Elizabeth Taylor as Cleopatra in the 1963 epic drama film directed by Joseph L. Mankiewicz.
Elizabeth Taylor as Cleopatra in the 1963 epic drama film directed by Joseph L. Mankiewicz.
Elizabeth Taylor as Cleopatra in the 1963 epic drama film directed by Joseph L. Mankiewicz.
Elizabeth Taylor as Cleopatra in the 1963 epic drama film directed by Joseph L. Mankiewicz.

Why Gadot’s Cleopatra sparked debate on race, ethnicity and history in Egypt


Hamza Hendawi
  • English
  • Arabic

When Israeli actress Gal Gadot announced she was set to play Queen Cleopatra in a new Hollywood film, the news touched a raw nerve in Egypt, where many saw the casting as insensitive.

The announcement by the star of “Wonder Woman” was made last weekend, when she wrote on Twitter that she was teaming up with the 2017 blockbuster’s director Patty Jenkins and screenwriter Laeta Kalogridis to bring the queen who ruled Egypt in late antiquity to the silver screen “in a way she’s never been seen before".

She was excited "to tell her story for the first time through women's eyes, both behind and in front of the camera," Gadot continued. “Cleopatra is a story I wanted to tell for a very long time."

While there were questions over whether Hollywood was again casting white actors in roles of non-European characters, for Egyptians selecting Gadot to play perhaps the nation’s most cherished female historical figure was a much bigger deal.

Gal Gadot announced that she is set to play Cleopatra in an upcoming movie, sparking anger in Egypt. Getty Images
Gal Gadot announced that she is set to play Cleopatra in an upcoming movie, sparking anger in Egypt. Getty Images

To many Egyptians, the casting of an Israeli as the revered and admired Queen Of the Nile was just the latest perceived act of cultural piracy after some Israelis controversially attempted to claim felafel and hummus as their own.

“It is a very insensitive choice because Cleopatra is an iconic figure from Egyptian history,” said Yasmine El Dorghamy, editor and publisher of Al Rawi, an Egyptian history and heritage periodical.

“I am sure there could have been other politically neutral choices who also make good commercial sense, as she undoubtedly does … It seems like Hollywood is progressive and sensitive when it comes to everyone except the Arabs."

But to film critic Mahmoud Qassim, Gadot’s casting was also testimony to Egypt’s inability to turn events and important figures from its rich and long history into international blockbusters.

The news also kicked off a social media storm not only questioning the casting decision but also about the ethnicity of Cleopatra – the last monarch of a Macedonian-Greek dynasty – as well as the extent to which she ever actually interacted or related to her Egyptian subjects.

It is more than 40 years since Egypt became the first Arab nation to sign a peace treaty with Israel but bonds between the two neighbours that fought four full-fledged wars before the 1979 "cold peace," are still terse.

Inter-government relations have been close, largely over shared security concerns and co-operation, but interactions between the two peoples are minimal. A grassroots movement set up to resist normalisation with Israel still has considerable appeal today among many Egyptians.

“So, they could not find a single Egyptian or Greek actress [to play the role] and were left with no choice but the Israeli actress Gal Gadot to play Cleopatra?” read one Tweet.

The anger is explained, in part, by the fact that the Macedonian-Greek Ptolemaic age (305-30 BC) is viewed favourably. That contrasts with the disdain many reserve for, say, the Romans or Ottoman eras that are associated – in many people’s minds – with the exploitation of Egypt’s resources.

Five Arab actresses who could play Cleopatra

  • Yasmine Al Massri made her film debut in the critically lauded drama 'Caramel'. Stephen Lock / The National
    Yasmine Al Massri made her film debut in the critically lauded drama 'Caramel'. Stephen Lock / The National
  • Salma Hayek has Mexican and Lebanese roots. EPA
    Salma Hayek has Mexican and Lebanese roots. EPA
  • Tunisian actress Hend Sabry was the first Arab woman to sit on the judging panel at the Venice Film Festival. EPA
    Tunisian actress Hend Sabry was the first Arab woman to sit on the judging panel at the Venice Film Festival. EPA
  • Emeraude Toubia is known for her work on 'Shadow Hunters'. AFP
    Emeraude Toubia is known for her work on 'Shadow Hunters'. AFP
  • Sofia Boutella could be on course to become the next Hollywood action hero. AFP
    Sofia Boutella could be on course to become the next Hollywood action hero. AFP

The Ptolemaic kings are, moreover, generally viewed more as Egyptian than Greek-speaking rulers. Their association with Alexandria, a beacon of culture and science only rivalled by Rome during late antiquity, deepened the respect accorded to the Ptolemaic era by historians in Egypt and elsewhere.

“Cleopatra is a figure that we and the Greeks proudly share,” said Ms El Dorghamy. “She is definitely as Egyptian as Mohammed Ali,” she said, alluding to the Albanian-Ottoman general who founded Egypt’s last monarchy in the early years of the 19th century and ruled until the 1950s.

A Hellenistic state founded by Ptolemy, one of Alexander the Great’s senior generals, the kingdom was based in the Mediterranean port city of Alexandria. Nearly 200 years later, Cleopatra’s mother is widely thought to be of Egyptian heritage, but that has never been unequivocally proven.

Gadot would not be the first non-Egyptian or Greek Hollywood star to play Cleopatra on the big screen. She was preceded in that role by Claudette Colbert, Vivien Leigh and Elizabeth Taylor, whose 1963 film is by far the most memorable on the life of the Egyptian queen.

No Egyptian actress has played Cleopatra in a major Hollywood film, but there was a little-known 1943 Egyptian film starring the late Amina Rizq as Cleopatra.

Earlier in the 20th century, Egypt’s poet laureate Ahmed Shawki (1870-1932) wrote “The Death of Cleopatra,” a little-known play in verse.

Also, in the last century, Cleopatra was the main character in the satirical novel “Cleopatra in Khan Al Khalili” by Mahmoud Taymour.

“To the West, Cleopatra represented the idea of competing with Rome, as part of Rome’s civil war at the time or as a playful and seductive woman,” said London-based author Shady Lewis Botros.

“Ahmed Shawki tried to respond to all this in his play by casting her as someone who struggled against Roman occupation,” said Mr Botros who also disputes the relevance of Cleopatra holding a special place in the hearts and minds of modern-day Egyptians.

“The bond between Egyptians and the Ptolemaic era is tenuous,” he said.

“To most Egyptians, her name is more associated with the local cigarettes by the same name,” he said, alluding to Egypt’s most popular cigarettes brand, which is maligned in endless jokes for its modest quality.

Small Victories: The True Story of Faith No More by Adrian Harte
Jawbone Press

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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