Arab, from countries such as UAE, Egypt, Lebanon, Iraq, Palestine and Sudan.
Their works will be shown across two sections of the biennial – The Nucleo Contemporaneo, featuring artists who are currently active, and the Nucleo Storico, featuring important artists from history.
There will also be six Arab pavilions present, five of which will be solo exhibitions and one a group show. Though only a small sample size, it will showcase variety beyond mediums and artistic style, as each pavilion will reflect the nuance and diversity of Arab artists in the region and the spectrum of conceptual and technical prowess and ability.
From one of the UAE’s most renowned conceptual figures to a Lebanese artist creating immersive worlds and Oman’s creative trailblazers, here are the pavilions showcasing Arabian talents at the 60th Venice Art Biennale.
United Arab Emirates: Abdullah Al Saadi
Emirati conceptual artist Abdullah Al Saadi will be representing the UAE at the biennial for the second time in an exhibition titled Sites of Memory, Sites of Amnesia.
Al Saadi is a renowned and influential figure in the contemporary art scene in the UAE, having previously represented the country at the biennial in 2017.
Exhibiting his work since the 1980s, Al Saadi employs painting, drawing, sculpting, performance and photography, as well as collecting and cataloguing found objects and even the creation of new alphabets. No matter the medium, Al Saadi’s work has often explored the individual’s connection with nature or society along with the UAE’s landscape and his own family history.
Egypt: Wael Shawky
Multimedia artist Wael Shawky will be representing Egypt at the Venice Biennale this year with his show Drama 1882.
Curated by Shawky himself, Drama 1882 is a filmed rendition of an original musical play that he also directed, choreographed and composed. The narrative focuses on Egypt’s nationalist Urabi revolution against imperial influence, which took place from 1879 to 1882.
Drama 1882 will focus on particular historical and literary references from that era as a starting point where Shawky then interweaves fact, fiction and stories to explore themes around religious, artistic and national identity.
Known for his storytelling style and his extensive research-based work, Shawky works across a number of mediums including film, performance, painting, sculpture and more. He's specifically interested in looking at contemporary culture and life through historical tradition and events.
Lebanon: Mounira Al Solh
The lines between reality and mythology will be blurred in conceptual artist Mounira Al Solh’s multimedia installation A Dance with her Myth at the Lebanese pavilion.
Painting, drawing, sculpture, embroidery and video will be integrated in the exhibition where Al Solh explores ancient Phoenicia through her contemporary artistic techniques. This immersive work is based on a Greco-Phoenician myth, and it is used by Al Solh to comment on contemporary events, focusing mainly on the challenges women must navigate.
Al Solh is known for her unique and playful approach when exploring themes centred around politics, gender issues and feminism.
Oman: Malath-Haven
This year, Oman is highlighting the work of four artists whom they are crediting for stimulating and revitalising the country’s contemporary art scene.
The artists whose works will be on show are Ali Al Jabri, known for his marble and wood sculptures; Essa Al Mufarji who makes clay-based works; photographer and artist Sarah Al Olaqi; and Adham Al Farsi, praised in Oman for his interactive installations.
Their group show titled Malath-Haven will be an eclectic exhibition featuring the artists' work – all falling within the umbrella of the biennial’s theme, Foreigners Everywhere.
Saudi Arabia: Manal Al Dowayan
In a multimedia installation titled Shifting Sands: A Battle Song, artist Manal Al Dowayan will explore the evolving role of women in Saudi Arabia.
As part of her research and preparation for the exhibition, Al Dowayan took inspiration from her community. In January, she hosted three events in Al Khobar, Jeddah, and Riyadh for a thousand women of all ages.
The events featured group-singing sessions to reflect the idea of visibility and invisibility in the context of the global media, where Al Dowayan wrote and illustrated what the women saw in one another.
For Al Dowayan, Shifting Sands: A Battle Song is a call for solidarity and autonomy over identity.
Al Dowayan is known for her diverse body of work spanning a variety of mediums including photography, sound and sculpture, exploring themes of collective memory and active forgetting.
The 60th International Art Exhibition of La Biennale di Venezia will take place from April 20 to November 24.
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New UK refugee system
- A new “core protection” for refugees moving from permanent to a more basic, temporary protection
- Shortened leave to remain - refugees will receive 30 months instead of five years
- A longer path to settlement with no indefinite settled status until a refugee has spent 20 years in Britain
- To encourage refugees to integrate the government will encourage them to out of the core protection route wherever possible.
- Under core protection there will be no automatic right to family reunion
- Refugees will have a reduced right to public funds
Living in...
This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.
Your Guide to the Home
- Level 1 has a valet service if you choose not to park in the basement level. This level houses all the kitchenware, including covetable brand French Bull, along with a wide array of outdoor furnishings, lamps and lighting solutions, textiles like curtains, towels, cushions and bedding, and plenty of other home accessories.
- Level 2 features curated inspiration zones and solutions for bedrooms, living rooms and dining spaces. This is also where you’d go to customise your sofas and beds, and pick and choose from more than a dozen mattress options.
- Level 3 features The Home’s “man cave” set-up and a display of industrial and rustic furnishings. This level also has a mother’s room, a play area for children with staff to watch over the kids, furniture for nurseries and children’s rooms, and the store’s design studio.
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Tries: Rieko Ioane, Nehe Milner-Skudder (2), Scott Barrett, Brodie Retallick, Ofa Tu'ungfasi, Lima Sopoaga, Codie Taylor. Conversions: Beauden Barrett (7). Penalty: Beauden Barrett
Company profile
Date started: 2015
Founder: John Tsioris and Ioanna Angelidaki
Based: Dubai
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Staff: 200
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GAC GS8 Specs
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Roll of honour
Who has won what so far in the West Asia Premiership season?
Western Clubs Champions League - Winners: Abu Dhabi Harlequins; Runners up: Bahrain
Dubai Rugby Sevens - Winners: Dubai Exiles; Runners up: Jebel Ali Dragons
West Asia Premiership - Winners: Jebel Ali Dragons; Runners up: Abu Dhabi Harlequins
UAE Premiership Cup - Winners: Abu Dhabi Harlequins; Runners up: Dubai Exiles
West Asia Cup - Winners: Bahrain; Runners up: Dubai Exiles
West Asia Trophy - Winners: Dubai Hurricanes; Runners up: DSC Eagles
Final West Asia Premiership standings - 1. Jebel Ali Dragons; 2. Abu Dhabi Harlequins; 3. Bahrain; 4. Dubai Exiles; 5. Dubai Hurricanes; 6. DSC Eagles; 7. Abu Dhabi Saracens
Fixture (UAE Premiership final) - Friday, April 13, Al Ain – Dubai Exiles v Abu Dhabi Harlequins
Dust and sand storms compared
Sand storm
- Particle size: Larger, heavier sand grains
- Visibility: Often dramatic with thick "walls" of sand
- Duration: Short-lived, typically localised
- Travel distance: Limited
- Source: Open desert areas with strong winds
Dust storm
- Particle size: Much finer, lightweight particles
- Visibility: Hazy skies but less intense
- Duration: Can linger for days
- Travel distance: Long-range, up to thousands of kilometres
- Source: Can be carried from distant regions