David Lee, owner of the $300 million watch and investment empire Hing Wa Lee Jewellers, also owns more than $50 million worth of the world’s rarest cars.
His collection, stored in a garage underneath a nondescript shopping plaza 40 minutes outside downtown Los Angeles, includes models from Rolls-Royce, Pagani, Porsche, and Mercedes-Benz. But it is his dozens of iconic Ferraris - including an Enzo, an F50, and F40, as well as multiple F12s, 250s, 275s, and 288s - that have earned Mr Lee the most notoriety.
“When I was 29, I bought a Diablo VT, but it was always in the shop,” Mr Lee says in Los Angeles. “I didn’t get to enjoy the car, so I bought a Ferrari 355 Spyder. Since then, I have focused on collecting Ferraris. I just had a love for them.”
An unassuming 51-year-old married father of two, Mr Lee frequents the world’s most prestigious car shows, hosts big-spender dinners for Chopard in Geneva, jets to Asia and the Middle East to visit clients, and drives with Koenigsegg-owning friends.
He can have whatever car he wants.
But that gets pretty boring after a while. “I thought when I get certain cars, I would be the most happy. And I was, for a few years,” Mr Lee says. “But I started to get tired of it. With hypercars, if you have money and you present yourself well to the ownership, you can buy a car. A lot of people have them.” He began thinking whether he could do something grander, something that would make history. Something that would be only for him. “I wanted to own something that is not what money can buy.”
So the Ferrari fanatic with 724,000 Instagram followers committed the cardinal sin for blue-chip collectibles: he modified one.
Traditionally, collectors of high-end cars have gone - sometimes literally - to the ends of the Earth to protect the exact specifications of the original specimen. Most car shows and historic rally races are built around the idea that the cars must remain uncompromised by modern alterations or additions, even down to retaining the original bolts. It’s how collectors protect the value of their investment, after all: the cars have to be able to be identified as authentic.
But a year ago, Mr Lee bought a black 1972 Dino for $260,000 and then spent more than $1 million to update it - or “outlaw” it, as the practice is called among connoisseurs - with modern components and bespoke styling cues. It took him more than 3,000 hours over a year to perfect with Moto Technique, a body shop based in Surrey, England. He calls it a Monza 3.6 Evo.
Even parked by a wall of blazing bougainvillea in California, the car looks understated. But it’s undeniably arresting: The open-top roadster looks slightly more modern than the original, with flared fenders, new rims, covered headlights, and a see-through engine cover made from carbon fibre.
Lee also replaced the original V6 with a new, 3.6-liter V8 and added a new transmission, brakes, and - yes - even a removable holder for his iPhone. The seats were redone in blazing oxblood leather; the shifter got a new, steel knob.
“I felt like it was OK to put the investment in this, because there are enough people who can accept it,” Mr Lee says. “They are not all purists, and that is a change. That is a huge change.”
Ferrari first rolled out the Dino in the late 1960s and early 1970s as an attempt to offer a low-cost sports car. But the original version has long been snubbed by Ferrari adherents for its relatively high production numbers, small engine, and anaemic 192 horsepower. It was so ostracised that Ferrari originally decided not even to formally badge it, calling it solely “Dino”, without the official Ferrari logo of approval.
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That said, Mr Lee is hardly the first to outlaw a special car. Singer perfected the business side of it years ago when it started restoring Porsche 911s to the tune of $600,000 and up, taking cues from prolific private individuals who "outlawed" classic cars for years before. In fact, it was one such friend's invite to join his heavily altered 1971 Porsche 911 on a run up California's Highway 2 that jumpstarted Mr Lee into modifying his own: "I realised I didn't have anything from that era that could keep up," Mr Lee said.
His modified Dino is not super-fast, but it is quicker and drives more precisely than the original. It sits so low to the ground that it's easy to simply step over the door to get inside; the steering and braking are eased by semi-automatic power systems. The hardtop roof, when taken off, fits snugly behind the two cockpit-style seats.
Ferrari hasn’t seen the vehicle, officially. The brand has some history with Mr Lee, who claims he was denied the chance to buy an LaFerrari Aperta because he wasn’t a preferred customer.
A request for comment from Ferrari returned an emailed statement saying that, while Ferrari brass aren’t aware of the specifics of Mr Lee’s Dino, “It is worth noting the importance of authenticity in the classic car market. The Ferrari Classiche certification process that ensures this, The Ferrari Certificate of Authenticity, protects the priceless heritage of an historic car, and generally increases sale value, while giving access to the most prestigious official events organised by Ferrari.”
Not that Mr Lee seems to care. He frames it as if he is righting a long-held wrong. “With the Dino, there was always the question of: What if this car was more powerful? What if it looked like it did - beautiful - but had more power?”
The V8 engine in Mr Lee’s Dino now produces 400 horsepower, compared to the 192hp that Ferrari boasted in the original version. And auctions experts such as Hagerty’s Jonathan Klinger have argued that the Dino has more investment potential than, say, the sexy and popular Ferrari 308.
Mr Lee plans to show it on the lawn at the Quail this August, prior to the Pebble Beach Concours d’Elegance - where, incidentally, it would not be welcome.
Of course, that’s kind of the point.
“People are trained by the traditions and the car culture of the concourses,” Mr Lee says. “The concourses are judging your car to say it is acceptable if it’s done this way - and anything far from that, you’re somehow lesser. You haven’t made the grade; you didn’t get the A on the report card. But you can have the cleanest and best Ferrari, or the latest and greatest supercars, and nobody is going to feel anything special.”
Mr Lee believes that his Dino is so special that others will want one, too. “All these Saudi guys and guys from Europe and Asia are saying, ‘David, I want one! This is a great idea.’”
He plans to make and sell 25 more at the rate of five per year. Order-taking will start this summer.
Basquiat in Abu Dhabi
One of Basquiat’s paintings, the vibrant Cabra (1981–82), now hangs in Louvre Abu Dhabi temporarily, on loan from the Guggenheim Abu Dhabi.
The latter museum is not open physically, but has assembled a collection and puts together a series of events called Talking Art, such as this discussion, moderated by writer Chaedria LaBouvier.
It's something of a Basquiat season in Abu Dhabi at the moment. Last week, The Radiant Child, a documentary on Basquiat was shown at Manarat Al Saadiyat, and tonight (April 18) the Guggenheim Abu Dhabi is throwing the re-creation of a party tonight, of the legendary Canal Zone party thrown in 1979, which epitomised the collaborative scene of the time. It was at Canal Zone that Basquiat met prominent members of the art world and moved from unknown graffiti artist into someone in the spotlight.
“We’ve invited local resident arists, we’ll have spray cans at the ready,” says curator Maisa Al Qassemi of the Guggenheim Abu Dhabi.
Guggenheim Abu Dhabi's Canal Zone Remix is at Manarat Al Saadiyat, Thursday April 18, from 8pm. Free entry to all. Basquiat's Cabra is on view at Louvre Abu Dhabi until October
Tips to avoid getting scammed
1) Beware of cheques presented late on Thursday
2) Visit an RTA centre to change registration only after receiving payment
3) Be aware of people asking to test drive the car alone
4) Try not to close the sale at night
5) Don't be rushed into a sale
6) Call 901 if you see any suspicious behaviour
My Country: A Syrian Memoir
Kassem Eid, Bloomsbury
Key figures in the life of the fort
Sheikh Dhiyab bin Isa (ruled 1761-1793) Built Qasr Al Hosn as a watchtower to guard over the only freshwater well on Abu Dhabi island.
Sheikh Shakhbut bin Dhiyab (ruled 1793-1816) Expanded the tower into a small fort and transferred his ruling place of residence from Liwa Oasis to the fort on the island.
Sheikh Tahnoon bin Shakhbut (ruled 1818-1833) Expanded Qasr Al Hosn further as Abu Dhabi grew from a small village of palm huts to a town of more than 5,000 inhabitants.
Sheikh Khalifa bin Shakhbut (ruled 1833-1845) Repaired and fortified the fort.
Sheikh Saeed bin Tahnoon (ruled 1845-1855) Turned Qasr Al Hosn into a strong two-storied structure.
Sheikh Zayed bin Khalifa (ruled 1855-1909) Expanded Qasr Al Hosn further to reflect the emirate's increasing prominence.
Sheikh Shakhbut bin Sultan (ruled 1928-1966) Renovated and enlarged Qasr Al Hosn, adding a decorative arch and two new villas.
Sheikh Zayed bin Sultan (ruled 1966-2004) Moved the royal residence to Al Manhal palace and kept his diwan at Qasr Al Hosn.
Sources: Jayanti Maitra, www.adach.ae
The five pillars of Islam
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'Lost in Space'
Creators: Matt Sazama, Burk Sharpless, Irwin Allen
Stars: Molly Parker, Toby Stephens, Maxwell Jenkins
Rating: 4/5
MATCH INFO
Fixture: Thailand v UAE, Tuesday, 4pm (UAE)
TV: Abu Dhabi Sports
Mohammed bin Zayed Majlis
More from Neighbourhood Watch:
UK's plans to cut net migration
Under the UK government’s proposals, migrants will have to spend 10 years in the UK before being able to apply for citizenship.
Skilled worker visas will require a university degree, and there will be tighter restrictions on recruitment for jobs with skills shortages.
But what are described as "high-contributing" individuals such as doctors and nurses could be fast-tracked through the system.
Language requirements will be increased for all immigration routes to ensure a higher level of English.
Rules will also be laid out for adult dependants, meaning they will have to demonstrate a basic understanding of the language.
The plans also call for stricter tests for colleges and universities offering places to foreign students and a reduction in the time graduates can remain in the UK after their studies from two years to 18 months.
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
MISSION: IMPOSSIBLE – FINAL RECKONING
Director: Christopher McQuarrie
Starring: Tom Cruise, Hayley Atwell, Simon Pegg
Rating: 4/5
The specs: 2018 Renault Koleos
Price, base: From Dh77,900
Engine: 2.5L, in-line four-cylinder
Transmission: Continuously variable transmission
Power: 170hp @ 6,000rpm
Torque: 233Nm @ 4,000rpm
Fuel economy, combined: 8.3L / 100km
Director: Laxman Utekar
Cast: Vicky Kaushal, Akshaye Khanna, Diana Penty, Vineet Kumar Singh, Rashmika Mandanna
Rating: 1/5