Mariam Suhail's Pigeon as Metaphor
Buildings and Trees by Gauri and Vinnie Gill. All Photos: Ishara Art Foundation
A work by Emily Avery Yoshiko Crow (centre) contrasted with paintings by Vinnie Gill
Right: Das Mahavidya (Ten Great Wisdoms) by Chamba Rumal weavers
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/TGE7XXUNYRFLBEZ7CUI2A6ZLPA.jpg?smart=true&auth=1c9b8ea29556876631dd062ef53733d493e7dfb657faf740ffd2561779a806a3&width=400&height=225)
The work employs weaving techniques dating back to the 17th century
The embroidery is displayed on a transparent installation to reveal the intricacies and nuances of the weaving techniques
Chiara Camoni's Tent (centre)
From left: Chiara Camoni's Burning Sister and Gauri Gill's Mumbai 2012
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/EUM7JNIHUJDUPB6K6GDQ2PQVBQ.jpg?smart=true&auth=c38c6135ef4d5872fcf51afde0f2f13821d9b0000a572ee8a663f1239558cd52&width=400&height=225)
Installation instruction's for Mrinalini Mukherjee's Adi Pushp and Devi
Rashmi Kaleka's Deemak series
From left: Ladkhi Devi's Dasha Devi and Shefalee Jain's My locust with round cheeks Why don't you fly away now?
Mariam Suhail's Pigeon as Metaphor
Buildings and Trees by Gauri and Vinnie Gill. All Photos: Ishara Art Foundation
A work by Emily Avery Yoshiko Crow (centre) contrasted with paintings by Vinnie Gill
Right: Das Mahavidya (Ten Great Wisdoms) by Chamba Rumal weavers
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/TGE7XXUNYRFLBEZ7CUI2A6ZLPA.jpg?smart=true&auth=1c9b8ea29556876631dd062ef53733d493e7dfb657faf740ffd2561779a806a3&width=400&height=225)
The work employs weaving techniques dating back to the 17th century
The embroidery is displayed on a transparent installation to reveal the intricacies and nuances of the weaving techniques
Chiara Camoni's Tent (centre)
From left: Chiara Camoni's Burning Sister and Gauri Gill's Mumbai 2012
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/EUM7JNIHUJDUPB6K6GDQ2PQVBQ.jpg?smart=true&auth=c38c6135ef4d5872fcf51afde0f2f13821d9b0000a572ee8a663f1239558cd52&width=400&height=225)
Installation instruction's for Mrinalini Mukherjee's Adi Pushp and Devi
Rashmi Kaleka's Deemak series
From left: Ladkhi Devi's Dasha Devi and Shefalee Jain's My locust with round cheeks Why don't you fly away now?
Mariam Suhail's Pigeon as Metaphor
In new Dubai exhibition, both artists and animals examine a changing world
The show is running at Ishara Art Foundation until until June 1
![Razmig Bedirian](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/https%3A%2F%2Fs3.amazonaws.com%2Farc-authors%2Fthenational%2F275b4b76-cb6d-410e-a5df-c23d65484c26.png?smart=true&auth=fc94b07464368c9c664f3bd102f95ffe4c76b1b38fe7d6fee2362e26add51d0e&width=70&height=70)
Razmig Bedirian
24 April, 2024
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